Empfehlungen basierend auf "Poems - Gedichte"

Available for the first time in a single volume, Ranier Maria Rilke’s two most beloved sequences of poems rendered by his most faithful translator. Rilke is unquestionably the twentieth century’s most significant and compelling poet of romantic transformation and spiritual quest. His poems of ecstatic identification with the world exert perennial fascination. In Stephen Mitchell’s versions of Rilke’s two greatest masterpieces readers will discover an English rendering that captures the lyric intensity, fluency, and reach of his poetry. Stephen Mitchell adheres impeccably to Rilke’s text, to his formal music, and to the complexity of his thought; at the same time, Mitchell’s work has authority and power as poetry in its own right.

Originally Written To A Young Man Considering A Career In The German Military, Rainer Maria Rilke's Beautiful Letters Explore A Huge Range Of Subjects Delicately And With A Passionate Sensitivity. The Recipient, Franz Kappus, Began To Send His Poetry To The 27-year-old Rilke When A Student, Seeking Advice. Their Correspondence Lasted From 1902 To 1908, And Kappus Collated And Published The Ten Letters After Rilke's Death. The Letters Contain Insights Which Are As Profound Today As When They Were Written, Touching On Sexuality, Love, Creativity And Other Aspects Of The Human Condition. The Book Is Perenially And Hugely Influential In The Us, Where It Enjoys The Accolade Of Being Lady Gaga's Favourite Book.

First published in 1986, this is the translation from German to English by Albert Ernest Flemming, enabling the reader to fully appreciate Rilke's poems in their form, sensitivity and concentrated images. This volume includes collected poetry covering sonnets, elegies and a chronology of Rilke's life.

This collection of Trakl’s essential poetry contains the two books published in his lifetime, Gedichte (Poems, 1913) and Sebastian im Traum (Sebastian in a Dream, 1914), together with the later poems published in the magazine Der Brenner which might have formed the nucleus of a third collection.His starkly beautiful, musical poems are rightly regarded as being among the early twentieth century’s most original poetry. From a life marred by drug addiction and breakdowns, he created work of great depth and power, brought hauntingly to life in Margitt Lehbert’s close and sympathetic versions.Georg Trakl (1887-1914) was born in Salzburg, Austria, where he lived apart from spells in Vienna. After qualifying as a pharmacist he spent his year of military service in the Innsbruck garrison hospital pharmacy. In the wake of the Battle of Grodek, he died of a drug overdose in a military hospital in Krakow.Margitt Lehbert was born in Geneva, Switzerland, to German parents in 1957. She grew up in the United States and Germany, studied in Konstanz and Iowa City, and translates into German as well as English. In 2006 she founded Edition Rugerup, which publishes mostly poetry in translation. She lives in south Sweden.

An undeniable aura surrounds the name of Georg Trakl, a poet of intense inner vision and originality whose work stands alongside that of Yeats, Valery, and T. S. Eliot. The distinctive tone of Trakl's work--especially admired by his patron Ludwig Wittgenstein--is autumnal and melancholy. Trakl was writing at a time of spiritual and social disintegration on the eve of the First World War, when personal values and perceptions tended to be subsumed in a more generalized anguish and exaltation.

'Shall I embrace you, must I let you go? Again you haunt me: come then, hold me fast!' Goethe viewed the writing of poetry as essentially autobiographical and the works selected in this volume represent over sixty years in the life of the poet. In early poems such as 'Prometheus' he rails against religion in an almost ecstatic fervour, while 'To the Moon' is an enigmatic meditation on the end of a love affair. The Roman Elegies show Goethe's use of Classical metres in homage to abcient Rome and its poets, and 'The Diary' , supressed for more than a century, is a narrative poem whose eroticism is unusually combined with its morality. Arranged chronologically, David Luke's verse translations are set alonjgside the German orginals to give a picture of Goethe's poetic development. This edition also includes an introduction and notes placing the poems in the context of the poet's life and times.

Gathers a representative sampling of the German writer's poems and includes prose translations from the German

This unique volume contains, in parallel translation, a thousand of the most frequently performed Lieder, both piano-accompanied and orchestral. Composers are arranged alphabetically, with their songs appearing under poet in chronological order of composition - thus allowing the reader to engage in depth with a particular poet and at the same time to follow the composer's development. Richard Stokes, whose work in this field is already widely acclaimed, provides illuminating short essays on each of the fifty composers' approach to Lieder composition, as well as well as notes on all the poets who inspired the songs. The volume is notable for the accuracy and elegance of its translations, and for its fidelity to the German verse: every care has been taken to print the words of the sung text, while adhering to the versification and punctuation of the original poem. Beethoven, Schubert and Schumann, Goethe, Heine and Schiller are among the highlights of a book which illuminates one of the great musical traditions and will be an indispensable handbook for every music lover.

brütt, or The Sighing Gardens is the hallucinatory tale of an obsessive writer’s love affair late in life as told through the daily journal entries of the writer—a montage of relentless observation interspersed with found materials from newspaper articles, literature, and private correspondence. The process of aging and the process of writing are two persistent and carefully intertwined themes, though it is apparent that plot and theme are subordinate to the linguistic experiments that Friederike Mayröcker performs as she explores them. Mayröcker is known for crossing the boundaries of literary forms and in her prose work she creates a hypnotic, slurred narrative stream that is formally seamless while simultaneously overstepping all the bounds of grammar and style. She is always pushing to expose the limits of language and explore its experimental potential, seeking a re-ordering of the world through the re-ordering of words. Her multilayered texts are reminiscent of the traditions of Surrealism and Dadaism and display influences from the works of Beckett, Hölderlin, Freud, and Barthes. Yet, much of Mayrocker’s writing simply has no corollary and the experience of reading Roslyn Theobald’s brilliant translation grants the English-speaking audience an unforgettable encounter with this completely original work.

Always aware that he was living in an alien culture, these poems from Erich Fried (1921–1988) reflect the sensitivities of a Jew who could not accept an Israel that persecuted others; and who was grateful to the country that had given him shelter and protection from the Nazis despite the great number of matters that made him unsettled in England. Although Fried moved between two cultural worlds, he never lost touch with his native tongue and its literature. Collected here are moving and questioning poems about the Holocaust as well as his work on Vietnam and Chile, which illustrates his ability to combine depth of feeling with a strong grasp of political realties.