Empfehlungen basierend auf "Pale Fire: With an Introduction by Mary Gaitskill"

At once funny, wistful and unsettling, Sum is a dazzling exploration of unexpected afterlives—each presented as a vignette that offers a stunning lens through which to see ourselves in the here and now. In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.

A novel inspired by the writings of Thomas Mann, including his childhood, his wife Katia, and the times is which they lived -- the First World War, the rise of Hitler, World War II, the Cold War, and exile.

This celebrated collection of essays from the author of Infinite Jest is "brilliantly entertaining...Consider the Lobster proves once more why Wallace should be regarded as this generation's best comic writer" (Cleveland Plain Dealer).Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person?David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of John McCain's 2000 presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters."Wallace can do sad, funny, silly, heartbreaking, and absurd with equal ease; he can even do them all at once." --Michiko Kakutani, New York Times

The Glass Bead Game is an ultra-aesthetic game which is played by the scholars, creamed off in childhood and nurtured in elite schools, in the province of Castalia. The Master of the Glass Bead Game, Joseph Knecht, holds the most exalted office in Castalia. He personifies the detachment, serenity and aesthetic vision which reward a life dedicated to perfection of the intellect. But can, indeed should, man live isolated from hunger, family, children, women, in a perfect world where passions are tamed by meditation, where academic discipline and order are paramount? This is Herman Hesse’s great novel. It is a major contribution to contemporary philosophic literature and has a powerful vision of universality, the inner unity of man’s cultural ideals and his search for personal perfection and social responsibility.

The Novels of Ray Bradbury by Ray Bradbury, Granada Publishing Limited, 8 Grafton Street, London England, 1984, First British Edition. This is a Highly Collectible, SIGNED, Hardcover Book and Dust jacket. The book is Sunflower Yellow Cloth over Boards with Navy Blue Lettering on the spine. The book is SIGNED on the Front Free End Page, EDIE! Ray Bradbury 1/18/93. The dust jacket has been placed in an archival, clear Mylar for further protection and preservation. Here for the first time in one volume are Ray Bradbury's three haunting novels Fahrenheit 451, Dandelion Wine and Something Wicked This Way Comes. Fahrenheit 451 is a famous and terrifying fable which has also been filmed by the French Director Francois Truffault. Dandelion Wine is a Beautiful Novel - full of summer, set in the real world but enriched by Bradbury's original imagination and his unique gift for fantasy. Something Wicked This Way Comes is a novel of pure and classic fantasy imbued with frightening air of evil. Together these novels reveal the range of imagination, the art, the phenomenon that is Ray Bradbury.

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history. Beginning with his early besotted encounters with Vineland, Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present.

Kurt Vonnegut has surpassed even his own giddy heights of hilariously bitter irony in Bluebeard. It is a novel so funny and yet so terribly serious that you will read it - then reconsider your own life.

A 2004 PEN/Malamud Award winner, this collection celebrates the work of American artist Richard Bausch -- a writer the New York Times calls "a master of the short story." By turns tender, raw, heartbreaking, and riotously funny, the many voices of this definitive forty-two-story collection (seven of which appear here for the first time) defy expectation, attest to Bausch's remarkable range and versatility, and affirm his place alongside such acclaimed story writers as John Cheever, Flannery O'Connor, Raymond Carver, and Grace Paley.

Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays. Returning to many of Cioran’s favorite themes, The New Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books.

2 classic books for the price of 1: Vintage Sin is a limited edition gift pack which consists of beautifully designed separate volumes of Inferno by Dante and Philip Roth's shocking novel, Sabbath's Theater. Vintage Sin is just one of ten Vintage Classic Twins to collect. Each twin consists of two books: a specially designed limited edition of one modern classic title and one established classic work. The books in each pair have been carefully selected to provide a thought-provoking combination. Inferno: On Good Friday evening in the year 1300, Dante finds himself lost in a dark and menacing wood. The ghost of Virgil offers to lead him to safety but the path lies through the terrifying kingdom of Satan. On his journey deep into the underworld, Dante crosses paths with both old acquaintances and famous characters from history as he witnesses the strange and gruesome sufferings of the damned. Sabbath's Theater: Once a scandalously inventive puppeteer, Micky Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his long-time mistress, Sabbath embarks on a turbulent journey into his past. Bereft and grieving, besieged by the ghosts of those who loved and hated him most, he contrives a succession of farcical disasters that take him to the brink of madness and extinction