Empfehlungen basierend auf "On Mother"

A New York Times and Los Angeles Times BestsellerThe best-selling author of Smoke Gets in Your Eyes expands our sense of what it means to treat the dead with "dignity."Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty set out to discover how other cultures care for the dead. From Here to Eternity is an immersive global journey that introduces compelling, powerful rituals almost entirely unknown in America.In rural Indonesia, she watches a man clean and dress his grandfather’s mummified body, which has resided in the family home for two years. In La Paz, she meets Bolivian natitas (cigarette-smoking, wish-granting human skulls), and in Tokyo she encounters the Japanese kotsuage ceremony, in which relatives use chopsticks to pluck their loved-ones’ bones from cremation ashes.With boundless curiosity and gallows humor, Doughty vividly describes decomposed bodies and investigates the world’s funerary history. She introduces deathcare innovators researching body composting and green burial, and examines how varied traditions, from Mexico’s Días de los Muertos to Zoroastrian sky burial help us see our own death customs in a new light.Doughty contends that the American funeral industry sells a particular―and, upon close inspection, peculiar―set of "respectful" rites: bodies are whisked to a mortuary, pumped full of chemicals, and entombed in concrete. She argues that our expensive, impersonal system fosters a corrosive fear of death that hinders our ability to cope and mourn. By comparing customs, she demonstrates that mourners everywhere respond best when they help care for the deceased, and have space to participate in the process.Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a story about the many fascinating ways people everywhere have confronted the very human challenge of mortality. 45 illustrations

When Souad was seventeen she fell in love. In her village, as in so many others, sex before marriage was considered a grave dishonour to one's family and was punishable by death. This was her crime. Her brother-in-law was given the task of arranging her punishment. One morning while Souad was washing the family's clothes, he crept up on her, poured petrol over her and set her alight.In the eyes of their community he was a hero. An execution for a 'crime of honour' was a respectable duty unlikely to bring about condemnation from others. It certainly would not have provoked calls for his prosecution. More than five thousand cases of such honour killings are reported around the world each year and many more take place that we hear nothing about.Miraculously, Souad survived rescued by the women of her village, who put out the flames and took her to a local hospital. Horrifically burned, and abandoned by her family and community, it was only the intervention of a European aid worker that enabled Souad to receive the care and sanctuary she so desperately needed and to start her life again. She has now decided to tell her story and uncover the barbarity of honour killings, a practice which continues to this day.Burned Alive is a shocking testimony, a true story of almost unbelievable cruelty. It speaks of amazing courage and fortitude and of one woman's determination to survive. It is also a call to break the taboo of silence that surrounds this most brutal of practices and which ignores the plight of so many other women who are also victims of traditional violence.

New York Times BestsellerAn intimate and evocative memoir one woman’s experience with the universality of grief and the redemptive power of love as she endures her husband’s 84-day battle with lung cancer.When Steph Catudal met her husband Rivs, she thought that the love, stability, and warmth she shared with her husband had finally dispelled her pent-up anger and grief over the loss of her father and her faith. But when Rivs became ill and was put into coma at the height of the pandemic, the painful memories of her childhood—watching her father die of cancer—came flooding back.Written with lush lyricism, Steph’s account of how this crisis forced her to confront her past is raw, illuminating, and heartbreaking: her father’s death that wrecked her faith in God and jumpstarted a decade of rebellion, including running away from home and living out of a van at age 16, struggling with alcoholism, and delving into drugs to ease her pain. Sitting by Rivs's bedside, she grappled with the memories of the past and the uncertainties of the future while reckoning with the unknowns of her husband’s illness. Rivs would endure a grueling 84 days in a medically induced coma, eventually undergoing chemo for a similar illness that stole her father.Like Cheryl Strayed’s Wild, and Michelle Zauner’s Crying in H Mart, Everything All At Once is a heart-wrenching and ultimately uplifting reflection on resilience and a powerful reminder that we can find healing no matter how broken we are.

“Rarely do memoirs of grief combine anguish, love, and fury with such elegance.” ― Entertainment Weekly In 2002, Ann Hood’s five-year-old daughter Grace died suddenly from a virulent form of strep throat. Stunned and devastated, the family searched for comfort in a time when none seemed possible. Hood―an accomplished novelist―was unable to read or write. She could only reflect on her lost daughter―“the way she looked splashing in the bathtub ... the way we sang ‘Eight Days a Week.’” One day, a friend suggested she learn to knit. Knitting soothed her and gave her something to do. Eventually, she began to read and write again. A semblance of normalcy returned, but grief, in ever new and different forms, still held the family. What they could not know was that comfort would come, and in surprising ways. Hood traces her descent into grief and reveals how she found comfort and hope again―a journey to recovery that culminates with a newly adopted daughter.

This is the heartbreaking story of the murder of 16-year-old Bristol schoolgirl Becky Watts, a personal and heartfelt account of a crime that shocked the nation in a unique way and tore a family in two.

SHORTLISTED 2014 – Scotiabank Giller PrizeMiriam Toewsis beloved for her irresistible voice, for mingling laughter and heartwrenching poignancy like no other writer. In her most passionate novel yet, she brings us the riveting story of two sisters, and a love that illuminates life.You won’t forget Elf and Yoli, two smart and loving sisters. Elfrieda, a world-renowned pianist, glamorous, wealthy, happily married: she wants to die. Yolandi, divorced, broke, sleeping with the wrong men as she tries to find true love: she desperately wants to keep her older sister alive. Yoli is a beguiling mess, wickedly funny even as she stumbles through life struggling to keep her teenage kids and mother happy, her exes from hating her, her sister from killing herself and her own heart from breaking.But Elf’s latest suicide attempt is a shock: she is three weeks away from the opening of her highly anticipated international tour. Her long-time agent has been calling and neither Yoli nor Elf’s loving husband knows what to tell him. Can she be nursed back to “health” in time? Does it matter? As the situation becomes ever more complicated, Yoli faces the most terrifying decision of her life.All My Puny Sorrows, at once tender and unquiet, offers a profound reflection on the limits of love, and the sometimes unimaginable challenges we experience when childhood becomes a new country of adult commitments and responsibilities. In her beautifully rendered new novel, Miriam Toews gives us a startling demonstration of how to carry on with hope and love and the business of living even when grief loads the heart.

Part poignant cancer memoir and part humorous reflection on a motherless life, this debut graphic novel is extraordinarily comforting and engaging.From before her mother's first oncology appointment through the stages of her cancer to the funeral, sitting shiva, and afterward, when she must try to make sense of her life as a motherless daughter, Tyler Feder tells her story in this graphic novel that is full of piercing--but also often funny--details. She shares the important post-death firsts, such as celebrating holidays without her mom, the utter despair of cleaning out her mom's closet, ending old traditions and starting new ones, and the sting of having the "I've got to tell Mom about this" instinct and not being able to act on it. This memoir, bracingly candid and sweetly humorous, is for anyone struggling with loss who just wants someone to get it.

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, “like towing a wrecked car across town at midnight.” It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you—as a twenty-five-year-old—are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it—even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her—because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again—if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame—from selling the pilot of Girls to the present—in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain—and begins to control your every move—being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

WINNER OF THE WOMEN'S PRIZE FOR NON-FICTION 2025 SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2024 BOOK OF THE YEAR IN THE SPECTATOR, NEW STATESMAN, NEW SCIENTIST, AND PROSPECT 'What a book . . . The perfect book' Chris Evans on Virgin Radio 'Profoundly moving and at the same time wildly inspiring' Rob Delaney 'Rachel Clarke's finest book yet' Financial Times 'The best narrative non-fiction I've read in years. Rachel Clarke has written a profound piece of investigative journalism and wrapped it up in poetry' Christie Watson 'This is THE MOST BEAUTIFUL and riveting book: written with such humanity, empathy and knowledge, such tact and drama and eloquence. Vital reading, lifelong revelation' Laura Cumming This is the unforgettable story of how one family's grief transformed into a lifesaving gift. With tremendous compassion and clarity, Dr Rachel Clarke relates the urgent journey of a young girl's heart and explores a history of remarkable medical innovations , stretching back over a century and involving the knowledge and dedication not just of surgeons but of countless physicians, immunologists, nurses and scientists. FROM THE AUTHOR OF THE SUNDAY TIMES BESTSELLER DEAR LIFE AND BREATHTAKING, A MAJOR TV DRAMA

"Debra, I've got to ask you - Rhonda's been telling me the most awful things about your dad - they're not true, are they?"I sat up. In a loud, harsh voice I scarcely recognized as my own, I told my mother, "Let the past be the past."After she left, silently, I sat up for a long time thinking....Fort Worth Police Detective Deb Ralston ought to know that she can't follow her own advice to leave well enough alone. For example, there's Dusty Miller: a popular, pretty, straight "A" student who leaps off her fourteenth-story balcony just before Deb barrels onto the scene. Too late. It's out of her hands, everyone tells her, but the question of why Dusty did it keeps nagging at Deb.That's not all, of course. Partially laid up after foot surgery, Deb grudgingly agrees to work in the Sex Crimes Unit, where she'll be the only woman and maybe the only one competent enough to get to the bottom of tricky cases like the Super Glue rapist and the overfriendly Mr. Washington.Deb finds the work disturbing, especially since she can't seem to stop thinking about her own dreadful childhood. Life at home isn't easy either, what with the reappearance of her desperately ill younger sister Rhonda after a ten-year absence, her mother's insistence that Deb needs her overbearing brand of help, and her husband's tendency to keep his thoughts to himself. And the dreams, of poison-spitting snakes and tidal waves, peppered with Dusty and Rhonda and the girl whose mother killed her that appear whenever she closes her eyes....