Empfehlungen basierend auf "My Friends"

A deliciously commercial YA page-turner about the daughter of a con artist who is taken hostage in a bank heist. Nora O'Malley is a lot of things. A sister. An ex. A secret girlfriend. Kind of crooked, but reformed... somewhat. Nora O'Malley's been a lot of girls. As the daughter of a con-artist who targets criminal men, she grew up her mother's protege. But when mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape. For five years she's been playing at normal. But she needs to dust off the skills she ditched because she has three problems: #1: her ex walked in on her with her girlfriend. Even though they've all been inseparable for months, Wes didn't know about her and Iris. #2: The morning after, they all have to meet to deposit the fundraiser money they raised together. It's a nightmare that goes from awkward to deadly. Because #3: right after they get in the bank, two guys start robbing it. But they have no idea who they're really holding hostage. The robbers are trouble. Nora's something else entirely.

In een klein, net appartement aan de rand van de metropool Seoul woont Kim Jiyoung, een dertigjarige millennial die onlangs haar kantoorbaan heeft opgegeven om fulltime voor haar pasgeboren dochter te kunnen zorgen. Maar al snel begint ze vreemde symptomen te vertonen die haar man, ouders en schoonouders verontrusten: Jiyoung imiteert de stemmen van andere vrouwen – levend en zelfs dood.Terwijl ze dieper in deze psychose duikt, stuurt haar echtgenoot haar naar een psychiater. Jiyoungs hele leven komt voorbij. Een verhaal doordrenkt van frustratie, doorzettingsvermogen en onderwerping. De rode draad: haar gedrag wordt altijd gecontroleerd door de mannelijke figuren om haar heen.

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review “Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah DailyWinner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American historyKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.  New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

Now a major motion picture streaming on Hulu, starring Anne Hathaway and Thomasin McKenzie Shortlisted for the Man Booker Prize “Eileen is a remarkable piece of writing, always dark and surprising, sometimes ugly and occasionally hilarious. Its first-person narrator is one of the strangest, most messed-up, most pathetic—and yet, in her own inimitable way, endearing—misfits I’ve encountered in fiction. Trust me, you have never read anything remotely like Eileen.” —Washington Post So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue.

Het wel en wee van een Amerikaanse popgroep vanaf de start, hun grote successen in de jaren zeventig en hun einde na het vertrek van de zangeres.