Empfehlungen basierend auf "Miracles"

“Thousands of people have written to tell me that I am wrong not to believe in God. The most hostile of these communications have come from Christians. This is ironic, as Christians generally imagine that no faith imparts the virtues of love and forgiveness more effectively than their own. The truth is that many who claim to be transformed by Christ’s love are deeply, even murderously, intolerant of criticism. While we may want to ascribe this to human nature, it is clear that such hatred draws considerable support from the Bible. How do I know this? The most disturbed of my correspondents always cite chapter and verse.”So begins Letter to a Christian Nation…www.samharris.org

How do art and faith intersect? How does art help us see our own lives more clearly? What can we understand about God and humanity by looking at the lives of artists?Striving for beauty, art also reveals what is broken. It presents us with the tremendous struggles and longings common to the human experience. And it says a lot about our Creator too. Great works of art can speak to the soul in a unique way.Rembrandt Is in the Wind is an invitation to discover some of the world's most celebrated artists and works and how each of them illuminates something about God, people, and the purpose of life. Part art history, part biblical study, part philosophy, and part analysis of the human experience, this book is nonetheless all story.From Michelangelo to Vincent van Gogh to Edward Hopper, the lives of the artists in this book illustrate the struggle of living in this world and point to the beauty of the redemption available to us in Christ. Each story is different. Some conclude with resounding triumph while others end in struggle. But all of them raise important questions about humanity's hunger and capacity for glory, and all of them teach us to love and see beauty."The artists featured in these pages—artists who devoted their lives and work to what is good, true, and beautiful—remind us that we can, and should, do the same." —Karen Swallow Prior, author of On Reading Well

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life“Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese“[An] elegant treatise. . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers WeeklyConceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio in a discipline of awareness, waiting, prayer, and praise.Ranging from the Bible to T. S. Eliot, Mark Rothko, and Japanese Kintsugi technique, he shows how, unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, an “accidental theologian,” one who comes to spiritual questions always through the prism of art.

Ancient Jewish sacrifice has long been misunderstood. Some find in sacrifice the key to the mysterious and violent origins of human culture. Others see these cultic rituals as merely the fossilized vestiges of primitive superstition. Some believe that ancient Jewish sacrifice was doomed from the start, destined to be replaced by the Christian eucharist. Others think that the temple was fated to be superseded by the synagogue. In Purity, Sacrifice, and the Temple Jonathan Klawans demonstrates that these supersessionist ideologies have prevented scholars from recognizing the Jerusalem temple as a powerful source of meaning and symbolism to the ancient Jews who worshiped there. Klawans exposes and counters such ideologies by reviewing the theoretical literature on sacrifice and taking a fresh look at a broad range of evidence concerning ancient Jewish attitudes toward the temple and its sacrificial cult. The first step toward reaching a more balanced view is to integrate the study of sacrifice with the study of purity-a ritual structure that has commonly been understood as symbolic by scholars and laypeople alike. The second step is to rehabilitate sacrificial metaphors, with the understanding that these metaphors are windows into the ways sacrifice was understood by ancient Jews. By taking these steps-and by removing contemporary religious and cultural biases-Klawans allows us to better understand what sacrifice meant to the early communities who practiced it. Armed with this new understanding, Klawans reevaluates the ideas about the temple articulated in a wide array of ancient sources, including Josephus, Philo, Pseudepigrapha, the Dead Sea Scrolls, New Testament, and Rabbinic literature. Klawans mines these sources with an eye toward illuminating the symbolic meanings of sacrifice for ancient Jews. Along the way, he reconsiders the ostensible rejection of the cult by the biblical prophets, the Qumran sect, and Jesus. While these figures may have seen the temple in their time as tainted or even defiled, Klawans argues, they too-like practically all ancient Jews-believed in the cult, accepted its symbolic significance, and hoped for its ultimate efficacy.

The last command Jesus gave the church before he ascended to heaven was the Great Commission, the call for Christians to "make disciples of all the nations." But Christians have responded by making "Christians," not "disciples." This, according to brilliant scholar and renowned Christian thinker Dallas Willard, has been the church's Great Omission."The word disciple occurs 269 times in the New Testament," writes Willard. "Christian is found three times and was first introduced to refer precisely to disciples of Jesus. . . . The New Testament is a book about disciples, by disciples, and for disciples of Jesus Christ. But the point is not merely verbal. What is more important is that the kind of life we see in the earliest church is that of a special type of person. All of the assurances and benefits offered to humankind in the gospel evidently presuppose such a life and do not make realistic sense apart from it. The disciple of Jesus is not the deluxe or heavy-duty model of the Christian -- especially padded, textured, streamlined, and empowered for the fast lane on the straight and narrow way. He or she stands on the pages of the New Testament as the first level of basic transportation in the Kingdom of God."Willard boldly challenges the thought that we can be Christians without being disciples, or call ourselves Christians without applying this understanding of life in the Kingdom of God to every aspect of life on earth. He calls on believers to restore what should be the heart of Christianity -- being active disciples of Jesus Christ. Willard shows us that in the school of life, we are apprentices of the Teacher whose brilliance encourages us to rise above traditional church understanding and embrace the true meaning of discipleship -- an active, concrete, 24/7 life with Jesus.

On the occasion of the 50th anniversary of C. S. Lewis’s death, a special annotated edition of his Christian classic, The Screwtape Letters, with notes and excerpts from his other works that help illuminate this diabolical masterpiece.Since its publication in 1942, The Screwtape Letters has sold millions of copies worldwide and is recognized as a milestone in the history of popular theology. A masterpiece of satire, it offers a sly and ironic portrayal of human life and foibles from the vantage point of Screwtape, a highly placed assistant to “Our Father Below.” At once wildly comic, deadly serious, and strikingly original, The Screwtape Letters comprises the correspondence of the worldly-wise devil Screwtape and his nephew Wormwood, a novice demon in charge of securing the damnation of an ordinary young man.For the first time, The Screwtape Letters will be presented in full-text accompanied by helpful annotations in a striking two-color format. These annotations will give fans a deeper, more nuanced understanding of the popular book, providing background information, explanations of terms, historical significance, and excerpts from Lewis’s other works that more fully explain the ideas in this volume.For both expert Lewis fans and casual readers, The Screwtape Letters: Annotated Edition will be a beautiful and insightful guide to a beloved classic.

The problem of evil has long perplexed traditional theists: Why do terrible events, such as crimes, wars, and natural disasters, occur in a world believed to be created by an omnipotent and wholly good God? In The Problem of Evil for Atheists, Yujin Nagasawa offers a fresh perspective that seeks to transform the perennial philosophical debate on this matter. The book contends that the problem of evil surpasses its conventional understanding, impacting not only traditional theists but also posing a challenge for atheists and other 'non-theists', including pantheists, axiarchists, and followers of Eastern religious traditions. Moreover, it posits that traditional theists, who typically embrace some form of supernaturalism, are better equipped to address the problem than naturalist atheists/non-theists because the only potentially successful response requires supernaturalism. Conversely, it suggests that if atheists/non-theists can develop a successful naturalist response, traditional theists can also adopt it. The volume concludes that traditional theists are better positioned than atheists/non-theists to grapple with the problem-an unexpected assertion, given that the problem of evil is normally viewed as an argument against traditional theism and in favour of atheism/non-theism. The Problem of Evil for Atheists presents a comprehensive defence of a fundamentally new approach to tackling the age-old philosophical conundrum. By challenging the conventional perspective, it endeavours to reshape our understanding and interpretation of evil in a profound manner. An open access title available under the terms of a CC BY-NC-ND 4.0 licence.

A considerable amount of public debate and media print has been devoted to the “war between science and religion.” In his accessible and eminently readable new book, Stephen M. Barr demonstrates that what is really at war with religion is not science itself, but a philosophy called scientific materialism. Modern Physics and Ancient Faith argues that the great discoveries of modern physics are more compatible with the central teachings of Christianity and Judaism about God, the cosmos, and the human soul than with the atheistic viewpoint of scientific materialism. Scientific materialism grew out of scientific discoveries made from the time of Copernicus up to the beginning of the twentieth century. These discoveries led many thoughtful people to the conclusion that the universe has no cause or purpose, that the human race is an accidental by-product of blind material forces, and that the ultimate reality is matter itself. Barr contends that the revolutionary discoveries of the twentieth century run counter to this line of thought. He uses five of these discoveries―the Big Bang theory, unified field theories, anthropic coincidences, Gödel’s Theorem in mathematics, and quantum theory―to cast serious doubt on the materialist’s view of the world and to give greater credence to Judeo-Christian claims about God and the universe. Written in clear language, Barr’s rigorous and fair text explains modern physics to general readers without oversimplification. Using the insights of modern physics, he reveals that modern scientific discoveries and religious faith are deeply consonant. Anyone with an interest in science and religion will find Modern Physics and Ancient Faith invaluable.

For the first time a noted historian of Christianity explores the full story of the emergence and development of the Marian cult in the early Christian centuries. The means by which Mary, mother of Jesus, came to prominence have long remained strangely overlooked despite, or perhaps because of, her centrality in Christian devotion. Gathering together fresh information from often neglected sources, including early liturgical texts and Dormition and Assumption apocrypha, Stephen Shoemaker reveals that Marian devotion played a far more vital role in the development of early Christian belief and practice than has been previously recognized, finding evidence that dates back to the latter half of the second century. Through extensive research, the author is able to provide a fascinating background to the hitherto inexplicable “explosion” of Marian devotion that historians and theologians have pondered for decades, offering a wide-ranging study that challenges many conventional beliefs surrounding the subject of Mary, Mother of God.

In 1987, an IRA bomb buried Gordon Wilson and his twenty-year-old daughter beneath five feet of rubble. Gordon alone survived. And forgave. He said of the bombers, " I have lost my daughter, but I bear no grudge . . . I shall pray, tonight and every night, that God will forgive them." His words caught the media's ears -- and out of one man's grief, the world got a glimpse of grace. Grace is the church's great distinctive. It's the one thing the world cannot duplicate, and the one thing it craves above all else -- for only grace can bring hope and transformation to a jaded world. In What's So Amazing About Grace? award-winning author Philip Yancey explores grace at street level. If grace is God's love for the undeserving, he asks, then what does it look like in action? And if Christians are its sole dispensers, then how are we doing at lavishing grace on a world that knows far more of cruelty and unforgiveness than it does of mercy? Yancey sets grace in the midst of life's stark images, tests its mettle against horrific "ungrace." Can grace survive in the midst of such atrocities as the Nazi holocaust? Can it triumph over the brutality of the Ku Klux Klan? Should any grace at all be shown to the likes of Jeffrey Dahmer, who killed and cannibalized seventeen young men? Grace does not excuse sin, says Yancey, but it treasures the sinner. True grace is shocking, scandalous. It shakes our conventions with its insistence on getting close to sinners and touching them with mercy and hope. It forgives the unfaithful spouse, the racist, the child abuser. It loves today's AIDS-ridden addict as much as the tax collector of Jesus' day. In his most personal and provocative book ever, Yancey offers compelling, true portraits of grace's life-changing power. He searches for its presence in his own life and in the church. He asks, How can Christians contend graciously with moral issues that threaten all they hold dear? And he challenges us to become living answers to a world that desperately wants to know, What's So Amazing About Grace?