Empfehlungen basierend auf "Miracles from Heaven A Little Girl and Her Amazing Story of Healing"

NATIONAL BESTSELLER • NEW YORK TIMES EDITORS’ CHOICE • A “profound and beautiful” (Marilynne Robinson) account of joy and sorrow from one of the great writers of our time, The New Yorker’s Kathryn Schulz, winner of the Pulitzer Prize“I will stake my reputation on you being blown away by Lost & Found.”—Anne Lamott, author of Dusk, Night, Dawn and Bird by BirdLONGLISTED FOR THE NATIONAL BOOK AWARD • FINALIST FOR THE NATIONAL JEWISH BOOK AWARD • FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE ANDREW CARNEGIE MEDALONE OF THE TEN BEST BOOKS OF THE YEAR: PeopleONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Oprah Daily, The Washington Post, The Boston Globe, Esquire, Vulture, She Reads, Book Riot, Publishers WeeklyOne spring morning, Kathryn Schulz went to lunch with a stranger and fell in love. Having spent years looking for the right relationship, she was dazzled by how swiftly everything changed when she finally met her future wife. But as the two of them began building a life together, Schulz’s beloved father—a charming, brilliant, absentminded Jewish refugee—went into the hospital with a minor heart condition and never came out. Newly in love yet also newly bereft, Schulz was left contending simultaneously with wild joy and terrible grief.Those twin experiences form the heart of Lost & Found, a profound meditation on the families that make us and the families we make. But Schulz’s book also explores how disappearance and discovery shape us all. On average, we each lose two hundred thousand objects over our lifetime, and Schulz brilliantly illuminates the relationship between those everyday losses and our most devastating ones. Likewise, she explores the importance of seeking, whether for ancient ruins or new ideas, friends, faith, meaning, or love. The resulting book is part memoir, part guidebook to sustaining wonder and gratitude even in the face of loss and grief. A staff writer at The New Yorker and winner of the Pulitzer Prize, Schulz writes with curiosity, tenderness, and humor about the connections between joy and sorrow—and between us all.

#1 NEW YORK TIMES BESTSELLER • The critically acclaimed singer-songwriter, producer, and six-time Grammy winner opens up about faith, sexuality, parenthood, and a life shaped by music in “one of the great memoirs of our time” (Glennon Doyle, author of Untamed).NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND AUTOSTRADDLE • “The best-written, most engaging rock autobiography since her childhood hero, Elton John, published Me.”—VarietyBrandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, fourteen times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood.As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music.In Broken Horses, Brandi Carlile takes readers through the events of her life that shaped her very raw art—from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over fifteen years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans.Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church’s basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back.

FINALIST FOR THE 2023 PULITZER PRIZE FOR MEMOIR 'An exquisite exploration of disability, identity and the human capacity to do (and be) more than we've ever dreamed' Time 'Gorgeously, vividly alive' New York Times 'Challenges the unspoken social taboos about the disabled body, unpacking myths of beauty and our complicity in upholding those myths' Lit Hub Born with sacral agenesis, a visible congenital disability that affects her stature and gait, Chloé Cooper Jones had always found solace in what she thought of as 'the neutral room' - a dissociative space in her mind that offered her solace and self-protection, but also kept her isolated. When she became pregnant (disproving her doctor, who had assumed it impossible), something necessary in her started to crack, forcing her to reckon with her defensive positionality to the world and the people in it. This prompted an odyssey across time and space as Chloé - while at museums, operas, concerts and sporting events, and in the presence of awe-inspiring nature - reconsidered the consciousness-shifting power of beauty. A book of the year for the New York Times, Washington Post, Los Angeles Times, USA Today, Time, BuzzFeed, Lit Hub, Electric Literature, Vulture, Publishers Weekly, Booklist and New York Public Library

A memoir-in-essays from disability advocate and creator of the Instagram account @sitting_pretty Rebekah Taussig, processing a lifetime of memories to paint a beautiful, nuanced portrait of a body that looks and moves differently than most.Growing up as a paralyzed girl during the 90s and early 2000s, Rebekah Taussig only saw disability depicted as something monstrous (The Hunchback of Notre Dame), inspirational (Helen Keller), or angelic (Forrest Gump). None of this felt right; and as she got older, she longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling.Writing about the rhythms and textures of what it means to live in a body that doesn’t fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life.Disability affects all of us, directly or indirectly, at one point or another. By exploring this truth in poignant and lyrical essays, Taussig illustrates the need for more stories and more voices to understand the diversity of humanity. Sitting Pretty challenges us as a society to be patient and vigilant, practical and imaginative, kind and relentless, as we set to work to write an entirely different story.

Control. Jealousy. Isolation. Blame. Anger. Violence. The inspiring true story of a young woman who suffered a terrifyingly abusive relationship culminating in a horrific acid attack from the man who claimed to love her. Adele was just 23 years old when she was scarred for life by an acid attack arranged by her ex-boyfriend, Anthony. The attack left her partially bald and she lost her right ear. This was Anthony's attempt to stop her from ever being attractive to another man - a final act of 'control' over her and the horrific end to a terrifying case of domestic abuse. The acid attack came after she had ended her relationship of several years with Anthony Riley, the man who said he couldn't live without her. Anthony Riley was convicted in October 2015 and was sentenced to a minimum of 13 years in prison. This is Adele's brave story, the story of one woman's incredible fight to recover from the most appalling injuries and to decide that she would not be controlled, she would be strong.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from the author of The Handmaid's Tale and The Testaments, one of our most lauded and influential cultural figures. 'Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.' Raised by ruggedly independent, scientifically minded parents - entomologist father, dietician mother - Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.'), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat's Eye to the Orwellian 1980s Berlin where she wrote The Handmaid's Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art - and the workings of one of our greatest imaginations.

"When Truddi chase began therapy she was already building a successful carrer, a marriage, and a family. But what she was seeking most were explanations for her extreme anxiety, mood swings, and periodic blackouts..."-- Back cover.

THE SUNDAY TIMES BESTSELLING HILARIOUS AND HEARTFELT MEMOIR FROM LINDA ROBSON __________ Linda Robson's nickname is Baggy Mouth for good reason. She may be one of the nation's favourite TV personalities - whether playing Tracey Stubbs in Birds of a Feather or being a regular on Loose Women - but she can't help hilariously oversharing. Luckily, this is an ideal trait for her first-ever memoir . . . Taking us back to the very beginning, growing up in a North London council house, Linda explains how she came to attend theatre school aged nine, where she met Pauline Quirke. As their friendship blossomed and evolved into a professional partnership, small parts in theatre and film productions culminated in the pair being cast in the enduring and beloved sitcom Birds of a Feather. With a wicked glint in her eye, Linda recounts the twists and turns of an actor's life, sharing tales of backstage antics, on-set stories and demanding co-stars from across her her varied and celebrated career. However, it has not all been laughter, and she candidly talks about the struggles she's faced in her personal life and the battles she has had to overcome. Yet her determination to pull herself back from the brink shows us that the tough times really do make us stronger. Truth Be Told is funny, warm and loose-lipped about a remarkable life well-lived. __________ PRAISE FOR TRUTH BE TOLD 'Searingly honest' The Mail

From the Publisher Thirty-two years ago, my mother's best friend died on the operating table. She felt herself moving toward a brilliant light and spoke with her father who had passed away years before. Ultimately, she made the decision to return to take care of her two young children. Although this was the most peaceful experience of her life, she kept it a secret until the publication of books like CLOSER TO THE LIGHT and TRANSFORMED BY THE LIGHT. Reading the experiences of others gave her the freedom to speak openly about what it means to die and why there is little to fear. Lorelei Andrysick Ballantine Advertising

These poetic, inspiring essays offer insights into the world of a gifted woman who was deaf and blind. Helen Keller relates her impressions of life's beauty and promise, perceived through the sensations of touch, smell, and vibration, together with the workings of a powerful imagination. The World I Live In comprises fifteen essays and a poem, "A Chant of Darkness," all of which originally appeared in The Century Magazine. These brief articles include "The Seeing Hand," "The Hands of Others," "The Power of Touch," "The Finer Vibrations," "Smell, the Fallen Angel" "Inward Visions," and other essays. "Optimism," written while Keller was a college student, offers eloquent observations on acquiring and maintaining a sense of happiness. These essays reflect the author's remarkable achievements, as expressed in her honorary degree from Harvard, the first ever granted to a woman: "From a still, dark world she has brought us light and sound; our lives are richer for her faith and her example."