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From the #1 New York Times bestselling author of Salt to the Sea and Between Shades of Gray comes a gripping, extraordinary portrait of love, silence, and secrets under a Spanish dictatorship.Madrid, 1957. Under the fascist dictatorship of General Francisco Franco, Spain is hiding a dark secret. Meanwhile, tourists and foreign businessmen flood into Spain under the welcoming promise of sunshine and wine. Among them is eighteen-year-old Daniel Matheson, the son of an oil tycoon, who arrives in Madrid with his parents hoping to connect with the country of his mother's birth through the lens of his camera. Photography--and fate--introduce him to Ana, whose family's interweaving obstacles reveal the lingering grasp of the Spanish Civil War--as well as chilling definitions of fortune and fear. Daniel's photographs leave him with uncomfortable questions amidst shadows of danger. He is backed into a corner of difficult decisions to protect those he loves. Lives and hearts collide, revealing an incredibly dark side to the sunny Spanish city.Master storyteller Ruta Sepetys once again shines light into one of history's darkest corners in this epic, heart-wrenching novel about identity, unforgettable love, repercussions of war, and the hidden violence of silence--inspired by the true postwar struggles of Spain.Includes vintage media reports, oral history commentary, photos, and more.Praise for The Fountains of Silence"Spain under Francisco Franco is as dystopian a setting as Margaret Atwood’s Gilead in Ruta Sepetys’s suspenseful, romantic and timely new work of historical fiction . . . Like [Shakespeare's family romances], 'The Fountains of Silence' speaks truth to power, persuading future rulers to avoid repeating the crimes of the past." --The New York Times Book Review“Full of twists and revelations…an excellent story, and timely, too.” --The Wall Street Journal"A staggering tale of love, loss, and national shame." --Entertainment Weekly* "[Sepetys] tells a moving story made even more powerful by its placement in a lesser-known historical moment. Captivating, deft, and illuminating historical fiction." --Booklist, *STARRED REVIEW** "This gripping, often haunting historical novel offers a memorable portrait of fascist Spain." --Publishers Weekly, *STARRED REVIEW** "This richly woven historical fiction . . . will keep young adults as well as adults interested from the first page to the last." --SLC, *STARRED REVIEW** "Riveting . . . An exemplary work of historical fiction." --The Horn Book, *STARRED REVIEW*

If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive.A little black girl opens her eyes in 1930s Harlem. Around her, a heady swirl of passers-by, car horns, kerosene lamps, the stock market falling, fried bananas, tales of her parents' native Grenada. She trudges to public school along snowy sidewalks, and finds she is tongue-tied, legally blind, left behind by her older sisters. On she stumbles through teenage hardships -- suicide, abortion, hunger, a Christmas spent alone -- until she emerges into happiness: an oasis of friendship in Washington Heights, an affair in a dirty factory in Connecticut, and, finally, a journey down to the heat of Mexico, discovering sex, tenderness, and suppers of hot tamales and cold milk. This is Audre Lorde's story. It is a rapturous, life-affirming tale of independence, love, work, strength, sexuality and change, rich with poetry and fierce emotional power.

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez.Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

A timeless immigration story and beloved, award-winning modern classic, perfect for fans of Kate DiCamillo and Rita Williams-Garcia.* "Readers will be swept up." --Publishers Weekly, starred reviewEsperanza thought she'd always live a privileged life on her family's ranch in Mexico. She'd always have fancy dresses, a beautiful home filled with servants, and Mama, Papa, and Abuelita to care for her. But a sudden tragedy forces Esperanza and Mama to flee to California and settle in a Mexican farm labor camp. Esperanza isn't ready for the hard work, financial struggles brought on by the Great Depression, or lack of acceptance she now faces. When Mama gets sick and a strike for better working conditions threatens to uproot their new life, Esperanza must find a way to rise above her difficult circumstances--because Mama's life, and her own, depend on it.

"Ruben Reyes Jr. has announced himself here in impressive fashion. This wonderful debut collection displays a virtuosic fictional range.” —Jamel BrinkleyAn electrifying debut story collection about Central American identity that spans past, present, and future worlds to reveal what happens when your life is no longer your own.An ordinary man wakes one morning to discover he’s a famous reggaetón star. An aging abuela slowly morphs into a marionette puppet. A struggling academic discovers the horrifying cost of becoming a Self-Made Man.In There Is a Rio Grande in Heaven, Ruben Reyes Jr. conjures strange dreamlike worlds to explore what we would do if we woke up one morning and our lives were unrecognizable. Boundaries between the past, present, and future are blurred. Menacing technology and unchecked bureaucracy cut through everyday life with uncanny dread. The characters, from mango farmers to popstars to ex-guerilla fighters to cyborgs, are forced to make uncomfortable choices—choices that not only mean life or death, but might also allow them to be heard in a world set on silencing the voices of Central Americans.Blazing with heart, humor, and inimitable style, There Is a Rio Grande in Heaven subverts everything we think we know about migration and its consequences, capturing what it means to take up a new life—whether willfully or forced—with piercing and brilliant clarity. A gifted new storyteller and trailblazing stylist, Reyes not only transports to other worlds but alerts us to the heartache and injustice of our own.

GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse.LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the HeightsQuiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language.Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

The prizewinning writer Luis Alberto Urrea's long-awaited novel is an epic mystical drama of a young woman's sudden sainthood in late 19th-century Mexico.It is 1889, and civil war is brewing in Mexico. A 16-year-old girl, Teresita, illegitimate but beloved daughter of the wealthy and powerful rancher Don Tomas Urrea, wakes from the strangest dream--a dream that she has died. Only it was not a dream. This passionate and rebellious young woman has arisen from death with a power to heal--but it will take all her faith to endure the trials that await her and her family now that she has become the Saint of Cabora.THE HUMMINGBIRD?S DAUGHTER is a vast, hugely satisfying novel of love and loss, joy and pain. Two decades in the writing, this is the masterpiece that Luis Alberto Urrea has been building up to.

It is November 25, 1960, and the bodies of three beautiful, convent-educated sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. El Caribe, the official newspaper, reports their deaths as an accident. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Raphael Leonidas Trujillo's dictatorship. It doesn't have to. Everyone knows of Las Mariposas - "The Butterflies." Now, three decades later, Julia Alvarez, also a daughter of the Dominican Republic and long haunted by these sisters, immerses us in a tangled and dangerous moment in Hispanic Caribbean history to tell their story in the only way it can truly be understood - through fiction. In this brilliantly characterized novel, the voices of all four sisters - Minerva, Patria, Maria Teresa, and Dede - speak across the decades, to tell their own stories - from hair ribbons to gunrunning to prison torture - and to describe the everyday horrors of life under Trujillo's rule. The Butterflies were extraordinary women. Minerva, once the object of the dictator's desire, had dared to publicly slap his face. Devout Patria found her calling to the uprising through the church. Alluring - and vain - Maria Teresa joined in pursuit of romance. Only Dede, the practical one, the most diligent in her duty to family and tradition, kept apart. And only she survived to see that their names were remembered. Now, through the art and magic of Julia Alvarez's imagination, the martyred Butterflies live again. And Dede joins them as a heroine of equal courage.

This dramatic true account of life in the streets of Sao Paulo, from 1955 to 1960, introduced the world to the plight of the poor as an artist, a writer and single mother of three children, while living in a hovel, supports her family by digging through the garbage for paper and scraps to sell. Reissue.

The third in the cycle of novels that began with THE SHADOW OF THE WIND and THE ANGEL'S GAME. THE PRISONER OF HEAVEN returns to the world of the Cemetery of Forgotten Books and the Sempere & Sons bookshop. It begins just before Christmas in Barcelona in 1957, one year after Daniel and Bea from THE SHADOW OF THE WIND have married. They now have a son, Julian, and are living with Daniel's father at Sempere & Sons. Fermin still works with them and is busy preparing for his wedding to Bernarda in the New Year. However something appears to be bothering him. Daniel is alone in the shop one morning when a mysterious figure with a pronounced limp enters. He spots one of their most precious volumes that is kept locked in a glass cabinet, a beautiful and unique illustrated edition of THE COUNT OF MONTE CRISTO. Despite the fact that the stranger seems to care little for books, he wants to buy this expensive edition. Then, to Daniel's surprise, the man inscribes the book with the words 'To Fermin Romero de Torres, who came back from the dead and who holds the key to the future'. This visit leads back to a story of imprisonment, betrayal and the return of a deadly rival.