Empfehlungen basierend auf "Lost Cat"

A literary treasure of over one hundred unpublished letters from seminal American author and National Book Award-winner, Flannery O'Connor, the subject of the biographical film, "Wildcat" (2024) starring Maya Hawke (directed by Ethan Hawke).Good Things Out of Nazareth contains many of O'Connor's previously unpublished letters. These epistolary gems deepen our knowledge of this master of the short story in ongoing "revelations" The letters enable "moviegoers" just discovering O'Connor, as well as her enduring readers to deepen their understanding as O'Connor traces her efforts in the 1960s to write the searing stories later featured in "Wildcat." The letters reveal O'Connor's own comments about her fiction and the writings of her peers.. The collection also contains the beautiful letters from O'Connor's Jesuit priest/ friend consoling those mourning her death..Good Things is the only collection that features invaluable historical context of the tumultuous times when O'Connor was writing in the 1960s. The editor, Ben Boatwright Alexander, studied with one of O'Connor's teachers himself. He knew some of her literary friends and visited with O'Connor's family in Milledgeville, Georgia. He even read in 2004 at a literary event "Good Country People" aloud in the wee hours at O'Connor's house, Andalusia. These rare experiences enable Dr. Alexander to provide an historical backdrop to O'Connor's letters little known or taught today. His collection forms a riveting literary portrait of O'Connor as well as her friends--— such as fellow believers, Walker Percy (The Moviegoer) and Caroline Gordon (None Shall Look), famed publisher, Robert Giroux and movie critic, Stanley Kauffmann. Here we find their joys and loves, as well as their trials and tribulations as they struggle with doubt and illness while relying on faith to chart a path in an uncertain world.Praise for Good Things Out of Nazareth"An epistolary group portrait that will appeal to readers interested in the Catholic underpinnings of O'Connor's life and work . . . These letters by the National Book Award-winning short story writer and her friends alternately fit and break the mold. Anyone looking for Southern literary gossip will find plenty of barbs. . . . But there's also higher-toned talk on topics such as the symbolism in O'Connor's work and the nature of free will."—Kirkus Reviews"A fascinating set of Flannery O'Connor's correspondence . . . The compilation is highlighted by gems from O'Connor's writing mentor, Caroline Gordon. . . . While O'Connor's milieu can seem intimidatingly insular, the volume allows readers to feel closer to the writer, by glimpsing O'Connor's struggles with lupus, which sometimes leaves her bedridden or walking on crutches, and by hearing her famously strong Georgian accent in the colloquialisms she sprinkles throughout the letters. . . . This is an important addition to the knowledge of O'Connor, her world, and her writing."—Publishers Weekly

A raw, compelling memoir from actress and activist Evanna Lynch detailing her rise to fame as Luna Lovegood in the Harry Potter movies while facing disordered eating, and how she learned to navigate the path between fears and dreams—for readers of Jennette McCurdy’s I’m Glad My Mom Died and Tom Felton’s Beyond the Wand. Evanna Lynch’s casting as Luna Lovegood in the Harry Potter films is a tale that grew to almost mythic proportions—a legend of how she faced disordered eating as a young girl, found solace in a beloved book series, and later landed the part of her favorite character. But that is not the whole story. Even after recovery, there remains a conflict at her core: a bitter struggle between the pursuit of perfection and the desire to fearlessly embrace her creative side. Revealing a startlingly accomplished voice, Lynch delves into the heart of her relationship with her body. As she takes the reader through a personal journey of leaving behind the safety of girlhood, Lynch explores the pivotal choices that ultimately led her down the path of creativity and toward acceptance of the wild, sensual, and unpredictable reality of womanhood. Honest, electrifying, and inspiring, this is a story of the battle between self-destruction and creation, of giving up the preoccupation with perfection in favor of our uncharted dreams—and how the simple choice to create is the most liberating action a person can take.

What’s the point of giving someone a beautiful death if you can’t give yourself a beautiful life?From the day she watched her kindergarten teacher drop dead during a dramatic telling of Peter Rabbit , Clover Brooks has felt a stronger connection with the dying than she has with the living. After the beloved grandfather who raised her dies alone while she is traveling, Clover becomes a death doula in New York City, dedicating her life to ushering people peacefully through their end-of-life process.Clover spends so much time with the dying that she has no life of her own, until the final wishes of a feisty old woman send Clover on a trip across the country to uncover a forgotten love story––and perhaps, her own happy ending. As she finds herself struggling to navigate the uncharted roads of romance and friendship, Clover is forced to examine what she really wants, and whether she’ll have the courage to go after it.Probing, clever, and hopeful, The Collected Regrets of Clover is perfect for readers of The Midnight Library and Eleanor Oliphant is Completely Fine as it turns the normally taboo subject of death into a reason to celebrate life.What’s the point of giving someone a beautiful death if you can’t give yourself a beautiful life?From the day she watched her kindergarten teacher drop dead during a dramatic telling of Peter Rabbit , Clover Brooks has felt a stronger connection with the dying than she has with the living. After the beloved grandfather who raised her dies alone while she is traveling, Clover becomes a death doula in New York City, dedicating her life to ushering people peacefully through their end-of-life process.Clover spends so much time with the dying that she has no life of her own, until the final wishes of a feisty old woman send Clover on a trip across the country to uncover a forgotten love story––and perhaps, her own happy ending. As she finds herself struggling to navigate the uncharted roads of romance and friendship, Clover is forced to examine what she really wants, and whether she’ll have the courage to go after it.Probing, clever, and hopeful, The Collected Regrets of Clover is perfect for readers of The Midnight Library and Eleanor Oliphant is Completely Fine as it turns the normally taboo subject of death into a reason to celebrate life.

Fifteen million Americans a year are plagued with alcoholism. Five million of them are women. Many of them, like Caroline Knapp, started in their early teens and began to use alcohol as "liquid armor," a way to protect themselves against the difficult realities of life. In this extraordinarily candid and revealing memoir, Knapp offers important insights not only about alcoholism, but about life itself and how we learn to cope with it.It was love at first sight. The beads of moisture on a chilled bottle. The way the glasses clinked and the conversation flowed. Then it became obsession. The way she hid her bottles behind her lover's refrigerator. The way she slipped from the dinner table to the bathroom, from work to the bar. And then, like so many love stories, it fell apart. Drinking is Caroline Kapp's harrowing chronicle of her twenty-year love affair with alcohol.Caroline had her first drink at fourteen. She drank through her yeras at an Ivy League college, and through an award-winning career as an editor and columnist. Publicly she was a dutiful daughter, a sophisticated professional. Privately she was drinking herself into oblivion. This startlingly honest memoir lays bare the secrecy, family myths, and destructive relationships that go hand in hand with drinking. And it is, above all, a love story for our times—full of passion and heartbreak, betrayal and desire—a triumph over the pain and deception that mark an alcoholic life.Praise for Drinking“Quietly moving . . . Caroline Knapp dazzles us with her heady description of alcohol's allure and its devastating hold.”—Los Angeles Times Book Review“Filled with hard-won wisdom . . . [a] perceptive and revealing book.”—San Francisco Chronicle“Eloquent . . . a remarkable exercise in self-discovery.”—The New York Times“Drinking not only describes triumph; it is one.”—Newsweek

A heartrending and beautiful memoir of sudden loss and a journey towards peace, from the bestselling, Pulitzer Prize-winning author of HorseMany cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz – just sixty years old and, to her knowledge, vigorous and healthy – collapsed and died on a Washington, D. C. sidewalk.After spending their early years together in conflict zones as foreign correspondents, Geraldine and Tony settled down to raise two boys on Martha’s Vineyard. The life they built was one of meaningful work, good humor, and tenderness, as they spent their days writing and their evenings cooking family dinners or watching the sun set with friends at the beach. But all of this ended abruptly when, on Memorial Day 2019, Geraldine received the phone call we all dread. The demands were immediate and many. Without space to grieve, the sudden loss became a yawning gulf.Three years later, she booked a flight to a remote island off the coast of Australia with the intention of finally giving herself the time to mourn. In a shack on a pristine, rugged coast she often went days without seeing another person. There, she pondered the various ways in which cultures grieve and what rituals of her own might help to rebuild a life around the void of Tony’s death.A spare and profoundly moving memoir that joins the classics of the genre, Memorial Days is a portrait of a larger-than-life man and a timeless love between souls that exquisitely captures the joy, agony, and mystery of life.

NEW YORK TIMES BESTSELLER • A “piercing account” (The Wall Street Journal) of surviving as a young woman in a society that rewards appearances more than anything and demands perfection at all costs—especially if you’re an Olympic figure skater. “A riveting memoir, which details her experience with an eating disorder, depression and her high-stakes career.”—People (Best Books to Read in February 2024) When Gracie Gold stepped onto center stage (or ice, rather) as America’s sweetheart at the 2014 Sochi Olympics, she instantly became the face of America’s most beloved winter sport. Beautiful, blonde, Midwestern, and media-trained, she was suddenly being written up everywhere from The New Yorker to Teen Vogue to People and baking cookies with Taylor Swift.But little did the public know what Gold was facing when the cameras were off, driven by the self-destructive voice inside that she calls “outofshapeworthlessloser.” In 2017, she entered treatment for what was publicly announced as an eating disorder and anxiety treatment but was, in reality, suicidal ideation. While Gold’s public star was rising, her private life was falling apart: Cracks within her family were widening, her bulimia was getting worse, and she became a survivor of sexual assault. The pressure of training for years with demanding coaches and growing up in a household that accepted nothing less than gold had finally taken its toll.Now Gold reveals the exclusive and harrowing story of her struggles in and out of the pressure-packed world of elite figure skating: the battles with her family, her coaches, the powers-that-be at her federation, and her deteriorating mental health.Outofshapeworthlessloser is not only a forceful reckoning from a world-class athlete but also an intimate memoir, told with unflinching honesty and stirring defiance.

"One summer day, nine-year-old Keira Ball was in a terrible car accident and suffered catastrophic brain injuries. As the rest of her body began to shut down, her heart continued to beat. In an act of extraordinary generosity, Keira's parents and siblings immediately agreed that she would have wanted to be an organ donor. Meanwhile nine-year-old Max Johnson had been in a hospital for nearly a year, valiantly fighting the virus that was causing his young heart to fail. When Max's parents received the call they had been hoping for, they knew it came at a terrible cost to another family-in what Clarke calls "the brutal arithmetic of transplant surgery." The act of Keira's heart resuming its rhythm inside Max's body was a medical miracle. But this was only part of the story. While waiting on the transplant list, Max had become the hopeful face of a campaign to change the UK's laws around organ donation. Following his successful surgery, Keira's mother saw the little boy beaming on the front page of the newspaper and knew it was the same boy whose parents had recently sent her an anonymous letter overflowing with gratitude for her daughter's heart. The two mothers began to exchange messages and eventually decided to meet"--Provided by publisher.

THE SUNDAY TIMES TOP TEN BESTSELLER SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 'So very important' NIGELLA LAWSON 'Brilliantly alive' SUNDAY TIMES 'A truly wonderful book. Read it' HENRY MARSH 'Shows us the very best of human nature' ADAM KAY 'Her words are brimful of love, grace and kindness' GUARDIAN As a specialist in palliative medicine, Dr Rachel Clarke chooses to inhabit a place many people would find too tragic to contemplate. Every day, she tries to bring care and comfort to those reaching the end of their lives and to help make dying more bearable. Rachel's training was put to the test in 2017 when her beloved GP father was diagnosed with terminal cancer. She learned that nothing - even the best palliative care - can sugar-coat the pain of losing someone you love. And yet, she argues, in a hospice there is more of what matters in life - more love, more strength, more kindness, more joy, more tenderness, more grace, more compassion - than you could ever imagine. For if there is a difference between people who know they are dying and the rest of us, it is simply this: that the terminally ill know their time is running out, while we live as though we have all the time in the world. Dear Life is a book about the vital importance of human connection, by the doctor we would all want by our sides at a time of crisis. It is a love letter - to a father, to a profession, to life itself.

"Funny, furious, and profane." —The New York Times “Not your typical celebrity memoir.” —Jimmy Kimmel Unflinchingly honest and darkly funny, You with the Sad Eyes unveils a side of Christina Applegate we’ve never seen, forever cementing her formidable and iconoclastic legacy.  Christina Applegate came of age on sets and stages, expected to be on time, with lines learned, ready for lights-camera-action. What started as a financial necessity soon became an emotional escape from a tumultuous home life in the infamous Laurel Canyon scene of the 70s and 80s. She rocketed to stardom on the sitcom Married...with Children and went on to captivate audiences in classics like Don’t Tell Mom the Babysitters Dead…, Anchorman, and Dead to Me in her five-decade long career. Then it all stopped. A Multiple Sclerosis diagnosis in 2021 confined her to a king-sized bed and the company of memories she’d rather forget: memories of the self-doubt and body dysmorphia that stalked her meteoric rise, of her mother’s fight against addiction and abuse after her father left, and of the tax life had taken on her body and mind that was suddenly coming due.  Now, at her most intimate and vulnerable, she unveils a story not even those closest to her fully know. She returns to the diaries she kept her whole life, finding the pain matched by joy, the losses mitigated by the extraordinary, and the weight of life lifted by her unrelenting belief that something greater lay ahead. No longer willing to lock herself away and with the perspective only our own mortality can bring, she knew it was imperative to tell it all.                      You with the Sad Eyes presents a remarkable woman and her legacy. In her own words, “I truly believe that books can make people feel less alone. That’s why I’m doing this. You with the Sad Eyes won’t be some big violin scratching for my life. But it will be real. It will be filled with the ups and downs, the humor and grief of life. So here I am. Real me. Lots to say.”

In this darkly comic exploration of loss, intimacy, and motherhood, three women are joined by a baby who never lived. Morgan, in her middle years, is the grieving mother of a stillborn child. Elena, the failed midwife, burdened by guilt, is considering a career change. Dolores, eighteen, is pregnant with a baby she does not want. Meanwhile, Constantinople, the child who wasn’t meant to be, wanders lost in search of his mother, trying to make sense of the world while making an unlikely appearance in each woman’s personal drama.   Poignant, lyrical, ingeniously absurd, and outrageously funny, Jen Silverman’s Still is a brave and remarkable exploration of grief and family. It is the seventh winner of the DC Horn Foundation/Yale Drama Series Prize, selected this year by Marsha Norman, the Pulitzer Prize–winning author of Getting Out; ’night, Mother; and other acclaimed theatrical works.