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In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life.But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Creatures that called sailors to their doom. That dragged them down and drowned them. That feasted on their flesh. The creature that she’s always longed to become: the mermaid.Ren aches to be in the water. She dreams of the scent of chlorine, the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

AN INSTANT NEW YORK TIMES BESTSELLERA New York Times Book Review Editors' Choice, one of Vogue, Esquire, W, and Real Simple's Best Books of the Year So Far, and one of The Most Anticipated Books of the Year: TIME, The Washington Post, Vogue, Vanity Fair, Publishers Weekly, Paste, The Millions, Kirkus Reviews, Lit Hub, Real Simple, Nylon, BookPage, Book Riot, The Story Exchange, Sunset and Zibby MagDisarmingly witty and poignant, Sloane Crosley's memoir explores multiple kinds of loss following the death of her closest friend.How do we live without the ones we love? Grief Is for People is a deeply moving and suspenseful portrait of friendship, and a book about loss that is profuse with life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in philosophy and art, hoping for a framework more useful than the unavoidable stages of grief.For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place.When Russell dies exactly one month later, his suicide propels Sloane on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll of the pandemic.Sloane Crosley's search for truth is frank, darkly funny, and gilded with resounding empathy. Upending the "grief memoir," Grief Is for People is a category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

From the macabre mind of a Bram Stoker Award-nominated author, this heart-pounding novel of horror and psychological suspense takes a ghost hunting reality TV crew into a world they could never have imagined.Fade to Black is the newest hit ghost hunting reality TV show. Led by husband and wife team Matt and Claire Kirklin, it delivers weekly hauntings investigated by a dedicated team of ghost hunting experts.Episode Thirteen takes them to every ghost hunter's holy grail: the Paranormal Research Foundation. This brooding, derelict mansion holds secrets and clues about bizarre experiments that took place there in the 1970s. It's also famously haunted, and the team hopes their scientific techniques and high tech gear will prove it. But as the house begins to reveal itself to them, proof of an afterlife might not be everything Matt dreamed of. A story told in broken pieces, in tapes, journals, and correspondence, this is the story of Episode Thirteen—and how everything went terribly, horribly wrong."An epistolary descent into a living nightmare . . . well-written and genuinely unsettling. Fans of paranormal documentaries, ghost-hunting shows, and found-footage horror will lose their minds over this one." —Kealan Patrick Burke, Bram Stoker Award winning author of Kin“A beautiful Russian doll of a story… Episode Thirteen hooks you, creeps you out, and then it overwhelms you. It’s House of Leaves meets Haunting of Hill House, in all the best possible ways.”—Peter Clines, NYT bestselling author of The Broken RoomFor more from Craig DiLouie, check out:The Children of Red PeakOur WarOne of Us

WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVELA chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist.The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

"LaTanya McQueen's When The Reckoning Comes is so deliciously uncomfortable there were moments where I had to put the book down, take a deep breath, and like Mira, its protagonist, urge myself to go further. This is a novel, like Octavia Butler's Kindred, that reminds its readers that as long as people don't acknowledge how much of the past still shapes the present, it will bring its whips, its hatchets, and fists to make us learn." — Megan Giddings, author of LakewoodA haunting novel about a black woman who returns to her hometown for a plantation wedding and the horror that ensues as she reconnects with the blood-soaked history of the land and the best friends she left behind.More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainment includes horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests.As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

One of the New Yorker's Best Books of 2022 So Far and BuzzFeed's Must-Read Summer BooksFor readers of Ottessa Moshfegh and Mona Awad, this fearless debut chronicles one woman’s escape into a world of obsessive imagination.Bonnie Lincoln just wants to be left alone. To come home from work, shut out the ghosts of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three’s Company.When Bonnie wins the lottery, a more grandiose vision―to completely shuck off her own troublesome identity―takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three’s Company and slip into the lives of its main characters: no-nonsense Janet Wood, pleasantly airheaded Chrissy Snow, and confident Jack Tripper. While her best friend, Krystal, tries to drag her back to her old life, Bonnie is determined to transcend pain, trauma, and the baggage of her past by immersing herself in the ultimate binge-watch.

Pre-order now to get a book with red-stained edges – available only on the first printing!A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World.In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions—demons of the past be damned.But at what cost?Horror Movie is an obsessive, psychologically chilling, and suspenseful feat of storytelling genius that builds inexorably to an unforgettable, mind-bending conclusion.

NATIONAL BESTSELLER • A family returns to their hometown—and to the dark past that haunts them still—in this masterpiece of literary horror by the New York Times bestselling author of WanderersLOCUS AWARD FINALIST • “The dread, the scope, the pacing, the turns—I haven’t felt all this so intensely since The Shining.”—Stephen Graham Jones, New York Times bestselling author of The Only Good IndiansONE OF THE BEST BOOKS OF THE YEAR: The New York Public Library, Library JournalLong ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there.Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures.Long ago, something sinister, something hungry, walked in the tunnels and the mountains and the coal mines of their hometown in rural Pennsylvania.Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver.And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

NATIONAL BESTSELLER • Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles TimesONE OF BOOKPAGE'S TEN BEST BOOKS OF THE YEAR • FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE AND LOCUS AWARD • LONGLISTED FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARDA BEST BOOK OF THE YEAR: The New York Times Book Review, Time, NPR, Chicago Tribune, Los Angeles Times, The Washington Post, Esquire, Vulture, Paste, Tordotcom, Book Riot, Polygon, Chicago Public Library, Kirkus Reviews, Library JournalAdelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

Selected by the Modern Library as one of the 100 best novels of all timeFrom the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, The Sound and the Fury, Light in August, Absalom, Absalom!, and Selected Short StoriesOne of William Faulkner’s finest novels, As I Lay Dying, originally published in 1930, remains a captivating and stylistically innovative work. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren’s family sets out to fulfill her last wish: to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. Told through multiple voices, As I Lay Dying vividly brings to life Faulkner’s imaginary South, one of literature’s great invented landscapes, and is replete with the poignant, impoverished, violent, and hypnotically fascinating characters that were his trademark. Along with a new Foreword by E. L. Doctorow, this edition reproduces the corrected text of As I Lay Dying as established in 1985 by Faulkner expert Noel Polk.