Empfehlungen basierend auf "If I Should Die Before I Wake"

Leon Uris’s beloved Irish classic, available in Avon mass market.From the acclaimed author who enthralled the world with Exodus, Battle Cry, QB VII, Topaz, and other beloved classics of twentieth-century fiction comes a sweeping and powerful epic adventure that captures the "terrible beauty" of Ireland during its long and bloody struggle for freedom. It is the electrifying story of an idealistic young Catholic rebel and the valiant and beautiful Protestant girl who defied her heritage to join his cause. It is a tale of love and danger, of triumph at an unthinkable cost—a magnificent portrait of a people divided by class, faith, and prejudice—an unforgettable saga of the fires that devastated a majestic land... and the unquenchable flames that burn in the human heart.

Baie jare gelede was Oupa 'n bobaasvlieenier in die Tweede Wereldoorlog. Maar sedertdien is hy na die ouetehuis Twilight Towers toe gestuur waar die onheilspellende matrone Swine die septer swaai. Oupa en sy kleinseun, Jack, moet 'n waaghalsige plan beraam om te ontsnap. Min weet hulle dat die bose matrone hulle fyn dophou ...

The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it.How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.

Nothing can prepare you for Anthony Loyd's portrait of war. It is the story of the unspeakable terror and the visceral, ecstatic thrill of combat, and the lives and dreams laid to waste by the bloodiest conflict that Europe has witnessed since the Second World War.Born into a distinguished military family, Loyd was raised on the stories of his ancestors' exploits and grew up fascinated with war. Unsatisfied by a brief career in the British Army, he set out for the killing fields in Bosnia. It was there--in the midst of the roar of battle and the life-and-death struggle among the Serbs, Croatians, and Bosnian Muslims--that he would discover humanity at its worst and best. Profoundly shocking, poetic, and ultimately redemptive, this is an uncompromising look at the brutality of war and its terrifyingly seductive power.

When the Bismarck sinks, one of the only German survivors is taken on board a British ship as a prisoner of war. Sent to live on a farm with a host family, the soldier must adapt to a new way of life, in the heart of an enemy country. Gradually, he shows his new hosts that he may be German, but he is a person too, with all the hopes and feelings that entails. So when the time finally comes to go back to Germany, it's an emotional parting, with the German leaving only a carved dog to remember him by. The question is, will the soldier and his new family ever meet again? In 1966, with the world cup coming to Britain, that opportunity may just have come along.

One of the most celebrated thrillers ever written, The Day of the Jackal is the electrifying story of an anonymous Englishman who, in the spring of 1963, was hired by Colonel Marc Rodin, Operations Chief of the O.A.S., to assassinate General de Gaulle.

Originally published in 1941, Arthur Koestler's modern masterpiece, "Darkness At Noon," is a powerful and haunting portrait of a Communist revolutionary caught in the vicious fray of the Moscow show trials of the late 1930s. During Stalin's purges, Nicholas Rubashov, an aging revolutionary, is imprisoned and psychologically tortured by the party he has devoted his life to. Under mounting pressure to confess to crimes he did not commit, Rubashov relives a career that embodies the ironies and betrayals of a revolutionary dictatorship that believes it is an instrument of liberation. A seminal work of twentieth-century literature, "Darkness At Noon" is a penetrating exploration of the moral danger inherent in a system that is willing to enforce its beliefs by any means necessary.

Evelyn Waugh's masterful depiction of World War II, with an introduction by Martin StannardWaugh's own unhappy experience of being a soldier is superbly re-enacted in this story of Guy Crouchback, a Catholic and a gentleman, commissioned into the Royal Corps of Halberdiers during the war years 1939-45. High comedy - in the company of Brigadier Ritchie-Hook or the denizens of Bellamy's Club - is only part of the shambles of Crouchback's war. When action comes in Crete and in Yugoslavia, he discovers not heroism, but humanity. Sword of Honour combines three volumes: Officers and Gentlemen, Men at Arms and Unconditional Surrender, which were originally published separately. Extensively revised by Waugh, they were published as the one-volume Sword of Honour in 1965, in the form in which Waugh himself wished them to be read.'Marvellous ... one of the masterpieces of the century'John Banville, Irish Times

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1915. Not illustrated. Excerpt: ... CHAPTER XIX DEATH AND BURIAL Albert Benbow was at the front-door. Edwin curbed the expression of his astonishment. "Hello, Albert!" "Oh! You aren't gone to bed?" "Not likely. Come in. What's up?" Albert, with the habit of one instructed never to tread actually on a doorstep lest it should be newly whitened, stepped straight on to the inner mat. He seemed excited, and Edwin feared that he had just learnt of Auntie Hamps's illness and had come in the middle of the night ostensibly to make enquiries, but really to make a grievance of the fact that the Benbows had been "kept in ignorance." He could already hear Albert demanding: "Why have you kept us in ignorance?" It was quite a Benbow phrase. Edwin shut the door and shut out the dark and windy glimpse of the outer world which had emphasised for a moment the tense seclusion of the house. "You've heard of course about the accident to Ingpen?" said Albert. His hands were deep in his overcoat pockets; the collar of the thin, rather shabby overcoat was turned up; an old cap adhered to the back of his head. While talking he slowly lifted his feet one after the other, as though desiring to get warmth by stamping but afraid to stamp in the night. "No, I haven't," said Edwin, with false calmness. "What accident?" The perspective of events seemed to change; Auntie Hamps's illness to recede, and a definite and familiar apprehension to be supplanted by a fear more formidable because it was a fear of the unknown. "It was all in the late special Signal!" Benbow protested, as if his pride had been affronted. "Well, I haven't seen the Signal. What is it?" And Edwin thought: "Is somebody else dying too?" "Fly-wheel broke. Ingpen was inspecting the sliphouse next to the engine-house. Part of the fly-wheel came through and knocked a...

A riveting story of American fighting men, Outlaw Platoon is Lieutenant Sean Parnell’s stunning personal account of the legendary U.S. Army’s 10th Mountain Division’s heroic stand in the mountains of Afghanistan.Acclaimed for its vivid, poignant, and honest recreation of sixteen brutal months of nearly continuous battle in the deadly Hindu Kesh, Outlaw Platoon is a Band of Brothers or We Were Soldiers Once and Young for the early 21st century—an action-packed, highly emotional true story of enormous sacrifice and bravery.A magnificent account of heroes, renegades, infidels, and brothers, it stands with Sebastian Junger’s War as one of the most important books to yet emerge from the heat, smoke, and fire of America’s War in Afghanistan.