Empfehlungen basierend auf "How to Kill Your Family"

'What I learnt from sharing my most private pain with a semi-professional problem-solver was that the mere act of asking for help was, in itself, healing. It was as if I had crept down to the docks under cover of darkness and floated a message out in a bottle, imagining how it might be received. By writing it, I was acknowledging that someone might care about me; that they'd be able to say the right thing without knowing me. Because I was feeling something that other people had felt and therefore I wasn't, as I suspected, the loneliest and strangest woman in the world.'Since early 2020, Dolly Alderton has been sharing her wisdom, warmth and wit with the countless people who have written in to her Dear Dolly agony aunt column in The Sunday Times Style. Their questions range from the painfully - and sometimes hilariously - relatable to the occasionally bizarre. They include breakups and body issues, families, friendships, dating, divorce, the pleasures and pitfalls of social media, sex, loneliness, longing, love and everything in between.Without judgement, and with deep empathy informed by her own, much-chronicled adventures in love, friendship and dating, Dolly leads us by the hand through the various labyrinths of life, proving that a problem shared is truly a problem halved.

In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson's All Boys Aren't Blue explores his childhood, adolescence, and college years in New Jersey and Virginia.A New York Times Bestseller!Good Morning America, NBC Nightly News, Today Show, and MSNBC feature storiesFrom the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults.Velshi Banned Book ClubIndie BestsellerTeen Vogue Recommended ReadBuzzfeed Recommended ReadPeople Magazine Best Book of the SummerA New York Library Best Book of 2020A Chicago Public Library Best Book of 2020 ... and more!

Meet Kitty Collins.FRIEND. LOVER. KILLER.He was following me. That guy from the nightclub who wouldn’t leave me alone.I hadn’t intended to kill him of course. But I wasn’t displeased when I did and, despite the mess I made, I appeared to get away with it.That’s where my addiction started…I’ve got a taste for revenge and quite frankly, I’m killing it.A deliciously dark, hilariously twisted story about friendship, love, and murder. Fans of My Sister the Serial Killer, How to Kill Your Family and Killing Eve will love this wickedly clever novel!

'A tender and touching love story, beautifully told' Observer 10 Best Debut Novelists of 2021'A beautiful and powerful novel about the true and sometimes painful depths of love' Candice Carty-Williams, bestselling author of QUEENIE'An unforgettable debut... it's Sally Rooney meets Michaela Coel meets Teju Cole' New York Times'A love song to Black art and thought' Yaa Gyasi, bestselling author of HOMEGOING and TRANSCENDENT KINGDOMTwo young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.'An amazing debut novel. You should read this book. Let's hear it for Caleb Azumah Nelson, also known as the future' Benjamin Zephaniah'A very touching and heartfelt book' Diana Evans, award-winning author of ORDINARY PEOPLE'A lyrical modern love story, brilliant on music and art, race and London life, I enjoyed it hugely' David Nicholls, author of ONE DAY and SWEET SORROW'Caleb is a star in the making' Nikesh Shukla, editor of THE GOOD IMMIGRANT and BROWN BABY'A stunning piece of art' Bolu Babalola, bestselling author of LOVE IN COLOUR'For those that are missing the tentative depiction of love in Normal People, Caleb Azumah Nelson's Open Water is set to become one of 2021's unmissable books. Utterly transporting, it'll leave you weeping and in awe.' Stylist'An exhilarating new voice in British fiction' Vogue'A poetic novel about Black identity and first love in the capital from one of Britain's most exciting young voices' Harper's Bazaar'An intense, elegant debut' Guardian

A BEST BOOK OF THE YEAR: The New Yorker · NPR · WBEZ’s Nerdette · The New York Public Library · Literary HubA New York Times Editors’ Choice“One of the most passionate cases I’ve ever read for female interiority, for women’s creative pulse and rich inner life.” ―Katy Waldman, The New Yorker“Always expect the unexpected when you’re not expecting.” ―Sloane CrosleyA woman in Tokyo avoids harassment at work by perpetuating, for nine months and beyond, the lie that she’s pregnant in this prizewinning, thrillingly subversive debut novel about the mother of all deceptions, for fans of Convenience Store Woman and Breasts and EggsWhen thirty-four-year-old Ms. Shibata gets a new job to escape sexual harassment at her old one, she finds that as the only woman at her new workplace—a manufacturer of cardboard tubes—she is expected to do all the menial tasks. One day she announces that she can’t clear away her coworkers’ dirty cups—because she’s pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant.Pregnant Ms. Shibata doesn’t have to serve coffee to anyone. Pregnant Ms. Shibata isn’t forced to work overtime. Pregnant Ms. Shibata watches TV, takes long baths, and even joins an aerobics class for expectant mothers. She’s living a year of rest and relaxation, and is finally being treated by her colleagues as more than a hollow core. But she has a ruse to keep up. Before long, it becomes all-absorbing, and with the help of towel-stuffed shirts and a diary app that tracks every stage of her “pregnancy,” the boundary between her lie and her life begins to dissolve.Surreal and absurdist, and with a winning matter-of-factness, a light touch, and a refreshing sensitivity to mental health, Diary of a Void will keep you turning the pages to see just how far Ms. Shibata will carry her deception for the sake of women, and especially working mothers, everywhere.

Don't miss Lucy Foley's new book, The Midnight Feast, coming June 18th!THE #1 NEW YORK TIMES BESTSELLER“Told in rotating points of view, this Tilt-A-Whirl of a novel brims with jangly tension – an undeniably engrossing guessing game.” — Vogue"[A] clever, cliff-hanger-filled thriller." — PeopleFrom the New York Times bestselling author of The Guest List comes a new locked room mystery, set in a Paris apartment building in which every resident has something to hide…Jess needs a fresh start. She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.The longer Ben stays missing, the more Jess starts to dig into her brother’s situation, and the more questions she has. Ben’s neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it’s starting to look like it’s Ben’s future that’s in question.The socialite – The nice guy – The alcoholic – The girl on the verge – The conciergeEveryone's a neighbor. Everyone's a suspect. And everyone knows something they’re not telling.

The Vignes Twin Sisters Will Always Be Identical. But After Growing Up Together In A Small, Southern Black Community And Running Away At Age Sixteen, It's Not Just The Shape Of Their Daily Lives That Is Different As Adults, It's Everything: Their Families, Their Communities, Their Racial Identities. Ten Years Later, One Sister Lives With Her Black Daughter In The Same Southern Town She Once Tried To Escape. The Other Secretly Passes For White, And Her White Husband Knows Nothing Of Her Past. Still, Even Separated By So Many Miles And Just As Many Lies, The Fates Of The Twins Remain Intertwined. What Will Happen To The Next Generation, When Their Own Daughters' Storylines Intersect? Weaving Together Multiple Strands And Generations Of This Family, From The Deep South To California, From The 1950s To The 1990s, Brit Bennett Produces A Story That Is At Once A Riveting, Emotional Family Story And A Brilliant Exploration Of The American History Of Passing.--provided By Publisher Part I. The Lost Twins (1968) -- Part Ii. Maps (1978) -- Part Iii. Heartlines (1968) -- Part Iv. The Stage Door (1982) -- Part V. Pacific Cove (1985/1988) -- Part Vi. Places (1986) Brit Bennett. Good Morning America Book Club--cover

NATIONAL BESTSELLER“Every sentence of Monica Heisey’s writing is a treat. No one makes me laugh like she does.” —Dolly Alderton, New York Times bestselling author of Everything I Know About LoveRecommended by Los Angeles Times • Washington Post • GQ• Elle • Good Morning America • People • Guardian • The Times • E! News Online • The Globe and Mail • Toronto Star • The Week • New York Post • Shondaland • and many more!A hilarious and painfully relatable debut novel about one woman’s messy search for joy and meaning in the wake of an unexpected breakup, from comedian, essayist, and award-winning screenwriter Monica HeiseyMaggie is fine. She’s doing really good, actually. Sure, she’s broke, her graduate thesis on something obscure is going nowhere, and her marriage only lasted 608 days, but at the ripe old age of twenty-nine, Maggie is determined to embrace her new life as a Surprisingly Young Divorcée™.Now she has time to take up nine hobbies, eat hamburgers at 4 am, and “get back out there” sex-wise. With the support of her tough-loving academic advisor, Merris; her newly divorced friend, Amy; and her group chat (naturally), Maggie barrels through her first year of single life, intermittently dating, occasionally waking up on the floor and asking herself tough questions along the way.Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call “happiness”. This is a remarkable debut from an unforgettable new voice in fiction.“A prime example of how a storyteller's voice can pull you right in and keep you clinging to every sentence. . . . This is a book I will give to my closest girlfriends and say, ‘You have to read this.’” — Zibby Owens, GoodMorningAmerica.com“Tremendously funny and thoughtful.” –GQ

Featured in The New Yorker's "Best Books of 2023" *Shortlisted for the International Booker Prize"The literal fever that begins the book mirrors the feverish beginnings and endings of these relationships, as well as the fever of reading — how it forces the reader inward, then leaves an invisible imprint in its wake. Genberg’s marvelous prose is also a kind of fever, mesmerizing and hot to the touch.” -The New York Times Book ReviewAn intoxicating novel in the vein of Rachel Cusk and Sheila Heti, about a woman in the throes of a fever remembering the important people in her past, her memories laid bare in vivid detail as her body temperature rises.A woman lies bedridden from a high fever. Suddenly she is struck with an urge to revisit a novel from her past. Inside the book is an inscription: a get-well-soon message from Johanna, an ex-girlfriend who is now a famous television host. As she flips through the book, pages from the woman’s own past begin to come alive, scenes of events and people she cannot forget.There are moments with Johanna, and Niki, the friend who disappeared years ago without a phone number or an address and with no online footprint. There is Alejandro, who appears like a storm in precisely the right moment. And Brigitte, whose elusive qualities mask a painful secret.The Details is a novel built around four portraits; the small details that, pieced together, comprise a life. Can a loved one really disappear? Who is the real subject of the portrait, the person being painted or the one holding the brush? Do we fully become ourselves through our connections to others? This exhilarating, provocative tale raises profound questions about the nature of relationships, and how we tell our stories. The result is an intimate and illuminating study of what it means to be human.

Sula and Nel are born in the Bottom—a small town at the top of a hill. Sula is wild, and daring; she does what she wants, while Nel is well-mannered, a mamma’s girl with a questioning heart. Growing up they forge a bond stronger than anything, stronger even than the dark secret they have to bear. Strong enough, it seems, to last a lifetime—until, decades later, as the girls become women, Sula’s anarchy leads to a betrayal that may be beyond forgiveness.One of The Atlantic’s Great American Novels of the Past 100 YearsMasterful, richly textured, bittersweet, and vital, Sula is a modern masterpiece about love and kinship, about living in an America birthed from slavery. Nobel Prize laureate Toni Morrison gives life to characters who struggle with what society tells them to be, and the love they long for and crave as Black women. Most of all, they ask: When can we let go? What must we hold back? And just how much can be shared in a friendship?