Empfehlungen basierend auf "Hitler, Stalin, Mum and Dad A Family Memoir of Miraculous Survival"

“The Way to the Spring is a riveting and powerful work . . . . Readers near and far who seek greater understanding of how Palestinians live—and the violence they endure—are well served by Ehrenreich’s book.” —Haaretz“Ehrenreich's haunting, poignant and memorable stories add up to a weighty contribution to the Palestinian side of the scales of history.” —New York Times Book Review“An impassioned and humane story.” —O MagazineFrom an award-winning journalist, a brave and necessary immersion into the everyday struggles of Palestinian lifeOver the past three years, American writer Ben Ehrenreich has been traveling to and living in the West Bank, staying with Palestinian families in its largest cities and its smallest villages. Along the way he has written major stories for American outlets, including a remarkable New York Times Magazine cover story. Now comes the powerful new work that has always been his ultimate goal, The Way to the Spring.We are familiar with brave journalists who travel to bleak or war-torn places on a mission to listen and understand, to gather the stories of people suffering from extremes of oppression and want: Katherine Boo, Ryszard Kapuściński, Ted Conover, and Philip Gourevitch among them. Palestine is, by any measure, whatever one's politics, one such place. Ruled by the Israeli military, set upon and harassed constantly by Israeli settlers who admit unapologetically to wanting to drive them from the land, forced to negotiate an ever more elaborate and more suffocating series of fences, checkpoints, and barriers that have sundered home from field, home from home, this is a population whose living conditions are unique, and indeed hard to imagine. In a great act of bravery, empathy and understanding, Ben Ehrenreich, by placing us in the footsteps of ordinary Palestinians and telling their story with surpassing literary power and grace, makes it impossible for us to turn away.

“Simply astounding. . . . The Kindly Ones is unmistakably the work of a profoundly gifted writer.” — TimeA literary prize-winner that has been an explosive bestseller all over the world, Jonathan Littell’s The Kindly Ones has been called “a brilliant Holocaust novel. . . a world-class masterpiece of astonishing brutality, originality, and force,” (Michael Korda, The Daily Beast). Destined to join the pantheon of classic epics of war such as Tolstoy’s War and Peace and Vasily Grossman’s Life and Fate, The Kindly Ones offers a profound and gripping experience of the horrors of World War II and the Holocaust.A former Nazi officer, Dr. Maximilien Aue has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. An intellectual steeped in philosophy, literature, and classical music, he is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews. Eichmann, Himmler, Göring, Speer, Heydrich, Höss—even Hitler himself—play a role in Max's story. An intense and hallucinatory historical epic, The Kindly Ones is also a morally challenging read. It holds a mirror up to humanity—and the reader cannot look away.

Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In 1941, three brothers witnessed their parents and two other siblingsbeing led away to their eventual murders. It was a grim scene that would,of course, be repeated endlessly throughout the war. Instead of running orgiving in to despair, these brothers -- Tuvia, Zus, and Asael Bielski -- foughtback, waging a guerrilla war of wits against the Nazis.By using their intimate knowledge of the dense forests surrounding theBelarusan towns of Novogrudek and Lida, the Bielskis evaded the Nazis andestablished a hidden base camp, then set about convincing other Jews to jointheir ranks. As more and more Jews arrived each day, a robust communitybegan to emerge, a "Jerusalem in the woods."After two and a half years in the woods, in July 1944, the Bielskis learnedthat the Germans, overrun by the Red Army, were retreating back towardBerlin. More than one thousand Bielski Jews emerged -- alive -- on that final,triumphant exit from the woods.

A harrowing account of the Armenian genocide documented through the stories of those who managed to survive and descendants who refuse to forgetThe grandchild of Armenians who escaped widespread massacres during the Ottoman Empire a century ago, Varujan Vosganian grew up in Romania hearing firsthand accounts of horrific killings, burned villages, and massive deportations. In this moving chronicle of unimaginable tragedy, the author transforms true events into a work of fiction firmly grounded in survivor testimonies and historical documentation.Across Syrian desert refugee camps, Russian tundra, and Romanian villages, the book chronicles individual lives destroyed by ideological and authoritarian oppression. But this novel tells an even wider human story. Evocative of all the great sufferings that afflicted the twentieth century—world wars, concentration camps, common graves, statelessness—this book belongs to all peoples whose voices have been lost. Hailed for its documentary value and sensitive authenticity, Vosganian’s work has become an international phenomenon.

Attempting to break the agonizing impasse between Israelis and Palestinians, the Israeli commentator and award-winning author of  Like Dreamers   directly addresses his Palestinian neighbors in this taut and provocative book, empathizing with Palestinian suffering and longing for reconciliation as he explores how the conflict looks through Israeli eyes. I call you "neighbor" because I don' t know your name, or anything personal about you. Given our circumstances, "neighbor" might be too casual a word to describe our relationship. We are intruders into each other' s dream, violators of each other' s sense of home. We are incarnations of each other' s worst historical nightmares. Neighbors? Letters to My Palestinian Neighbor   is one Israeli' s powerful attempt to reach beyond the wall that separates Israelis and Palestinians and into the hearts of "the enemy. " In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland, which he is committed to see succeed as a morally responsible, democratic state in the Middle East. This is the first attempt by an Israeli author to directly address his Palestinian neighbors and describe how the conflict appears through Israeli eyes. Halevi untangles the ideological and emotional knot that has defined the conflict for nearly a century. In lyrical, evocative language, he unravels the complex strands of faith, pride, anger and anguish he feels as a Jew living in Israel, using history and personal experience as his guide. Halevi' s letters speak not only to his Palestinian neighbor, but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.  

‘You are no longer a number’Poland, 1944The train slowed and halted with a squeal of the breaks. It felt like we waited in the carriage for an eternity, but eventually, the heavy doors opened, directly into the chaos inside.Sara Leibovitz, a 16-year-old Jewish girl, was a passenger on the train with her family. They spent their final moments together on the platform in Auschwitz before their horrific fates were sealed. Sara’s mother and baby brothers were sent straight to their deaths. Her father was made to work in the Sonderkommando as one of the men forced to remove the bodies from the gas chambers, and was later executed. Sara survived.This is the powerful true story of Sara Leibovits and the incredible pain and hardships she went through during her time in the death camp. Yet despite the horrors she faced, she always tried to maintain her family’s values of courage, faith and kindness to others. In this compelling memoir, Sara’s story is intertwined with that of her daughter, Eti. Seventy years after the horrors of the Holocaust, Eti reveals the inherited trauma of the second generation and completes the Holocaust survivor’s tale.What readers are saying about The Girl Who Survived Auschwitz:‘Let us never stop reading these novels. These memoirs are the ones that keep all the voices alive’‘Highly recommend… I finished reading it with a newfound sense of love and compassion’‘Reading this family’s memories is a rewarding experience in that it will ensure future generations will remember and learn. Many thanks to the author…for the trust in allowing me to review this life-changing memoir.’‘A raw and gripping Holocaust recount’‘What I loved most about this book is that it is a dual perspective…I was grateful to have a little glimpse into the mind of Eti and her absolute respect for her parents…together they learned, they grieved and they healed’‘It makes me really proud of my Jewish heritage and this story of perseverance. I highly recommend this book for any and all to read so we can keep survivor's stories alive and never let this type of tragedy happen again’‘Powerful, heartbreaking and inspiring. We need to know what happened. It will make your heart break. It is beyond horrific. But we need to know in memory of the six million innocents who died and of those who survived’‘A haunting and beautiful read…I give it a resounding 5 stars’‘We have the perspective of a woman who survived the holocaust as well as her daughter who had never known the horrrors her mother endured, yet asked…I feel honored to have read this memoir’‘Anyone who reads this book will not be left untouched…truly moving'‘This is one of those books everyone should read'‘Remarkable… a profoundly impactful book, one which should be required reading for everyone''Sara Leibovits is an amazing lady. She showed strength of character, resilience and maintained a kind heart, as she shared what little she had with those around her in Auschwitz'

Following the success of Forgotten Voices of the Great War, Lyn Smith visits the oral accounts preserved in the Imperial War Museum Sound Archive, to reveal the sheer complexity and horror of one of human history's darkest hours.The great majority of Holocaust survivors suffered considerable physical and psychological wounds, yet even in this dark time of human history, tales of faith, love and courage can be found. As well as revealing the story of the Holocaust as directly experienced by victims, these testimonies also illustrate how, even enduring the most harsh conditions, degrading treatment and suffering massive family losses, hope, the will to survive, and the human spirit still shine through.

The 14,500 Polish army officers, police, gendarmes, and civilians taken prisoner by the Red Army when it invaded eastern Poland in September 1939 were held in three special NKVD camps and executed at three different sites in spring 1940, of which the one in Katyn Forest is the most famous. Another 7,300 prisoners held in NKVD jails in Ukraine and Belarus were also shot at this time, although many others disappeared without trace. The murder of these Poles is among the most monstrous mass murders undertaken by any modern government. Three leading historians of the NKVD massacres of Polish prisoners of war at Katyn, Kharkov, and Tver—now subsumed under “Katyn”—present 122 documents selected from the published Russian and Polish volumes coedited by Natalia S. Lebedeva and Wojciech Materski. The documents, with introductions and notes by Anna M. Cienciala, detail the Soviet killings, the elaborate cover-up, the admission of the truth, and the Katyn question in Soviet/Russian–Polish relations up to the present.

A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau.On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.