Empfehlungen basierend auf "Hamlet"

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von The Oxford Shakespeare

Much Ado About Nothing includes two quite different stories of romantic love. Hero and Claudio fall in love almost at first sight, but an outsider, Don John, strikes out at their happiness. Beatrice and Benedick are kept apart by pride and mutual antagonism until others decide to play Cupid.

von Bernard Shaw

Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre

von William Shakespeare

The theme of the great Shakespearean tragedies is a hero's fall from grace due to a fatal character flaw. Whether it is the ruthless ambition of Macbeth or the folly of Lear, the irresolution of Hamlet or the suspicion of Othello, the cause of the tragedy - even when it is the murder of a king - is trifling compared to the calamity that it unleashes. Despite their flawed natures, however, the tragic protagonists all have a nobility that emphasizes the greatness of humanity. From this paradox the audience is brought to a greater understanding of - and sympathy with - suffering. The four tragedies in this collection are accompanied by notes and an introduction to each text.

von Peter Shaffer

0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of historical fiction.

von Scott L. Newstok

Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing ― all through the intersections of race and performance.

von Judi Dench

Taking a curtain call with a live snake in her wig; being painted green and cavorting naked through the Warwickshire countryside; acting opposite a child with a pumpkin on his head... these are just a few things Dame Judi Dench has done in the name of Shakespeare.In this book, Judi tells us about every Shakespearean role she's played throughout her career. Written in dialogue with fellow artist Brendan O'Hea, Judi guides us through Shakespeare's plays with incisive clarity, reveals the secrets behind her rehearsal process and invites us to share in her triumphs, disasters and backstage shenanigans.As Judi herself says 'Shakespeare is an international language, a beacon for humanity, and a bridge across cultures. Everything you have felt or are yet to feel is all in there in his plays.'

von Robertson Davies

amateur production of The Tempest provides a colourful backdrop for an hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare's play, falls in love with the beautiful Griselda Webster. When Griselda shows that she has plans of her own, Hector despairs and tries to commit suicide on the play's opening night.

von James Shapiro

Winner of the Baillie Gifford Prize’s 25th Anniversary Winner of Winners awardWhat accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe)1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

von William Shakespeare, Peter Ackroyd

The Complete Works of Shakespeare contains the recognized canon of the bard's plays, and his sonnets and poems. The texts were edited by the late Professor Peter Alexander, making it one of the most authoritative editions, recognized the world over for its clarity and scholarship. Described in the Guardian on its first publication in 1951 as 'a symbol in the history of our national culture', the Collins edition of the Complete Works of William Shakespeare, edited by the late Professor Peter Alexander, has long been established as one of the most authoritative editions of Shakespeare's works, and was chosen by the BBC as the basis for its televised cycle of the plays. The book starts with two specially written articles - a biography of Shakespeare by Germaine Greer and a wide-ranging introduction to Shakespeare theatre by the late Anthony Burgess. Each play is also introduced by academics from Glasgow University, where Professor Alexander undertook his editing. New to this edition is an internet resources section, providing details of the most useful Shakespeare websites. In addition, the invaluable glossary of over 2,500 entries explaining the meaning of obsolete words and phrases (complete with line references) has been expanded and redesigned to make it much easier to use.

von Nigel Saul

Richard II is one of the most enigmatic of English kings. Shakespeare depicted him as a tragic figure, an irresponsible, cruel monarch who nevertheless rose in stature as the substance of power slipped from him. By later writers he has been variously portrayed as a half-crazed autocrat or a conventional ruler whose principal errors were the mismanagement of his nobility and disregard for the political conventions of his age. This book--the first full-length biography of Richard in more than fifty years--offers a radical reinterpretation of the king. Nigel Saul paints a picture of Richard as a highly assertive and determined ruler, one whose key aim was to exalt and dignify the crown. In Richard's view, the crown was threatened by the factiousness of the nobility and the assertiveness of the common people. The king met these challenges by exacting obedience, encouraging lofty new forms of address, and constructing an elaborate system of rule by bonds and oaths. Saul traces the sources of Richard's political ideas and finds that he was influenced by a deeply felt orthodox piety and by the ideas of the civil lawyers. He shows that, although Richard's kingship resembled that of other rulers of the period, unlike theirs, his reign ended in failure because of tactical errors and contradictions in his policies. For all that he promoted the image of a distant, all-powerful monarch, Richard II's rule was in practice characterized by faction and feud. The king was obsessed by the search for personal security: in his subjects, however, he bred only insecurity and fear. A revealing portrait of a complex and fascinating figure, the book is essential reading for anyone with an interest in the politics and culture of the English middle ages.