Empfehlungen basierend auf "Grad Night"

The darkly magical new story about the monsters under the bed, from bestselling author of The Christmasaurus, Tom Fletcher.What silently waits in the shadows at night? What's under your bed, keeping just out of sight?Do you ever hear strange, creaking noises at night? Ever wonder what makes those noises?Lucy Dungston always did.Until, one morning, Lucy discovers that all the grown-ups have disappeared - as if into thin air. Chaos descends as the children in Lucy's town run riot. It's mayhem. It's madness. To most kids, it's amazing!But Lucy wants to find out the truth. Lucy lost her dad not long ago, and she's determined not to lose her mum too. She's going to get her back - and nothing is going to stop her . . .. . . except maybe the Creakers.

"Wacky and reminiscent of Roald Dahl with a twist, middle grade readers who enjoy stories with both laughs and chills will get a kick out of this one." - Seira Wilson, Amazon EditorThis New York Times bestseller from David Walliams, the UK’s #1 bestselling children’s author and “the heir to Roald Dahl” (The Spectator), launched his books stateside in a big way!Walliams makes going to the dentist a wacky adventure with his signature humor—this is one dentist appointment you don’t want to miss.Something strange is happening in Alfie's town. Instead of shiny coins from the Tooth Fairy, kids are waking up to dead slugs, live spiders, and other dreadfully icky things under their pillows.Who would do something so horrific? Alfie is sure that Miss Root, the creepy new dentist in town, is behind it all. There's nothing Alfie hates more than going to the dentist, but to solve this mystery, he may have to book a dreaded appointment….

The 10th anniversary edition of The Graveyard Book includes a foreword by Margaret Atwood as well as sketches from the illustrator, handwritten drafts, and Neil Gaiman’s Newbery acceptance speech.IT TAKES A GRAVEYARD TO RAISE A CHILD.Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn’t live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are adventures in the graveyard for a boy—an ancient Indigo Man, a gateway to the abandoned city of ghouls, the strange and terrible Sleer. But if Bod leaves the graveyard, he will be in danger from the man Jack—who has already killed Bod’s family.The Graveyard Book, a modern classic, is the only work ever to win both the Newbery (US) and Carnegie (UK) medals.

Fan favorite Wong takes readers to a whole new level with this blistering sequel to the cult sensation "John Dies at the End," soon to be a movie starring Paul Giamatti.

Chuck Palahniuk's startling and outrageous debut novel, basis of the hit movie starring Brad Pitt and Edward Norton.THE FIRST RULE about fight club is you don't talk about fight club.Every weekend, in the basements and parking lots of bars across the country, young men with whitecollar jobs and failed lives take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it's only the beginning of his plans for violent revenge on an empty consumer-culture world.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Following the massive success of the Demonata series, Darren Shan is back where it all started -- telling the life story of the vampire Larten Crepsley. Spanning centuries and continents, taking in sea voyages, murder, war and love, this is the epic, bloodsoaked tale of a vampire who started out a nobody! and ended up changing the world forever. For every vampire, the end! is just the beginning. When terrible events force young Larten Crespley to flee his home he finds himself alone in the world. Then he meets the mysterious Seba Nile, who introduces him to the ways of the vampire clan. But will Larten turn his back on humanity and join a world from which there can be no return!? So begins the blood-soaked tale of a vampire who starts out a nobody ! but will change the world forever.

The epic tale of the vampire Larten Crepsley continues. The question is -- how far can Larten go! alone? Free from their mentor Seba Nile, Larten Crepsley and Wester Flack join the Cubs -- wild young vampires with little respect for human life, and a taste for mindless enjoyment. For the Cubs, everything is easy. But nothing has ever been easy for Larten, and soon fate throws his life into another spin. With dark paths to travel, Larten finds himself far from the Vampire Mountain and its rules. A long way from home, sick and alone, he must decide what kind of vampire he will be. Whether he will stand firm, be true to his master and his princples -- or whether he will lose himself in blood!

Liked the Sweetpea TV series on Sky Atlantic? You'll love the books... ‘This isn’t a book for the squeamish or the faint-hearted ... think Bridget Jones meets American Psycho’ Red

Publisher:. HarperCollins UK The eighth instalment in the biggest. funniest. most thrilling comedy-horror-adventure series in the universe - and the follow-up to 2012's number-one bestseller. Kingdom of the Wicked ... War has finally come But its not a war between good and evil. or light and dark -.. its a war between Sanctuaries For too long. the Irish Sanctuary has teetered on the brink of world-ending disaster. and the other Sanctuaries around the world have had enough Allies turn to enemies. friends turn to foes. and Skulduggery and Valkyrie must team up with the rest of the Dead Men if theyre going to have any chance at all of maintaining the balance of power and getting to the root of a vast conspiracy that has been years in the making. But while this war is only beginning. another war rages within Valkyrie herself. Her own dark side. the insanely powerful being known ...