Empfehlungen basierend auf "Ghost Music"

An eye-opening account of life inside North Korea—a closed world of increasing global importance—hailed as a “tour de force of meticulous reporting” (The New York Review of Books)NATIONAL BOOK AWARD FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALISTIn this landmark addition to the literature of totalitarianism, award-winning journalist Barbara Demick follows the lives of six North Korean citizens over fifteen years—a chaotic period that saw the death of Kim Il-sung, the rise to power of his son Kim Jong-il (the father of Kim Jong-un), and a devastating famine that killed one-fifth of the population.Demick brings to life what it means to be living under the most repressive regime today—an Orwellian world that is by choice not connected to the Internet, where displays of affection are punished, informants are rewarded, and an offhand remark can send a person to the gulag for life. She takes us deep inside the country, beyond the reach of government censors, and through meticulous and sensitive reporting we see her subjects fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we witness their profound, life-altering disillusionment with the government and their realization that, rather than providing them with lives of abundance, their country has betrayed them.Praise for Nothing to Envy“Provocative . . . offers extensive evidence of the author’s deep knowledge of this country while keeping its sights firmly on individual stories and human details.”—The New York Times“Deeply moving . . . The personal stories are related with novelistic detail.”—The Wall Street Journal“A tour de force of meticulous reporting.”—The New York Review of Books“Excellent . . . humanizes a downtrodden, long-suffering people whose individual lives, hopes and dreams are so little known abroad.”—San Francisco Chronicle“The narrow boundaries of our knowledge have expanded radically with the publication of Nothing to Envy. . . . Elegantly structured and written, [it] is a groundbreaking work of literary nonfiction.”—John Delury, Slate“At times a page-turner, at others an intimate study in totalitarian psychology.”—The Philadelphia Inquirer

Since its publication in the early nineteenth century, this long narrative poem has stood unchallenged as the supreme masterpiece of Vietnamese literature. Thông’s new and absorbingly readable translation (on pages facing the Vietnamese text) is illuminated by notes that give comparative passages from the Chinese novel on which the poem was based, details on Chinese allusions, and literal translations with background information explaining Vietnamese proverbs and folk sayings.

Banned in Vietnam until 1986, Dumb Luck--by the controversial and influential Vietnamese writer Vu Trong Phung--is a bitter satire of the rage for modernization in Vietnam during the late colonial era. First published in Hanoi during 1936, it follows the absurd and unexpected rise within colonial society of a street-smart vagabond named Red-haired Xuan. As it charts Xuan's fantastic social ascent, the novel provides a panoramic view of late colonial urban social order, from the filthy sidewalks of Hanoi's old commercial quarter to the gaudy mansions of the emergent Francophile northern upper classes. The transformation of traditional Vietnamese class and gender relations triggered by the growth of colonial capitalism represents a major theme of the novel.Dumb Luck is the first translation of a major work by Vu Trong Phung, arguably the greatest Vietnamese writer of the twentieth century. The novel's clever plot, richly drawn characters and humorous tone and its preoccupation with sex, fashion and capitalism will appeal to a wide audience. It will appeal to students and scholars of Vietnam, comparative literature, colonial and postcolonial studies, and Southeast Asian civilization.Vu Trong Phung died in Hanoi, in 1939 at the age of twenty-seven. He is the author of at least eight novels, seven plays, and several other works of fiction in addition to Dumb Luck.Peter Zinoman is Associate Professor of Southeast Asian History, University of California, Berkeley. Nguyen Nguyet Cam is Vietnamese Language Instructor, University of California, Berkeley.

"Emily X.R. Pan's brilliantly crafted, harrowing first novel portrays the vast spectrum of love and grief with heart-wrenching beauty and candor. This is a very special book."--John Green, bestselling author of The Fault in Our Stars and Turtles All the Way DownAn instant New York Times bestseller, this stunning, heartbreaking novel about grief, love, and family is perfect for fans of Jandy Nelson and Celeste Ng.Leigh Chen Sanders is absolutely certain about one thing: When her mother died by suicide, she turned into a bird.Leigh, who is half Asian and half white, travels to Taiwan to meet hermaternal grandparents for the first time. There, she is determined tofind her mother, the bird. In her search, she winds up chasing afterghosts, uncovering family secrets, and forging a new relationship withher grandparents. And as she grieves, she must try to reconcile the fact that on the same day she kissed her best friend and longtime secretcrush, Axel, her mother was taking her own life.Alternating between reality and magic, past and present, hope and despair, The Astonishing Color of After is a luminous debut novel about finding oneself through family history, art, bravery, and love.

More than 800,000 copies in print!   From the author of critically acclaimed and bestselling memoir Falling Leaves, this is a poignant and moving true account of her childhood, growing up as an unloved daughter in 1940s China. A Chinese proverb says, "Falling leaves return to their roots." In her own courageous voice, Adeline Yen Mah returns to her roots to tell the story of her painful childhood and her ultimate triumph in the face of despair.  Adeline's affluent, powerful family considers her bad luck after her mother dies giving birth to her, and life does not get any easier when her father remarries. Adeline and her siblings are subjected to the disdain of her stepmother, while her stepbrother and stepsister are spoiled with gifts and attention. Although Adeline wins prizes at school, they are not enough to compensate for what she really yearns for -- the love and understanding of her family. Like the classic Cinderella story, this powerful memoir is a moving story of resilience and hope.  Includes an Author's Note, a 6-page photo insert, a historical note, and the Chinese text of the original Chinese Cinderella. A PW BEST BOOK OF THE YEAR AN ALA-YALSA BEST BOOK FOR YOUNG ADULTS   “One of the most inspiring books I have ever read.” –The Guardian

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.”It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.“There is no good way to say this,” Yiyun Li writes at the beginning of this book.“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”There is no good way to say this―because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Part coming-of-age tale, part family saga, an extraordinary debut novel set between Berlin, Chicago, and Jerusalem "about being Jewish and German, and all the awkwardness that entails" (The Guardian). It's the hottest of summers in Chicago, and fifteen-year-old Margarita is spending her vacation as usual, under the not-so-watchful eyes of her aging maternal grandparents. The tempestuous yet vulnerable teen would much rather be at home in Germany, exploring texciting Berlin with her best friend Anna, or with Avi, her doting Israeli father, a cantor at their local synagogue with whom she has shared a special bond ever since her mother, Marsha, abandoned the family. Instead, she's stuck halfway around the world in a cavernous house, homesick and tortured by the awful sound of her grandparents' chewing. Yet young Margarita is blindsided whenthe announcement is made that arrangements have been made behind her back for her to meet Marsha in Israel before returning to Germany. Margarita wants no part of the ill-conceived plan but finds herself traveling to her father's birthplace to spend two weeks with a mother she hardly knows in an attempt at overdue reconciliation. When her mother fails to show up, however, it's clear that things are about to go awry. Meanwhile, in Germany, Avi tries to fill the hole left by Margarita's absence with a trip of his own, embarking on a personal journey, both hope-inducing and despairing. Expertly straddling the two narratives of daughter and father, Dana Vowinkel's debut is a graceful exploration of imperfect family relationships and larger cultural displacement. Centered around a neurotic but loveable cast of characters, Misophonia is a heartfelt and tender story that explores modern Jewish identity and the diaspora -- an illuminating portrait of Jewish life in contemporary Germany. Translated from the German by Adrian Nathan West

Taiwanese immigrant Anna and her family make a shocking discovery that puts their American dreams at risk in this searing companion to In the Beautiful Country, which Gene Luen Yang called "vivid and hopeful." * A Cooperative Children's Book Center Choices List Selection * Anna's family have settled into life in California--their small restaurant is even turning a profit. Then her parents make a shattering discovery: their visas have expired. Anna's world is quickly overwhelmed by unfamiliar words like "undocumented." She longs to share the towering secret that looms over every aspect of her life with a friend, but her parents strictly forbid her from telling anyone. As Anna grapples with the complexities of being undocumented, the strain that it places on her family, and the loneliness of keeping it all to herself, she has to wonder--if America is the promised land, why does everything she's hoped for feel like a lie? Perfect for fans of Kelly Yang, Reem Faruqi, and Jasmine Warga, this middle grade novel in verse, inspired by the author's own experiences, focuses on themes of legal documentation, identity, and language's ability to divide and unite.

In an extraordinary blend of narrative history, personal recollection, & oral testimony, the author presents a sweeping history of Asian Americans. He writes of the Chinese who laid tracks for the transcontinental railroad, of plantation laborers in the canefields of Hawaii, of "picture brides" marrying strangers in the hope of becoming part of the American dream. He tells stories of Japanese Americans behind the barbed wire of U.S. internment camps during World War II, Hmong refugees tragically unable to adjust to Wisconsin's alien climate & culture, & Asian American students stigmatized by the stereotype of the "model minority." This is a powerful & moving work that will resonate for all Americans, who together make up a nation of immigrants from other shores.