Empfehlungen basierend auf "Getting Even"

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

My part of Ireland had a poet at one time, a poor ragged fellow whom no respectable person whom no respectable person would be seen talking to, but he left doors open as he passed. A delightful autobiographical novel from one of Ireland's best-loved writers Time hardly mattered in the village of Mucker, the birthplace of poet and writer Patrick Kavanagh. Full of wry humour, Kavanagh's unsentimental and evocative account of his Irish rural upbringing describes a patriarchal society surviving on the edge of poverty, sustained by the land and an insatiable love of gossip. There are tales of schoolboy skirmishes, blackberrying and night-time salmon-poaching; of country-weddings and fairs, of political banditry and religious pilgrimages; and of farm-work in the fields and kicking mares. Kavanagh's experiences inspired him to write poetry which immortalized a fast-disappearing way of life and brought him recognition as one of Ireland's great poets.

Three brilliantly comic novels revolving around the University of Rummidge and the eventful lives of its role-swapping academics.

'This is a miracle of a book' George Lamming'Compelling. Stuart Hall's story is the story of an age' Owen Jones'Sometimes I feel I was the last colonial'This is the story, in his own words, of the extraordinary life of Stuart Hall: writer, thinker and one of the leading intellectual lights of his age. Growing up in a middle-class family in 1930s Jamaica, then still a British colony, Hall found himself caught between two worlds: the stiflingly respectable middle class in Kingston, who, in their habits and ambitions, measured themselves against the white planter elite; and working-class and peasant Jamaica, neglected and grindingly poor, though rich in culture, music and history. But as colonial rule was challenged, things began to change in Jamaica and across the world.When, in 1951, a scholarship took him across the Atlantic to Oxford University, Hall encountered other Caribbean writers and thinkers, from Sam Selvon and George Lamming to V. S. Naipaul. He also forged friendships with the likes of Raymond Williams and E. P. Thompson, with whom he worked in the formidable political movement, the New Left, and developed his groundbreaking ideas on cultural theory. Familiar Stranger takes us to the heart of Hall's struggle in post-war England: that of building a home and a life in a country where, rapidly, radically, the social landscape was transforming, and urgent new questions of race, class and identity were coming to light.Told with passion and wisdom, this is a story of how the forces of history shape who we are.

Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admiss

“This amusing, sad, and heartfelt look at [Adams’s] lifeis a true gift.”—New York PostIt all started when Douglas Adams demolished planet Earth in order to make way for an intergalactic expressway—and then invited everyone to thumb a ride on a comical cosmic road trip in The Hitchhiker’s Guide to the Galaxy. Adams made the universe a much funnier place to inhabit and forever changed the way we think about towels, extraterrestrial poetry, and especially the number 42. And then, too soon, he was gone.In Wish You Were Here, Nick Webb, a longtime friend of the author, reveals the many sides, quirks, and contradictions of Douglas Adams. A summation as celebration, it is a look back at a life well worth the vicarious reliving, as studded with anecdote, droll comic incident, and heartfelt insight as its subject’s own unforgettable tales of cosmic wanderlust.Praise for Wish You Were Here“Webb’s tale brims with affection and humour; every page is a delight.”—The Daily Mail“It’s perhaps the ultimate credit to Webb that he can be just as funny as Adams in his writing. With many of the same veins of humour that Adams had running throughout this biography, it’s as if the great hitchhiker has never really left.”—The Leeds Guide

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

The Code of the Woosters is a novel by P. G. Wodehouse, first published on 7 October 1938, in the United Kingdom by Herbert Jenkins, London, and in the United States by Doubleday, Doran, New York. It was serialised in The Saturday Evening Post (US) from 16 July to 3 September 1938 and in the London Daily Mail from 14 September to 6 October 1938. The Code of the Woosters is the third full-length novel to feature two of Wodehouse's best-known creations, Bertie Wooster and his valet Jeeves. It introduces Sir Watkyn Bassett, the owner of a country house called Totleigh Towers where the story takes place, and his intimidating friend Roderick Spode. It is also a sequel to Right Ho, Jeeves, continuing the story of Bertie's newt-fancying friend Gussie Fink-Nottle and Gussie's droopy and overly sentimental fiancée, Madeline Bassett. Bertie and Jeeves return to Totleigh Towers in a later novel, Stiff Upper Lip, Jeeves.

Poignant, funny, and utterly original, Ethel & Ernest is Raymond Briggs's loving depiction of his parents' lives from their chance first encounter in the 1920s until their deaths in the 1970s.Ethel and Ernest were solid members of the English working class, part of the generation that lived through the most tumultuous years of the twentieth century. They met during the Depression--she working as a maid, he as a milkman--and we follow them as they court and marry, make a home, raise their son, and cope with the dark days of World War II. Briggs's portrayal of how his parents succeeded, or failed, in coming to terms with the events of their rapidly shifting world--the advent of radio, television, and telephones; the development of the atomic bomb; the moon landing; the social and political turmoil of the sixties--is irresistibly engaging, full of sympathy and affection, yet clear-eyed and unsentimental.Briggs's illustrations are small masterpieces; coupled with the wonderfully candid dialogue, they evoke the exhilaration and sorrow, excitement and bewilderment, of experiencing such enormous changes. As much a social history as a personal account, Ethel & Ernest is a moving tribute to ordinary people living in an extraordinary time.

Wodehouse died before finishing this novel, first published in 1977. Containing the bare-bones narrative and dialogue of the first 16 chapters, its story keeps to the Blandings formula: a pretty niece brought to the castle to separate her from an "impossible" (ie poor) suitor in London.