Empfehlungen basierend auf "Frankenstein"

The 10th anniversary edition of The Graveyard Book includes a foreword by Margaret Atwood as well as sketches from the illustrator, handwritten drafts, and Neil Gaiman’s Newbery acceptance speech.IT TAKES A GRAVEYARD TO RAISE A CHILD.Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn’t live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are adventures in the graveyard for a boy—an ancient Indigo Man, a gateway to the abandoned city of ghouls, the strange and terrible Sleer. But if Bod leaves the graveyard, he will be in danger from the man Jack—who has already killed Bod’s family.The Graveyard Book, a modern classic, is the only work ever to win both the Newbery (US) and Carnegie (UK) medals.

"A compelling, gory, ghostly romp." —Paul Tremblay, New York Times bestselling author of Horror Movie "This is what it felt like to live in New York City during lockdown: haunted, absurd, terrifying, ridiculous, and full of hungry ghosts." —Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic. Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head. She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women. As Cora will soon learn, you can’t just ignore hungry ghosts. For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

Rediscover the true meaning of fear in this collection of horror stories from New York Times bestselling author Clive Barker.“The most provocative tales of terror ever published.”—The Washington PostEverybody is a book of blood; wherever we're opened, we're red...With the publication of Books of Blood, Clive Barker became an overnight literary sensation. His tour de force collection of brilliantly disturbing tales demonstrated a genius for dark invention that rivaled Poe and Sade. He was hailed by Stephen King as “the future of horror,” and won both the British and World Fantasy Awards.Now, with his numerous bestsellers, graphic novels, and hit movies like the Hellraiser films, Clive Barker has become an industry unto himself. It is his powerful writing style and arresting imagery that have made Books of Blood a classic—and Clive Barker a cult phenomenon.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Half-human Cal Leandros and his brother Niko aren’t exactly prospering with their preternatural detective agency. Who could have guessed that business could dry up in New York City, where vampires, trolls, and other creepy crawlies are all over the place—if you know where to look.But now there’s a new arrival in the Big Apple. A malevolent evil with ancient powers is picking off humans like sheep, dead-set on making history with an orgy of blood and murder. And for Cal and Niko, this is one paycheck they’re going to have to earn. If they live long enough to collect it…

Neil Gaiman'sperennial favorite, The Graveyard Book, has sold more than one million copies and is the only novel to win both the Newbery Medal and the Carnegie Medal.Bod is an unusual boy who inhabits an unusual place—he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings—such as the ability to Fade so mere mortals cannot see him.Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?The Graveyard Book is the winner of the Newbery Medal, the Carnegie Medal, the Hugo Award for best novel, the Locus Award for Young Adult novel, the American Bookseller Association's "Best Indie Young Adult Buzz Book, " a Horn Book Honor, and Audio Book of the Year. Don't miss this modern classic—whether shared as a read-aloud or read independently, it's sure to appeal to readers ages 8 and up.

Alex Schwartz had a promising future - until he contracted an unfortunate bout of vampirism, and agreed (on pain of death) to join the Laundry, Britain's only counter-occult secret agency. The thought of telling his parents that he's lost his old job, let alone them finding out about his 'condition', is causing Alex more anxiety than learning how to live as a vampire secret agent preparing to confront multiple apocalypses. His only saving grace is Cassie Brewer, a student appearing in the local Goth Festival, who flirts with him despite his awkward personality and massive amounts of sunblock

Preparations for the Ghastly-Gorm Garden Party and bake-off are under way. Celebrity cooks—such as Nigellina Sugarspoon, Gordon Ramsgate and Heston Harboil—are arriving at the hall for the big event and, true to form, Maltravers, the indoor gamekeeper, is acting suspiciously. Elsewhere at Ghastly-Gorm Ada's wardrobe-dwelling lady's maid Marylebone has received a marriage proposal. Ada vows to aid the course of true love and find out what Maltravers is up to, but amidst all this activity, everyone, including her father, appears to have forgotten her birthday!

In the tradition of Stephen King's 'Salem's Lot, Cirque Du Freak is the frightening saga of a young boy whose visit to a mysterious freak show leads him on a journey into a dark world of vampires. Filled with grotesque creatures, murderous vampires, and a petrifying ending, Cirque Du Freak will chill, thrill, and leave readers begging for more.

A modern-day Alice in Wonderland meets the undead…BOOK FOUR in Gena Showalter’s New York Times bestselling series, The White Rabbit ChroniclesAli Bell and Cole Holland's crew of zombie slayers thought they'd won the war against Anima Industries, the evil company responsible for capturing and experimenting on zombies in an effort to discover the secret to immortality. In the last epic clash, the slayers lost many of their crew and closest friends. But Frosty, the ice man himself, has not recovered from one casualty in particular—the love of his life, Kat Parker.On the path to self-annihilation, Frosty receives a message from beyond—Kat's spirit returns, insisting he partner with rogue slayer Camilla Marks. Frosty will do anything for Kat. Except that. Camilla is the one who betrayed them all, leading to Kat's death. But when Anima rises from the grave to become a force the slayers may not have the strength to overcome, Frosty, Camilla and all the slayers will have to work together to survive the madness.The White Rabbit Chronicles:Alice in ZombielandThrough the Zombie GlassThe Queen of Zombie HeartsA Mad Zombie Party