Empfehlungen basierend auf "Forbidden Pleasures"

Go deeper into the groundbreaking, Golden Globe and Emmy-winning series with this must-have collection—“a completist’s dream of a book, including the show’s full scripts and Waller-Bridge’s commentary” (Vogue).NAMED ONE OF THE BEST BOOKS OF THE YEAR BY EVENING STANDARD“Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.”Phoebe Waller-Bridge’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the filming scripts of the first and second seasons, complete with the original stage directions as well as exclusive commentary on her creative process and the making of the series. Now recognized as one of today’s most essential voices, she delivers powerful insights into her now-iconic protagonist: the hilarious, emotionally damaged, sexually unapologetic woman who can make viewers laugh, cry, and cringe in a single scene.Essential for any fan, Fleabag: The Scriptures is the ultimate companion to a landmark series.

“Drag embodies the queer possibility that exists within each of us—the infinite ways in which gender, good taste, and art can be lived.”–Sasha VelourThis book is a quilt, piecing together memoir, history, and theory into a living portrait of an artist and an art. Within these pages, illustrated throughout with photos and original artwork, Sasha Velour illuminates drag as a unique form of expression with a rich history and a revolutionary spirit.Each chapter strips off a new layer, removing one tantalizing glove and then another, to reveal all the twists and turns in the life of a queen. As Sasha recalls her own journey, from the women who raised her, to learning the craft of an artist, to success, disaster, and more, she also uncovers the history of queer life around the world that made it all possible.From shamans to “fairies balls,” empresses to RuPaul’s Drag Race (and beyond), The Big Reveal chronicles and celebrates our shared queer pasts. “If we want to be seen as legendary,” writes Sasha, “we have to weave ourselves into history.”From an iconoclastic drag queen comes an equally singular, thought-provoking manifesto that brings necessary and sparkling substance to our understanding of drag, queerness, beauty, and liberation!

'A roadmap for a new generation' VOGUE 'Radical, funny and fearless' VANITY FAIR 'Gripping' NYLON An electric, searing memoir by the original Riot Grrrl and legendary frontwoman of Bikini Kill and Le Tigre Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the 1980s, '90s, and beyond. Her band, Bikini Kill, embodies this iconic time, and today their gutsy, radical lyrics of anthems like 'Rebel Girl' and 'Double Dare Ya' are more powerful than ever. But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home, to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes blindingly clear, being in a 'girl band', especially a punk girl band, in those years was not a simple or a safe prospect. Male violence and antagonism threatened at every turn, and surviving as a band took limitless amounts of grit and bravery. But the relationships she developed during those years buoyed her - including with her bandmates Tobi Vail, Kathi Wilcox, and Billy Karren; her friendship with Kurt Cobain; and her introduction to Joan Jett - and they were a testament to how the true punk world nurtured and cared for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her later bands, Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement and its decline, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the darkest, hardest times along with the most joyful - and how it all fuelled her revolutionary art, from the 1980s to today.

Eve Babitz captured the voluptuous quality of L.A. in the1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her first hand experiences in the L.A. cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

I still thought breasts might be more trouble than they were worth. Growing up reminded me a little bit of Hide and Go Seek. When it was your time to grow up, Natrue said, "Here I come, ready or not." And Nature could always find you.

"The prose is textured, viscous almost, an ooze of sweet honey shot through with golden light . . . A Language of Limbs is a novel of (impeccable) vibes and mood, a gay hymnal written from inside the guts of the two protagonists." —Yves Rees, Australian Book Review A breathtaking, sliding-doors, will-they-won’t-they love story and a tender epic that explores the weight of a choice, the love of community and how joy is found in even the darkest corners.   Newcastle, Australia, 1972. On a sticky summer night, a choice must be made: To give in to queer desire or suppress it? To venture into the unknown or stay the course? In alternating chapters, we trace the two versions of a life that follow.   In one, a teenage girl is caught kissing her neighbor and is kicked out from her home. She lands at a queer communal home in Sydney called Uranian House, where she meets the people who will forever become her family. Meanwhile, in the second, a teenage girl pushes down her lustful dreams of her best friend and eventually makes her way to a university in Sydney to study English literature.   During pivotal moments, the physical space between these two women closes—like when they each meet the first great loves of their lives in 1977 at a protest, or when, almost a decade later, they are both rushed to the hospital with only a curtain between them. Through the AIDS crisis—and from classrooms to art galleries, beds to bars and hospitals to homes—we witness these two lives shadow each other until, finally and poignantly, they collide.

These thirty-nine stories chronicle the gay experience over the course of the last century, beginning with the unarticulated longing of two boys swimming in D.H. Lawrence's "A Poem of Friendship" and ending with the explicit sexual interaction of two boys in a bathtub in A.M. Homes's "The Whiz Kids."In between there is every imaginable kind of gay story written by every imaginable kind of writer—gay and straight, male and female—all illuminating the common ground of the gay male experience and its astonishing diversity.“The book is like a long enjoyable party, at which the celebrated rub elbows with the neglected.”—Times Literary Supplement

'Feverish, devouring and provocative' LUCY ROSE, author of The Lamb Love can really eat you up Avni is done with the meaningless carousel of tame sex. Tender women repel her. Clumsy men disgust her. She wants to make her flesh electric; to fill the chasm inside her created by her mundane job, her ex who died in a bizarre tragedy, and her sick aunt, whose diseased brain is swallowing memories. Then there's the sour fruit, the bad meat that she craves. She longs for something to make her feel full. Something beyond all the pointless sex and depravity. When she is sucked into the orbit of a couple who seem as unstitched as she is, Avni thinks she may have found what she is looking for. But each time she fulfils her darkest needs her appetite grows, and she begins to spiral into obsession. There's that bone-deep ache again. Is it love? Or a different kind of hunger? Uncompromising, unique and compulsively readable, SOUR FRUIT is the fearless debut of a major new talent.

Sappho of Lesbos lived and wrote poetry some twenty-six centuries ago, but hers remains a persistent and effective voice for the expression of a woman's desire for a woman. Lesbian Desire in the Lyrics of Sappho is the first book to examine Sappho's poetry through the lens of lesbian desire, focusing on the active female gaze in the texts and the narrative voice - one that describes female experience and desires as primary, not secondary to the dominant (male) culture. Snyder reads Sappho's songs against a woman-centered framework in which emotional and/or erotic bonds between and among women take center stage. Her close readings demonstrate the ways in which Sappho's lyrics focus on women's emotional lives with one another and on female erotic desire for other females. In Sappho's poetic world, male figures, when they do appear, stand on the periphery. In order to make Sappho accessible to everyone, Snyder presents detailed readings of the one complete existing song and of each of the major fragments of her poetry. She provides a clear English translation and a transliteration into our alphabet; the original Greek text is included in an appendix. Rather than making claims about the specific social contexts out of which the poems may have arisen, Snyder offers a close analysis of the words themselves, with comparative material drawn from other archaic Greek poets where there appear to be appropriate parallels. The book concludes with a chapter addressing Sappho's influence on a number of modern American woman poets, particularly Amy Lowell, H.D., and Olga Broumas. Snyder sees in these three poets qualities similar to Sappho's: a strong sense of self-definition; a display of independencewithin a poetic tradition; a relishing of the erotic and the sensual; and an emphasis on the mutuality of desire; and a blurring of the gaze that disrupts the hierarchy of subject versus object.

In these selections from twenty years of her best short fiction, Edna O'Brien's A Fanatic Heart pulls the reader into a woman's experience. Her stories portray a young Irish girl's view of obsessive love and its often wrenching pain, while tales of contemporary life show women who open themselves to sexuality, to disappointment, to madness. Throughout, there is always O'Brien's voice—wondrous, despairing, moving—examining passionate subjects that lay bare the desire and needs that can be hidden in a woman's heart.