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In A Distant Universe, Since The Beginning Of Time, Workers Have Spent Their Lives Weaving Intricate Carpets From The Hair Of Women And Girls. But Why? Andreas Eschbach's Mysterious, Poignant Space Opera Explores The Absurdity Of Work And Of Life Itself. 'a Novel Of Ideas That Evokes Complex Emotions Through The Working Out Of An Intricate And Ultimately Satisfying Plot, With Echoes Of Gene Wolfe, Ursula K. Le Guin, And Isaac Asimov' The New York Times Book Review

A special 20th anniversary hardcover edition of this classic work of world literatureWhen The Unbearable Lightness of Being was first published in English, it was hailed as "a work of the boldest mastery, originality, and richness" by critic Elizabeth Hardwick and named one of the best books of 1984 by the New York Times Book Review. It went on to win the Los Angeles Times Book Prize for Fiction and quickly became an international bestseller. Twenty years later, the novel has established itself as a modern classic.A young woman in love with a man torn between his love for her and his incorrigible womanizing; one of his mistresses and her humbly faithful lover—these are the two couples whose story is told in this masterful novel.Controlled by day, Tereza's jealousy awakens by night, transformed into ineffably sad death-dreams, while Tomas, a successful surgeon, alternates loving devotion to the dependent Tereza with the ardent pursuit of other women. Sabina, an independent, free-spirited artist, lives her life as a series of betrayals -- of parents, husband, country, love itself -- whereas her lover, the intellectual Franz, loses all because of his earnest goodness and fidelity.In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence we feel, says the novelist, "the unbearable lightness of being" -- not only as the consequence of our private acts but also in the public sphere, and the two inevitably intertwine.This magnificent novel encompasses the extremes of comedy and tragedy, and embraces, it seems, all aspects of human existence. It juxtaposes geographically distant places (Prague, Geneva, Paris, Thailand, the United States, a forlorn Bohemian village); brilliant and playful reflections (on "eternal return," on kitsch, on man and animals—Tomas and Tereza have a beloved doe named Karenin); and a variety of styles (from the farcical to the elegiac) to take its place as perhaps the major achievement of one of the world's truly great writers.

Winner of the National Book Critics Circle Award in CriticismThe first comprehensive selection in any language of the non-fiction--much of it appearing here in English for the first time--of “one of literature’s most fertile and original minds” (San Francisco Chronicle)A Penguin Classics Deluxe Edition with flaps and deckle-edged paperIt will come as a surprise to many readers that the greater part of Jorge Luis Borges’s extraordinary writing was not in the genres of fiction or poetry, but in various forms of non-fiction prose. His thousands of pages of essays, reviews, prologues, lectures, and notes on politics and culture—though revered in Latin America and Europe as among his finest work—have scarcely been translated into English.Selected Non-Fictions presents a Borges almost entirely unknown to American readers. Here is the dazzling metaphysician speculating on the nature of time and reality and the inventions of heaven and hell, and the almost superhumanly erudite reader of the world’s literatures, from Homer to Ray Bradbury, James Joyce to Lady Murasaki. Here, too, the political Borges, taking courageous stands against fascism, antisemitism, and the Perón dictatorship; Borges the movie critic, on King Kong and Citizen Kane and the Borgesian art of dubbing; and Borges the regular columnist for the Argentine equivalent of the Ladies’ Home Journal, writing hilarious book reviews and capsule biographies of modern writers.Like the Aleph in his famous story—the magical point in a basement in Buenos Aires from which one can view everything in the world—Borges’s non-fictions are a vortex for seemingly the entire universe: Dante and Ellery Queen, Shakespeare and the Kabbalah, the history of angels and the history of tango, the Buddha, Bette Davis, and the Dionne Quints.Selected Non-Fictions presents more than 160 of these astonishing writings, from his youthful manifestos to his last meditations on his favorite books. More than a hundred of these pieces have never before appeared in English, and all have been rendered in brilliant new translations by Esther Allen, Suzanne Jill Levine, and Eliot Weinberger. This unique selection presents Borges as at once a deceptively self-effacing guide to the universe and the inventor of a universe that is an indispensable guide to Borges.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

While Borges remained fascinated by books, doubles, strange heresies, magic and the occult, his last two collections broke new ground in their astonishing range of themes.By the 1970s, Borges was frail, blind and bereft, and The Book of Sand is deeply concerned with loss, approaching death, identities rooted in past events and recollected sexual passion. Yet these painful issues are treated with bemused acceptance as well as characteristic inventiveness and wit. Equally haunting are the tale of the scholar who mysteriously acquires Shakespeare's memory and the other evocative parables which make up his final work. To the last, Borges retained a unique ability to shock and surprise.

'All of the true things I am about to tell you are shameless lies.'Dr Felix Hoenikker, one of the founding fathers of the atomic bomb, has left a deadly legacy to the world. For he is the inventor of Ice-nine, a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three eccentric children, to a crazed dictator in the Caribbean, to madness.Will Felix Hoenikker's death wish come true? Will his last, fatal gift to humankind bring about the end that, for all of us, is nigh?Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global apocalypse preys on our deepest fears of witnessing the end and, worse still, surviving it . . .

Open this wordless book and take off on mind-bending visual journeys full of twists, turns, and surprises. Zoom from an Egyptian pyramid to an exotic jungle to a sandy beach. But if you think you know where you are, guess again. For in Istvan Banyai's mysterious landscapes of pictures within pictures, nothing is ever as it seems.

The contemporary and the mythic collide in this hard-boiled tale of computers and conspiracy theories, unicorns and ancient lands.

From the internationally acclaimed author of The Marriage of Cadmus and Harmony comes one of the most significant books in recent years on a writer of perennial interest–a virtuoso interpretation of the work of Franz Kafka. What are Kafka’s fictions about? Are they dreams? Allegories? Symbols? Countless answers have been offered, but the essential mystery remains intact. Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.

Twenty-five of the finest science fiction short stories from one of the genre's greatest writers, Isaac Asimov. Isaac Asimov was the Grand Master of the Science Fiction Writers of America, the founder of robot ethics, and one of the world's most prolific authors of fiction and non-fiction. Asimov's short fiction has been enjoyed by millions for more than half a century. Many of the stories in this collection are classics of the genre, including 'Living Space', which looks at the consequences of the existence of parallel universes and what would happen if life on Earth never developed. Always entertaining and thought provoking, these stories display Asimov's mastery of the short story form. He remains supreme as the thinking person's science fiction writer.

"I'm not on good terms with the present day," Sigizmund Krzhizhanovsky once mused, "but posterity loves me." Virtually unknown during his lifetime and unpublishable under Stalin, he now draws comparisons to Beckett, Borges, Gogol, and Swift. This book presents three tales that encapsulate Krzhizhanovsky's gift for creating philosophical, satirical, and lyrical phantasmagorias. "Stravaging 'Strange'" details the darkly comic adventures of an apprentice magus: lovesick, he imbibes a magic tincture to reduce himself to the size of a dust mote, the better to observe the young lady in question. He stumbles across a talkative king of hearts, a gallant flea, a coven of vindictive house imps, and his romantic rival along the way to a cinematic dénouement. "Catastrophe" wryly parodies Kant's philosophy: an old sage decides to extract the essence from all things and beings in a ruthless attempt to understand reality--and chaos ensues. "Material for a Life of Gorgis Katafalaki," set in Berlin, Paris, London, and Moscow, recounts the absurd trials of an otherworldly outsider of uncertain nationality and unfixed profession with boundless curiosity but scant means. This book also includes excerpts from Krzhizhanovsky's notebooks--aphoristic glimpses of his worldview, moods, humor, and writing methods--and reminiscences of Krzhizhanovsky by his lifelong companion, Anna Bovshek, beginning with their first meeting in Kiev in 1920 and ending with his death in Moscow in 1950.