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Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin's verse novel follows the fates of three men and three women. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favorite work, and this new translation conveys the literal sense and the poetic music of the original.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

Turgenev's masterpiece about the conflict between generations is as fresh, outspoken, and exciting today as it was in when it was first published in 1862. The controversial portrait of Bazarov, the energetic, cynical, and self-assured `nihilist' who repudiates the romanticism of his elders, shook Russian society. Indeed the image of humanity liberated by science from age-old conformities and prejudices is one that can threaten establishments of any political or religious persuasion, and is especially potent in the modern era. This new translation, specially commissioned for the World's Classics, is the first to draw on Turgenev's working manuscript, which only came to light in 1988. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A tragedy of Shakespearean force and intensity, Dostoyevsky's drama of parricide and family rivalry chronicles the murder of depraved landowner Fyodor Karamazov and the subsequent investigation and trial. Extensive notes explain the many literary and topical allusions and provide background information.

Taken from The Oxford Chekhov, the stories in this collection include "The Butterfly," "Ariadne," "A Dreary Story," "Neighbours," "An Anonymous Story," and "Doctor Startsev," as well as the title story.

"A book that will last, that you will reread all your life and then pass on to your grandchildren. Or ask to be buried with."―Michael Dirda, Washington Post Following the historic publication of Norton's The Complete Works of Isaac Babel in the fall of 2001, The Collected Stories of Isaac Babel appears as the most authoritative and complete edition of his fiction ever published in paperback. Babel was best known for his mastery of the short story form―in which he ranks alongside Kafka and Hemingway―but his career was tragically cut short when he was murdered by Stalin's secret police. Edited by his daughter Nathalie Babel and translated by award-winner Peter Constantine, this paperback edition includes the stunning Red Cavalry Stories; The Odessa Tales, featuring the legendary gangster Benya Krik; and the tragic later stories, including "Guy de Maupassant." This will be the standard edition of Babel's stories for years to come. Maps

The vast and complex tragedy of Stalin’s purges, culminating in the Great Terror, made victims of millions of Russians between 1932 and 1939. This gripping book assembles and translates into English for the first time an astonishing array of formerly top secret Soviet documents from that period. Exposing to daylight the hidden inner workings of the Communist Party and the dark inhumanity of the purge process, these documents immeasurably deepen our understanding of an agonizing episode of Soviet history.

This volume contains English translations of: Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard, with a new Introduction by Ronald Hingley. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

From the New York Times bestselling author of The Romanov Sisters and Caught in the Revolution, The Last Days of the Romanovs is Helen Rappaport's riveting, moment-by-moment account of the last fourteen days of the Russian Imperial family. “The brutal 1918 massacre of the Romanov family may be familiar, but in Russian scholar Rappaport's hands, the tale becomes as shocking and immediate as a thriller. . . . A gripping read.” —People magazine This is the story of the murders that ended three hundred years of Romanov rule and set their stamp on an era of state-orchestrated terror and brutal repression. Counting down to the last, tense hours of the Imperial family's lives, Rappaport strips away the over-romanticized versions of previous accounts. The story focuses on the family inside the Ipatiev House, capturing the oppressive atmosphere and the dynamics of a group—the Romanovs, their servants, and guards—thrown together by extraordinary events. Marshaling overlooked evidence from key witnesses such as the British consul to Ekaterinburg, Sir Thomas Preston, American and British travelers in Siberia, and the now-forgotten American journalist Herman Bernstein, Helen Rappaport gives a brilliant account of the political forces swirling through the remote Urals town. She conveys the tension of the watching world: the Kaiser of Germany and George V, King of England—both, like Alexandra, grandchildren of Queen Victoria—their nations locked in combat as the First World War drew to its bitter end. And she draws on recent releases from the Russian archives to challenge the view that the deaths were a unilateral act by a maverick group of the Ekaterinburg Bolsheviks, identifying a chain of command that stretches directly, she believes, to Moscow—and to Lenin himself.Telling the story in a compellingly new and dramatic way, The Last Days of the Romanovs brings those final tragic days vividly alive against the backdrop of Russia in turmoil, on the brink of a devastating civil war.

I don't understand it; I don't in the least understand why men can't live without wars. How is it that we women don't want anything of the kind, don't need it?Tolstoy's epic masterpiece intertwines the lives of private and public individuals during the time of the Napoleonic wars and the French invasion of Russia. The fortunes of the Rostovs and the Bolkonskys, of Pierre, Natasha, and Andrei, are intimately connected with the national history that is played out in parallel with their lives. Balls and soirées alternate with councils of war and the machinations of statesmen and generals, scenes of violent battles with everyday human passions in a work whose extraordinary imaginative power has never been surpassed. The prodigious cast of characters, both great and small, seem to act and move as if connected by threads of destiny as the novel relentlessly questions ideas of free will, fate, and providence. Yet Tolstoy's portrayal of marital relations and scenes of domesticity is as truthful and poignant as the grand themes that underlie them. In this definitive and highly acclaimed Maude translation, Tolstoy's genius and the power of his prose are made newly available to the contemporary reader. In addition this edition includes a new introduction by Amy Mandelker, revised and expanded notes, lists of fictional and historical characters, a chronology of historical events, five maps, and Tolstoy's essay "Some Words about War and Peace".