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von Louise Glück
A major career-spanning collection from the inimitable Nobel Prize-winning poetFor the past fifty years, Louise Glück has been a major force in modern poetry, distinguished as much for the restless intelligence, wit and intimacy of her poetic voice as for her development of a particular form: the book-length sequence of poems. This volume brings together the twelve collections Glück has published to date, offering readers the opportunity to become immersed in the artistry and vision of one of the world's greatest living poets.From the allegories of The Wild Iris to the myth-making of Averno; the oneiric landscapes of The House on Marshland to the questing of Faithful and Virtuous Night - each of Glück's collections looks upon the events of an ordinary life and finds within them scope for the transcendent; each wields its archetypes to puncture the illusions of the self. Across her work, elements are reiterated but endlessly transfigured - Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain. Taken together, the effect is like a shifting landscape seen from above, at once familiar and unspeakably profound.
von Emily Dickinson
The essential poems of Emily Dickinson selected and introduced by Joyce Carol Oates“Between them, our great visionary poets of the American nineteenth century, Emily Dickinson and Walt Whitman, have come to represent the extreme, idiosyncratic poles of the American psyche. . . .Dickinson never shied away from the great subjects of human suffering, loss, death, even madness, but her perspective was intensely private; like Rainer Maria Rilke and Gerard Manley Hopkins, she is the great poet of inwardness, of the indefinable region of the soul in which we are, in a sense, all alone.” —from the introduction by Joyce Carol Oates
von Kate Baer
An Instant New York Times BestsellerThe author of the #1 New York Times bestseller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters and detractors—an artform that reclaims the vitriol from online trolls and inspires readers to transform what is ugly or painful in their own lives into something beautiful.“I'm sure you could benefit from jumping on a treadmill”“Women WANT a male leader . . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment.At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.
von Robert Browning
Robert Browning, a towering poetic presence of the Victorian era, was hailed by Henry James as a tremendous and incomparable modern. The sheer immediacy and colloquial energy of his poetry ensure enduring appeal. Browning paints landscapes both suburban and sublime, combines lyric and demotic language, and introduces everyday events of the streets and marketplace into the rarified world of Victorian poetry.This edition includes examples from the early Dramatic Lyrics (1842) and Dramatic Romances and Lyrics (1845); from the masterpieces Mena and Women (1855) and Dramatis Personae (1864), and from the less familiar works of his later years. Together they convey the intensity, the lyric beauty, and the vitality of Browning's poetry.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
von Elsa von Freytag-Loringhoven
As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip -- one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, "the first American Dada" not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga. Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise of the metropolis itself. Her love poetry muses graphically on ejaculation, orgasm, and oral sex. When she tired of existing words, she created new ones: "phalluspistol," "spinsterlollipop," "kissambushed." The Baroness's rebellious, highly sexed howls prefigured the Beats; her intensity and psychological complexity anticipates the poetic utterances of Anne Sexton and Sylvia Plath. Published more than a century after her arrival in New York, Body Sweats is the first major collection of Elsa von Freytag-Loringhoven's poems in English. The Baroness's biographer Irene Gammel and coeditor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.
von Dylan Thomas
Luminous and intensely lyrical, Dylan Thomas' works have captivated generations of readers, inspiring artists like The Beatles, Bob Dylan, Igor Stravinsky, and Phoebe Bridgers. This selection includes some of his best poetry, celebrating both inner and outer landscapes in the face of mortality, decay, human weakness, and beckoning readers to 'rage, rage against the dying of the light.' Together, they exemplify his legacy as the greatest Welsh poet of the twentieth century.
von J. A. Hiddleston
The collection of prose poems known as Le Spleen de Paris is an important, puzzling, and yet relatively neglected area of Baudelaire's work. This is the first study in English that is exclusively concerned with these texts. Approaching the poems chronologically, Hiddleston focuses primarily on the position of the artist and his attitude towards his art, the often enigmatic and contradictory moral message the poems purpose to convey and, above all, the relationship between prose and poetry in this hybrid and, by the poet's own admission, "dangerous" genre.
von Joshua Bennett
The debut collection from a 2021 Whiting Award and Guggenheim Fellow recipient whose “astounding, dolorous, rejoicing voice is indispensable” (Tracy K. Smith) The Sobbing School, Joshua Bennett’s mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett’s own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries.
von Percy Bysshe Shelley
Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems “Prometheus Unbound” and “Adonais,” an elegy on the death of John Keats. His shorter, classic verses include “Ozymandias,” “To a Skylark,” “Mont Blanc,” and “Ode to the West Wind.” This comprehensive and informative new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary, and idealistic.
von Thomas Stearns Eliot
There is no more authoritative collection of the poetry that Eliot himself wished to preserve than this volume, published two years before his death in 1965. Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes The Love Song of J. Alfred Prufrock along with Four Quartets, The Waste Land, and several other poems.