Empfehlungen basierend auf "Downton Abbey Script Book Season 1"

- Presents the most important 20th-century criticism on major works from "The Odyssey through modern literature- The critical essays reflect a variety of schools of criticism- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index- Introductory essay by Harold Bloom

Some of their past the Tudors wanted to remember, other parts they preferred to forget: a new history, a new story, the family behind the myths.The Tudors are a national obsession; they are our most notorious royal family. But, as Leanda de Lisle shows in this gripping new history, beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’'s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’'s lap, and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past -- those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, Leanda de Lisle enables us to see the Tudors in their own terms, rather than ours; and presents new perspectives and revelations on key figures and events. We see a family dominated by remarkable women doing everything possible to secure its future; understand why the Princes in the Tower disappeared; look again at the bloodiness of Mary’'s reign; at Elizabeth’'s relationships with her cousins; and re-discover the true significance of previously overlooked figures. We see the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor tells a family story like no other, and brings it once more to vivid life.

When Victoria was born, in 1819, the world was a very different place. Revolution would threaten many of Europe's monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public's expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger tracts of the globe. In a world where women were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand. Fifth in line to the throne at the time of her birth, Victoria was an ordinary woman thrust into an extraordinary role. As a girl, she defied her mother's meddling and an adviser's bullying, forging an iron will of her own. As a teenage queen, she eagerly grasped the crown and relished the freedom it brought her. She was outspoken with her ministers, overstepping conventional boundaries and asserting her opinions. And as science, technology, and democracy were dramatically reshaping the world, Victoria was a symbol of steadfastness and security--queen of a quarter of the world's population at the height of the British Empire's reach.

A charming and amusing view of Nin's early life, from age eleven to seventeen; the self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. "An enchanting portrait of a girl's constant search for herself" (Library Journal). Preface by Joaquin Nin-Culmell; Index; photographs and drawings. Translated by Jean L. Sherman.

Lancaster and York. For much of the fifteenth century, these two families were locked in battle for control of the English throne. Kings were murdered and deposed. Armies marched on London. Old noble names were ruined while rising dynasties seized power and lands. The war between the royal houses of Lancaster and York, the most complex in English history, profoundly altered the course of the monarchy. Alison Weir, one of the foremost authorities on British history, brings brilliantly to life both the war itself and the larger-tha-life figures who fought it on the great stage of England. The Wars of the Roses is history at its very best—swift and compelling, rich in character, pageantry, and drama, and vivid in its re-creation of an astonishing period of history.

Paperback. Pub Date :2013-12-11 Pages: 3052 Language: English Publisher: WW Norton & Company A best-seller for more than forty years. this is the survey of English literature from the Middle Ages to the twenty-first century. With 274 authors. the Eighth Edition deepens its representation of essential works in all genres. ranging from Seamus Heaneys translation of Beowulf to global twentieth-century classics. Over 75 colour plates and thematic clusters of brief and historically significant texts bring to life the cultural concerns of each period. Concise glosses and annotations. period introductions. biographical headnotes. timelines and selected bibliographies help readers understand and enjoy the rich diversity of English literature.

“The best single volume ever written on the subject, such is its range, authority, and readability.”―Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer― physically, emotionally, intellectually―with its enduring power. 24 pages of illustrations

Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.

For the first time in decades, here, in a single volume, is a fresh look at the fabled Tudor dynasty, comprising some of the most enigmatic figures ever to rule a country. Acclaimed historian G. J. Meyer reveals the flesh-and-bone reality in all its wild excess. In 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country. The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.    The Tudorsweaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.

The Riverside Chaucer is the third edition of this collection of Chaucer's work and replaces The works of Geoffrey Chaucer, edited by F.N.Robinson.