Empfehlungen basierend auf "Disappoint Me: A Novel"

A National Indie BestsellerWinner of the National Book Critics Circle Award, the Story Prize, and a Windham-Campbell Literature PrizeA Best Book of the Year at The New York Times, The New Yorker, Vogue, Houston Chronicle, Roxane Gay’s The Audacity, Mashable, Polygon, Kirkus Reviews, and Library JournalA New York Times Book Review Editor’s Choice“Uncanny and haunting . . . Genius.” ―Michele Filgate, The Washington Post“Dazzling.” ―Maureen Corrigan, NPR’s Fresh AirWhat happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end?In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything―if you bury yourself alive.These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021 WINNER OF THE DYLAN THOMAS PRIZE “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

Winner of the 2023 PEN/Faulkner Award for FictionLong-listed for the 2023 Andrew Carnegie Medal for Excellence in FictionA New York Times Book Review Editors’ ChoiceA Slate Top Ten Book of the YearA TIME Best Fiction Book of 2022Named a Best Book of the Year by The New Yorker, NPR, Los Angeles Times, The Guardian, Los Angeles Review of Books, Financial Times, San Francisco Chronicle, LitHub, Buzzfeed, and more.A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where a woman can live without her past, The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will, by the celebrated author Yiyun Li.Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised―the place that Fabienne helped Agnès escape ten years ago. Now Agnès is free to tell her story.As children in a war-ravaged backwater town, they’d built a private world, invisible to everyone but themselves―until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.

In this “deeply original” (Elif Batuman) and “violently funny” (Myriam Gurba) story, a young lawyer finally confronts her dark past so she can live in a more peaceful future. To the outside observer, Vivian is a success story—a dedicated lawyer who advocates for mentally ill patients at a New York City psychiatric hospital. Privately, Vivian contends with the memories and aftereffects of her bad childhood—compounded by the everyday stresses of being a Black Latinx woman in America. She lives in a constant state of hypervigilant awareness that makes even a simple subway ride into a heart-pounding drama.For years, Vivian has self-medicated with a mix of dating, dieting, dark humor and smoking weed with her BFF, Jane. But after a family reunion prompts Vivian to take a bold step, she finds herself alone in new and terrifying ways, without even Jane to confide in, and she starts to unravel. Will she find a way to repair what matters most to her?A debut from a stunning talent, Post-traumatic is a new kind of survivor narrative, featuring a complex heroine who is blazingly, indelibly alive. With razor-sharp prose and mordant wit, Chantal V. Johnson performs an extraordinary feat, delivering a psychologically astute story about the aftermath of trauma that somehow manages to brim with warmth, laughter, and hope.

Winner of the National Book AwardWinner of the California Book AwardWinner of Tournament of BooksOut in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book―Sex Variants: A Study of Homosexual Patterns―and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?A book about storytelling―its legacies, dangers, delights, and potential for change―and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made―a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

A glittering, bold, darkly funny novel about two sisters--one in New York, one in Singapore--who are bound by an ancient secret Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim as she freely uses her beauty and charms to make ends meet. But they share a secret: once they were snakes, basking under a full moon in Tang Dynasty China. A thousand years later, their mysterious history is the only thing still binding them together. When Emerald experiences a violent encounter in Central Park, and Su boards the next flight to New York, the two reach a tenuous reconciliation for the first time in decades. Su convinces Emerald to move to Singapore so she can keep an eye on her--but she soon begins to worry that Emerald's irrepressible behavior will out them both in an affluent city where everything runs like clockwork, but no deviation from the norm can be tolerated. Dark, hilarious, razor-sharp, and raw in emotion, Sister Snake explores chosen family, queerness, passing, and the struggle against conformity. Boldly reimagining the Chinese folktale the Legend of the White Snake, this is a novel about being seen for who you are--and, ultimately, how to live free.

A Most Anticipated Book of the Year: Time, The Washington Post, and Literary HubA novel tracing a father’s disappearance across time, nations, and memory, from the author of Trust Exercise.One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old.In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, an ethnic Korean born and raised in Japan, lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to the DPRK. Her American mother, Anne, is estranged from her family after a reckless adventure in her youth. And then there is Tobias, Anne’s illegitimate son, whose reappearance in their lives will have astonishing consequences.What really happened to Louisa’s father? Why did he take Louisa and her mother to Japan just before he disappeared? And how can we love, or make sense of our lives, when there’s so much we can’t see?

LONGLISTED FOR THE BOOKER PRIZE 2025 From the author of Assembly - THE MUST-READ NOVEL OF 2025 in the GUARDIAN, SUNDAY TIMES, GQ, ELLE, OBSERVER, INDEPENDENT, RADIO TIMES, BBC, HARPER'S BAZAAR, and GOOD HOUSEKEEPING 'An instant classic.' ELLE 'Utterly phenomenal.' ELIZABETH DAY 'Smart, twisty and original.' DAVID NICHOLLS 'A sharp, clever take on contemporary culture.' DAILY MAIL 'In a class of her own.' FINANCIAL TIMES On an abandoned Yorkshire farm, a group of hippie-anarchists have taken up residence to build a new society. When their leader is brutally bludgeoned with a solid gold bar, an ambitious young journalist sets out to uncover the truth behind the attack. The longread exposé she writes goes viral - but is there more to the story than meets the eye? Universality unravels the messy aftermath of that exposé through the perspective of each of the mystery's key players: a self-pitying banker, a columnist with secrets, a cult leader with dreams, and a fugitive with nothing left to lose. The follow-up to Natasha Brown's Assembly is a twisty, slippery story of media, class, power and truth. Cutting through the noise, it reveals British society today for what it is. 'A searing, state-of-the-nation novel.' STYLIST 'Confirms Natasha Brown as a major talent.' OBSERVER 'A brilliant, unusual social x-ray of modern Britain.' ANDREW O'HAGAN 'It is impossible to not get utterly sucked in.' JENNY MUSTARD 'One of the most intelligent voices writing today.' GUARDIAN 'Original, vital, and unputdownable.' TESS GUNTY 'Brown is an astute political observer, easily dismembering cancel culture and our media circus.' NEW STATESMAN

NATIONAL BESTSELLER • An exhilarating novel about one American family and the dark moment that shatters their suburban paradise, from the New York Times bestselling author of Fleishman Is in TroubleNew York Times Book Review Editors’ Choice • New York Magazine’s Beach Read Book Club Pick • Belletrist Book Club PickA BEST BOOK OF THE YEAR: The New York Times Book Review, Oprah Daily, The New Yorker, Time, The Washington Post, NPR, Vogue, Town & Country, New York Post, Harper’s Bazaar, Elle, Parade, Kirkus Reviews“Joins the pantheon of great American novels.”—Los Angeles Times“Exuberant and absorbing . . . a big old-fashioned social novel.”—The Atlantic“Were we gangsters? No. But did we know how to start a fire?”In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures.Long Island Compromise spans the entirety of one family’s history, winding through decades and generations, all the way to the outrageous present, and confronting the mainstays of American Jewish life: tradition, the pursuit of success, the terror of history, fear of the future, old wives’ tales, evil eyes, ambition, achievement, boredom, dybbuks, inheritance, pyramid schemes, right-wing capitalists, beta-blockers, psychics, and the mostly unspoken love and shared experience that unite a family forever.

From the #1 New York Times bestselling author of Wow, No Thank You 'Brilliant, hilarious and perspicacious.' ELIZABETH DAY 'One of our culture's greatest humorists is back.' Glamour'SO funny.' SARA PASCOE This is not an advice book. Samantha Irby doesn't know anything. After fleeing Chicago to quarantine at home in Michigan, Irby finds herself bleaching groceries and wondering if her upper lip hairs are visible on Zoom. Her career reaches new heights: she gets to work with the iconic ladies of Sex and the City - her dream! - but behind the new-found glam, Irby is just trying to keep her life together. Our friend in print is back, on point, and ready to take us with her, from adopting Abe (her scrawny, watery-eyed firstborn dog) to her favourite, extremely specific porn searches (including two old nuns). 'Wildly, seditiously funny' New York Times'Sam Irby is the king of sparkling misanthropy and tender, loving dread.' JIA TOLENTINO What readers are saying: 'Raunchy, punchy, relatable, fricken stellar. Highly! Recommend!' 'There is no writer out there who makes me laugh like Irby' 'What a ride it was! I loved every minute of it' 'Another entertaining collection in Irby's hilarious style'