Empfehlungen basierend auf "Demon Copperhead Intl: A Pulitzer Prize Winner"

A NYTBR Editor’s Choice“This is a book of radical empathy, crossing many borders – not just borders that separate nations, but also borders of form, borders of meaning, and borders of possibility. It is powerful and humane and deserves to find a wide, wandering readership.” — Mohsin Hamid, author of Exit WestIn this extraordinary book, an acclaimed young war reporter chronicles a dangerous journey on the smuggler’s road to Europe, accompanying his friend, an Afghan refugee, in search of a better future.In 2016, a young Afghan driver and translator named Omar makes the heart-wrenching choice to flee his war-torn country, saying goodbye to Laila, the love of his life, without knowing when they might be reunited again. He is one of millions of refugees who leave their homes that year.Matthieu Aikins, a journalist living in Kabul, decides to follow his friend. In order to do so, he must leave his own passport and identity behind to go underground on the refugee trail with Omar. Their odyssey across land and sea from Afghanistan to Europe brings them face to face with the people at heart of the migration crisis: smugglers, cops, activists, and the men, women and children fleeing war in search of a better life. As setbacks and dangers mount for the two friends, Matthieu is also drawn into the escape plans of Omar’s entire family, including Maryam, the matriarch who has fought ferociously for her children’s survival.Harrowing yet hopeful, this exceptional work brings into sharp focus one of the most contentious issues of our times. The Naked Don’t Fear the Water is a tale of love and friendship across borders, and an inquiry into our shared journey in a divided world.

"A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack."—Booklist, starred review“Beautifully woven . . . a magical delight.”—Hari Kunzru, author of White TearsA Broken People’s Playlist is set to the soundtrack of life, comprised of twelve music-inspired tales about love, the human condition, micro-moments, and the search for meaning and sometimes, redemption. It is also Chimeka Garricks’s love letter to his native city, Port Harcourt, introducing us to a cast of indelible characters in these loosely interlocked tales.There is the teenage wannabe-DJ eager to play his first gig even as his family disastrously falls apart—who reappears many years later as an unhappy middle-aged man drunk-calling his ex-wife; a man who throws a living funeral for his dying brother; three friends who ponder penis captivus and one’s peculiar erectile dysfunction; a troubled woman who tries to find her peace-place in the world, helped by a headful of songs and a pot of ginger tea.Infused with the author’s resonant and evocative storytelling, each page holds “the depth of a novel” (Hari Kunzru); a character, a moment that will—like a favorite song—long linger in the heart and mind.

In April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Here, the power of Diop’s acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin’s crisp translation and a compelling afterword by Diop. The novel recounts the story of a Rwandan history teacher, Cornelius Uvimana, who was living and working in Djibouti at the time of the massacre. He returns to Rwanda to try to comprehend the death of his family and to write a play about the events that took place there. As the novel unfolds, Cornelius begins to understand that it is only our humanity that will save us, and that as a writer, he must bear witness to the atrocities of the genocide.

We Wish to Inform You That Tomorrow We Will Be Killed with Our Families is the winner of the National Book Critics Circle Award for Nonfiction.An unforgettable firsthand account of a people's response to genocide and what it tells us about humanity.This remarkable debut book from Philip Gourevitch chronicles what has happened in Rwanda and neighboring states since 1994, when the Rwandan government called on everyone in the Hutu majority to murder everyone in the Tutsi minority. Though the killing was low-tech--largely by machete--it was carried out at shocking speed: some 800,000 people were exterminated in a hundred days. A Tutsi pastor, in a letter to his church president, a Hutu, used the chilling phrase that gives Gourevitch his title.With keen dramatic intensity, Gourevitch frames the genesis and horror of Rwanda's "genocidal logic" in the anguish of its aftermath: the mass displacements, the temptations of revenge and the quest for justice, the impossibly crowded prisons and refugee camps. Through intimate portraits of Rwandans in all walks of life, he focuses on the psychological and political challenges of survival and on how the new leaders of postcolonial Africa went to war in the Congo when resurgent genocidal forces threatened to overrun central Africa.Can a country composed largely of perpetrators and victims create a cohesive national society? This moving contribution to the literature of witness tells us much about the struggle everywhere to forge sane, habitable political orders, and about the stubbornness of the human spirit in a world of extremity.

Longlisted for the Booker Prize 2020A Spectator Book of the Year‘A literary rendering of the Top Boy generation… I cannot conjure another work which captures this culture in such depth – or with such brutal honesty – as only lived experience can tell ’ Graeme Armstrong, author of The Young Team’An astonishingly powerful book’ Cathy Rentzenbrink, author of The Last Act of LoveThis life is like being in an ocean. Some people keep swimming towards the bottom. Some people touch the bottom with one foot, or even both, and then push themselves off it to get back up to the top, where you can breathe. Others get to the bottom and decide they want to stay there. I don’t want to get to the bottom because I’m already drowning.This is a story of a London you won’t find in any guidebooks.This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities – and the girls trying to make it their own way.This is a story of reputations made and lost, of violence and vengeance – and never counting the cost.This is a story of concrete towers and blank eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.This is about the boredom, the rush, the despair, the fear and the hope.This is about what’s left behind.Perfect for fans of Diane Cook, Douglas Stuart and Colum McCann.

This is the story of Macon "Milkman" Dead, heir to the richest black family in a Midwestern town, as he makes a voyage of rediscovery, travelling southwards geographically and inwards spiritually. Through the enlightenment of one man, the novel recapitulates the history of slavery and liberation.

'A vital work for our times' IRENOSEN OKOJIE 'Beautiful ... this is prose worth spending time with' MARIE CLAIRE 'A gorgeously deeply humane book' NICOLE DENNIS-BENN 'A vivid, stirring revolution' YRSA DALEY-WARD 'The ink practically hovers off the page' KAVEH AKBAR What makes a family? How is it defined and by whom? Is freedom for everyone? Across Lagos, a rolling cast of unforgettable characters seek out love in all its forms, daring to push all other relationships - with partners, family and friends - to the brink in the process. As they form and break unexpected connections, they reveal how they know each other, have loved each other and had their hearts broken in that pursuit. Stubbornly alive and brazenly flawed, they work to establish themselves in the city's worlds of art, music, entertainment and creativity while reckoning with desire, fear, death and God. Here, we witness their collective and individual attempts to grapple with the necessary fictions that they all carry for survival. This is a shimmering, defiant cross-generational portrait of what it means to be queer in contemporary Nigeria. 'Both deeply earnest and unique' VULTURE 'Unabashedly queer, complicated and occasionally outright hopeful' NPR 'Osunde is brilliant at character, giving the cast rich, knotty backstories that unfold in bursts of revelation' TLS 'Necessary Fiction's Nigerians are inseparable from Nigeria itself: brazen, willful, sexy, dynamic, explosive' MARLON JAMES 'Osunde's writing shines ... It's not just beautiful - it's transformative' BASSEY IKPI

With black-and-white illustrations throughout World-renowned Kenyan novelist, poet, playwright, and literary critic Ng˜ug˜ý wa Thiong’o gives us the second volume of his memoirs in the wake of his critically acclaimed Dreams in a Time of War.   In the House of the Interpreter richly and poignantly evokes the author’s life and times at boarding school—the first secondary educational institution in British-ruled Kenya—in the 1950s, against the backdrop of the tumultuous Mau Mau Uprising for independence and Kenyan sovereignty. While Ng˜ug˜ý has been enjoying scouting trips, chess tournaments, and reading about the fictional RAF pilot adventurer Biggles at the prestigious Alliance High School near Nairobi, things have been changing rapidly at home. Poised as he is between two worlds, Ng˜ug˜ý returns home for his first visit since starting school to find his house razed and the entire village moved up the road, closer to a guard checkpoint. Later, his brother Good Wallace, a member of the insurgency, is captured by the British and taken to a concentration camp. As for Ng˜ug˜ý himself, he falls victim to the forces of colonialism in the person of a police officer encountered on a bus journey, and he is thrown into jail for six days. In his second year at Alliance High School, the boarding school that was his haven in a heartless world is shattered by investigations, charges of disloyalty, and the politics of civil unrest.   In the House of the Interpreter hauntingly describes the formative experiences of a young man who would become a world-class writer and, as a political dissident, a moral compass to us all. It is a winning celebration of the implacable determination of youth and the power of hope.

SHORTLISTED FOR THE 2024 WOMEN'S PRIZE FOR NON-FICTION 'Vivid and empowering' GILLIAN ANDERSON 'A stunning book' BERNARDINE EVARISTO 'Dazzling' TARA WESTOVER 'A story about hope, imagination and resilience' GUARDIAN An award-winning, inspiring memoir of family, education and resilience. Born in Montego Bay, Jamaica, where luxury hotels line pristine white sand beaches, Safiya Sinclair grew up guarding herself against an ever-present threat. Her father, a volatile reggae musician and strict believer in a militant sect of Rastafari, railed against Babylon, the corrupting influence of the immoral Western world just beyond their gate. To protect the purity of the women in their family he forbade almost everything. Her mother did what she could to bring joy to her children with books and poetry. But as Safiya's imagination reached beyond its restrictive borders, her burgeoning independence brought with it ever greater clashes with her father. Soon she realised that if she was to live at all, she had to find some way to leave home. But how? How to Say Babylon is an unforgettable story of a young woman's determination to live life on her own terms. A Guardian and Observer summer read. 'I adored this book ... Unforgettable' ELIF SHAFAK 'Electrifying' OBSERVER 'To read it is to believe that words can save' MARLON JAMES 'Breathless, scorching' NEW YORK TIMES

The Awakening of Malcolm X is a powerful narrative account of the activist's adolescent years in jail, written by his daughter Ilyasah Shabazz along with 2019 Coretta Scott King-John Steptoe award-winning author, Tiffany D. Jackson.No one can be at peace until he has his freedom.In Charlestown Prison, Malcolm Little struggles with the weight of his past. Plagued by nightmares, Malcolm drifts through days, unsure of his future. Slowly, he befriends other prisoners and writes to his family. He reads all the books in the prison library, joins the debate team and the Nation of Islam. Malcolm grapples with race, politics, religion, and justice in the 1940s. And as his time in jail comes to an end, he begins to awaken -- emerging from prison more than just Malcolm Little: Now, he is Malcolm X.Here is an intimate look at Malcolm X's young adult years. While this book chronologically follows X: A Novel, it can be read as a stand-alone historical novel that invites larger discussions on black power, prison reform, and civil rights.