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A new life. A new school. A new bully. That's what Darrell Mercer faces when he and his mother move from Philadelphia to California. After spending months living in fear, Darrell is faced with a big decision. He can either keep on running from this bully or find some way to fight back.

Arthur Drams works for a secret government security agency, but all he really does is spend his days in a cubical writing reports no one reads. After getting another “lateral promotion” by a supervisor who barely remembers his name, it’s suggested that Arthur try to ‘make friends’ and ‘get noticed’ in order to move up the ladder. It’s like high school all over again: his attempts to be friendly come across as awkward and creepy, and no one wants to sit at the same table with him at lunch. In a last-ditch attempt to be seen as friendly and outgoing, he decides to make friends with The Alien, aka Agent Martin Grove, known for his strange eating habits, unusual reading choices, and the fact that no one has spoken to him in three years.Starting with a short, surprisingly interesting conversation on sociology books, Arthur slowly begins to chip away at The Alien’s walls using home-cooked meals to lure the secretive agent out of his abrasive shell. Except Martin just might be something closer to an actual secret agent than paper-pusher Arthur is, and it might be more than hearts at risk when something more than friendship begins to develop.Please note this book has a Heat Rating of zero.

From hot new talent Jordan Sonnenblick, a "Tuesdays with Morrie" for teens.16-year-old Alex decides to get even. His parents are separated, his father is dating his former third-grade teacher, and being 16 isn't easy, especially when it comes to girls. Instead of revenge though, Alex ends up in trouble with the law and is ordered to do community service at a senior center where he is assigned to Solomon Lewis, a "difficult" senior with a lot of gusto, advice for Alex, and a puzzling (yet colorful) Yiddish vocabulary. Eventually, the pair learn to deal with their past and each other in ways that are humorous, entertaining, and life changing.

Review Angels of Mercy - Volume 1: Elliot is an exceptional display of walking in Elliot's shoes - a diary of sorts. Being a teenager is hard enough, being gay in a small town and in love with the star quarterback can be dangerous.  Sensual and sarcastic conversations and inward monologues bring life, laughter, disappointments, danger, and a carnal love to Elliot and Marco.  But, will it last? - Saguaro Moon Reviews [4 out of 5 Moons] Kindle edition reviewed Product Description On the cusp of his senior year at Mercy High, Elliot Donahey, an out but terminally shy gay young man who keeps to the shadows – never wanting to be seen or noticed – suddenly finds himself in the arms of the highest profile jock on campus, local star quarterback, Marco Sforza. Their lives, and those closest to them will never be the same.Set against the backdrop of competitive sports, this character study work (the first in a series) deep dives into the lives of these young men who each must "play the game" so Marco can play the game he loves. They are just trying to find some small slice of happiness to call their own amidst their hellish final year of high school.Author's Note: Angels of Mercy is first and foremost, a character study. A great deal of it is inner-monologue. Elliot will pause the action, will break momentum as he grapples with his world – all the while flipping a finger to the fourth wall. He knows you're there. It was far more important to me as its author (and a gay man) that the reader come away with the whys of Elliot’s choices in how he navigates his often tumultuous world. The same can be said of Marco (his jock boyfriend) who will have his own line of books covering the same timeline but from his POV (the first, Diary of a Quarterback Part 1, due winter 2015). I’ve read much queer literature and what I find rather interesting is that for the majority of it, very little is written about the character’s headspace. When you live in a world where you constantly have to be vigilant as you navigate through, it can make for some very powerful storytelling. That is my goal in writing these boys’ lives. I want the reader who may not be queer themselves to come away with what it might be like to be in a gayboy’s shoes – constantly polling and pulse-checking your world because your very survival depends upon it. All of that while you hope, you secretly pray, that you’ll find someone who will see you too and find they can’t live without you in their world. A small slice of happiness to call your own. And though you do everything to keep to yourself, you may still run into those who find your very existence threatens who they are and how they think the world should run. I pull no punches with this work. They are hormonally charged eighteen year old young men who are sexually active. While the sex is present in the work it is not gratuitous in that the main character does evolve from his physical intimacy with his high-profile boyfriend. It is not a genre romance read either, though it has a very strong romance threaded in the work. These elements bring a light to their world that attracts all the wrong attention. In a time where more queer youth are coming out to their teammates and their loved ones, I find that work of this nature is both timely and necessary to tell. I hope you'll find it as interesting and provocative a read as I believe it is.Our Voices. Our Lives - as we live them. About the Author SA Collins hails from the San Francisco Bay Area where he lives with his (legal) husband, their daughter and wonder of all wonders, a whirlwind of a granddaughter. A classically trained singer/actor (under a different name), Mr. Collins knows a good yarn when he sees it. Mr. Collins specializes in character study work. It is more important for him as an author that the reader comes away with a greater understanding of the characters, and the reasons they make the decisions they do, rather than the situations they are

True Romance, directed by Tony Scott, is a hilarious, twisted road movie about which Interview raved, "A pop-crazy, instant B classic with A clout." Alabama, a hooker, and Clarence, a comic-book store clerk, fall in love and hit the road in a purple Cadillac. They are going to Los Angeles to start a new life -- with a suitcase full of cocaine accidentally stolen from Alabama's defunct ex-pimp. Guided by the spirit of Elvis, Clarence attempts to sell the coke to a top Hollywood director, putting the young lovers in the middle of a standoff between the narcs and the Sicilian gangsters who rightfully own the cocaine. This publication of Tarantino's first screenplay, written when he was still a video-store clerk, contains the original ending and Tarantino's "answers first, questions later" structure, both of which were altered by Scott.

When you are raised to believe that the person you are is unacceptable, you hide. And you stay hidden. If you are X-Men and Dance Academy star Tim Pocock, you become an expert at hiding - until you can't anymore. Tim Pocock was a born performer. At ten, he took to the stage as a professional opera singer. At twenty-two, he launched his acting career in the blockbuster X-Men Origins: Wolverine and went on to star in the beloved series Dance Academy. But Tim's biggest role was one he never auditioned for - the role he played at home as a devout, straight son. Raised in a conservative Catholic family and attending a school with links to Opus Dei, Tim always knew that being gay was out of the question. He was encouraged to become a priest and experienced gay conversion therapy to have his sexuality hypnotised out of him. After making a bid for freedom, Tim traversed the glitzy landscape of Los Angeles, navigated the pressures of the acting industry, and made chaotic forays into the gay dating scene - all while carrying immense trauma. With unflinching honesty, Tim reveals his journey toward healing and shows how we can set ourselves free. 'A brave and important memoir that captures the nuance and struggle of people trapped by the beliefs of their loved ones' IAN THORPE OAM

Joe is 17, a gifted artist and a brilliant older brother to 12-year-old Finn. They live with their Ma and Da in a Dublin tower block called Bojaxhiu or 'the Jax'. It's not an easy place to be a kid, especially when your father, Frank, is the muscle for the notorious gang leader Dessie 'The Badger' Murphy. But whether it's daytrips to the beach or drawing secret sketches, Joe works hard to show Finn life beyond the battered concrete yard below their flat.Joe is determined not to become like his Da. But when Finn falls ill, Joe finds his convictions harder to cling to. With his father now in prison, his mother submerged in her grief, and his relationships with friends and classmates crumbling, Joe has to figure out how to survive without becoming what the world around him expects him to be.

While reluctantly staying with her biological father, a member of a motorcycle club, sheltered seventeen-year-old Emily falls for the youth her father asked to protect her from a rival club with a score to settle.

Meet Frankie the cat. He's a stray who belongs to no one, and that's just how he likes it. Until one day, everything changes. He crosses paths with Richard. Richard isn't doing so well. Grieving the loss of his wife, he's turned his back on hope and is ready to end it all. But his plans are halted when Frankie the cat is injured on his doorstep. Frankie needs help. But then, so does Richard. What Richard doesn't know is that Frankie is no ordinary cat. It's an unlikely partnership. But it might be exactly what they both need . . .

Like the game of baseball, life is quirky and unpredictable, as Shane Hunter discovers in the spring of his sophomore year. Suddenly and without warning his life of privilege is turned upside down. And just as suddenly, life begins to seem utterly without fairness or purpose to him. Exciting, well-written sports scenes transport readers right into the stands while complex issues engage their hearts and minds. For here is a novel of loss, of morality, and of the rare, redemptive power of baseball. Can speaking the truth really determine lives? Just how does one accept, move on, and begin doing the right thing?