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Marshall McEwan is one of the most successful journalists in Washington, DC. But his father is terminally ill, and he must return to his childhood home - a place he vowed he would never go back to.Bienville, Mississippi, is no longer the city Marshall remembers. His family's 150-year-old newspaper is failing, and Jet Talal, the love of his youth, has married into the family of Max Matheson, one of a dozen powerful patriarchs who rule the town through the exclusive Bienville Poker Club. The city's only hope of economic salvation is a new, billion-dollar Chinese paper mill. But on the verge of the deal's consummation, two deaths rock Bienville to its core.Joining forces with his former lover, Marshall begins digging for the truth. But he and Jet soon discover that the soil of Mississippi is a minefield where explosive secrets can be far more destructive than injustice.

By the winner of the pulitzer prize for fiction in 2007, this is the story of a father and son walking alone through burned america, heading through the ravaged landscape to the coast. It has been hailed as 'the first great masterpiece of the globally warmed generation. Here is an american classic which, at a stroke, makes mccarthy a contender for the nobel prize for literature . . an absolutely wonderful book that people will be reading for generations' andrew o’hagan harvey weinstein's film was released in the uk on 8 january 2010 with an all-star cast including viggo mortensen, charlize theron, guy pearce and robert duvall, and introducing major new young talent, kodi smit mcphee, with a soundtrack by nick cave and warren ellis. ‘a work of such terrible beauty that you will struggle to look away’ tom gatti, the times ‘so good that it will devour you, in parts. It is incandescent’ niall griffiths, daily telegraph ‘you will read on, absolutely convinced, thrilled, mesmeris

“We all set our sights on the Great American Novel. . . . [Thomas Maltman] comes impressively close to laying his hands on the grail.”—Madison Smartt Bell, The Boston Globe“Maltman’s prose and pacing flow from an expert hand. . . . His gaze is unflinching and balanced. . . . And while there is much loss in the novel, in the end there is salvation.”—Robin Vidimos, Denver Post“Maltman’s writing is most lucid when he explores the German folklore, Dakota mysticism, and pioneer spirituality that shape his characters’ understanding of their own harsh world.”—Entertainment Weekly“Thomas Maltman’s debut novel, The Night Birds, soars and sings like a feathered angel.”—Chicago Sun-Times“[Maltman] excels at giving even his most harrowing scenes an understated realism and at painting characters who are richly, sometimes disturbingly human. The novel sustains its tension right to the moment it ends.”—Publishers Weekly (starred)“[A] flawless sense of history marked by its most revealing—and harrowing—details.”—BooklistThe intertwining story of three generations of German immigrants to the Midwest—their clashes with slaveholders, the Dakota uprising and its aftermath—is seen through the eyes of young Asa Senger, named for an uncle killed by an Indian friend. It is the unexpected appearance of Asa’s aunt Hazel, institutionalized since shortly after the mass hangings of thirty-eight Dakota warriors in Mankato in 1862, that reveals to him that the past is as close as his own heartbeat.Thomas Maltman lives in Manitowoc, Wisconsin. This is his first novel.From the Trade Paperback edition.

Die Courtneys haben sich am südlichsten Zipfel Afrikas niedergelassen. Inmitten einer hollândischen Kolonie am Kap der Guten Hoffung erhofft sich die Familie, angeführt von den Brüdern Tom und Dorian, einen Neubeginn. Eines Tages jedoch treibt ein wilder Sturm ein Sträflingsschiff in den Hafen. Es kommt zu einem schicksalhaften Zusammentreffen mit einer jungen Frau, die zu Unrecht als Slave verschifft wurde. Danach stehen die Courtneys auf der schwarzen Listen und sind gezwungen ins unerforschte Hinterland Afrikas zu fliehen – ein ebenso gefährliche als auch atemberaubendes Reise in die Wildnis. Doch auch hier kann der Courtney Clan seiner Vergangenheit nicht entkommen. Kinder werden Eltern gegenüber stehen, Brüder Brüdern, in einem Kampf bis aufs Blut, Courtney Blut. Auf Genaueste recherchiert wird hier Afrika und seine Geschichte lebendig. 'Wüstenkönig' ist das Meisterwerk eines auf seinem Zenith stehenden Schriftstelllers.

The prequel to Comanche Moon, depicting the adventures of Woodrow McCall and Gus McCrae as young men adrift in the Old West.

Set along the US-Mexcio border of the 1940s, Cormac McCarthy's legendary Border Trilogy continues with The Crossing, a coming-of-age western set parallel to the events of All the Pretty Horses. 'McCarthy speaks to us in the thrilling, apocalyptic tones of an Old Testament prophet' - Sunday Telegraph Sixteen-year-old Billy Parham and his younger brother Boyd are fascinated by an elusive wolf that has been marauding his family's property. Billy captures the animal but, rather than kill it, sets out impulsively for the mountains of Mexico to return it to from where it came. On his return, he will find himself - and his world - irrevocably changed. His innocence lost at a cruel price, the desolate beauty of the border will beckon once again . . . 'The Crossing is like a river in full spate: beautiful and dangerous' - The Times 'Nominally Westerns, these books are too entropic and philosophical to fit within the limits of the genre.' - Rachel Kushner, author of The Mars Room The Crossing is the second volume in the Border Trilogy. It is preceded by All the Pretty Horses and followed by Cities of the Plain. Praise for Cormac McCarthy: 'McCarthy worked close to some religious impulse, his books were terrifying and absolute' - Anne Enright, author of The Green Road and The Wren, The Wren 'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' - Stephen King, author of The Shining and the Dark Tower series '[I]n presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' - Annie Proulx, author of Brokeback Mountain Part of the Picador Collection, a series showcasing the best of modern literature.

Winner of the 2008 Pulitzer Prize for Drama and the 2008 Tony Award for Best New Play. Now a major motion picture "A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people." --TimeOut New York "Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original." --New York magazine "I don't care if August: Osage County is three-and-a-half hours long. I wanted more." -Howard Shapiro, Philadelphia Inquirer "This original and corrosive black comedy deserves a seat at the table with the great American family plays."--Time One of the most bracing and critically acclaimed plays in recent history, August: Osage County is a portrait of the dysfunctional American family at its finest--and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.August: Osage County has been produced in more than twenty countries worldwide and is now a major motion picture starring Meryl Streep, Julia Roberts, Chris Cooper, Dermot Mulroney, Sam Shepard, Juliette Lewis, and Ewan McGregor. Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.

Now a major motion picture from Columbia Pictures starring Matt Damon, produced by Mike Nichols, and directed by Billy Bob Thornton.The national bestseller and the first volume in Cormac McCarthy's Border Trilogy, All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself. With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood. Winner of the National Book Award for Fiction.From the Trade Paperback edition.

A Globe & Mail 100 SelectionPart epic of Texas, part classic coming- of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claimSpring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanches storms his homestead and brutally murders his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to life among the Comanches, learning their ways and language, answering to a new name, becoming the chief's adopted son, and waging war against their enemies, including white men—which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong—a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and Jeannie, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Philipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, even children are sacrificed in the name of ambition as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.