Empfehlungen basierend auf "Call to Arms"

'Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism as I understand it'. Thus wrote Orwell following his experiences as a militiaman in the Spanish Civil War, chronicled in Homage to Catalonia. Here he brings to bear all the force of his humanity, passion and clarity, describing with bitter intensity the bright hopes and cynical betrayals of that chaotic episode: the revolutionary euphoria of Barcelona, the courage of ordinary Spanish men and women he fought alongside, the terror and confusion of the front, his near-fatal bullet wound and the vicious treachery of his supposed allies. A firsthand account of the brutal conditions of the Spanish Civil War, George Orwell's Homage to Catalonia includes an introduction by Julian Symons in Penguin Modern Classics.

From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, As I Lay Dying, The Sound and the Fury, Light in August, and Absalom, Absalom! William Faulkner was a master of the short story. Most of the pieces in this collection are drawn from the greatest period in his writing life, the fifteen or so years beginning in 1929, when he published The Sound and the Fury. They explore many of the themes found in the novels and feature characters of small-town Mississippi life that are uniquely Faulkner’s. In “A Rose for Emily,” the first of his stories to appear in a national magazine, a straightforward, neighborly narrator relates a tale of love, betrayal, and murder. The vicious family of the Snopes trilogy turns up in “Barn Burning,” about a son’s response to the activities of his arsonist father. And Jason and Caddy Compson, two other inhabitants of Faulkner’s mythical Yoknapatawpha County, are witnesses to the terrorizing of a pregnant black laundress in “That Evening Sun.” These and the other stories gathered here attest to the fact that Faulkner is, as Ralph Ellison so aptly noted, “the greatest artist the South has produced.” Including these stories: “Barn Burning” “Two Soldiers” “A Rose for Emily” “Dry September” “That Evening Sun” “Red Leaves” “Lo!” “Turnabout” “Honor” “There Was a Queen” “Mountain Victory” “Beyond” “Race at Morning”

The year is 1870, and Fool's Crow, so called after he killed the chief of the Crows during a raid, has a vision at the annual Sun Dance ceremony. The young warrior sees the end of the Indian way of life and the choice that must be made: resistance or humiliating accommodation."A major contibution to Native American literature." —Wallace Stegner.

This classic captures the endearing relationship between a man and his grandson as they fish and hunt the lakes and woods of North Carolina. All the while the Old Man acts as teacher and guide, passing on his wisdom and life experiences to the boy, who listens in rapt fascination.

Mules and Men is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within the social context of black life, the stories, "big old lies," songs, Vodou customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of African Americans.

"The greatest writer of historical adventures today." —Washington Post Critically acclaimed, perennial New York Times bestselling author Bernard Cornwell (Agincourt, The Fort, the Saxon Tales) makes real history come alive in his breathtaking historical fiction. Praised as "the direct heir to Patrick O'Brian" (Agincourt, The Fort), Cornwell has brilliantly captured the fury, chaos, and excitement of battle as few writers have ever done—perhaps most vividly in his phenomenally popular novels following the illustrious military career of British Army officer Richard Sharpe during the late 18th and early 19th centuries. Chronicling Sharpe's involvement in the famous Battle of Trafalgar in 1805, Sharpe's Trafalgar finds the young ensign captive on a French warship and in gravest peril on the eve of the one of the most spectacular naval confrontations in history. Perhaps the San Francisco Chronicle said it best: "If only all history lessons could be as vibrant."

The men who served with in the 1st Infantry Division with F company, 52nd Infantry, (LRP) later redesignated as Company I, 75th Infantry (Ranger) --engaged in some of the fiercest, bloodiest fighting during the Vietnam War, suffering a greater relative aggregate of casualties that any other LRRP/LRP/ Ranger company. Their base was Lai Khe, within hailing distance of the Vietcong central headquarters, a mile inside Cambodia, with its vast stockpiles of weapons and thousands of transient VC and NVA soldiers. Recondo-qualified Bill Goshen was there, and has written the first account of these battle-hardened soldiers. As the eyes and ears of the Big Red One, the 1st Infantry, these hunter/killer teams of only six men instered deep inside enemy territory had to survive by their wits, or suffer the deadly consequences. Goshen himself barely escaped with his life in a virtual suicide mission that destroyed half his team. His gripping narrative recaptures the raw courage and sacrifice of American soldiers fighting a savage war of survival: men of all colors, from all walks of life, warriors bonded by triumph and tragedy, by life and death. They served proudly in Vietnam, and their stories need to be told.

Essays on Northern Ireland, South Africa, and the working lives of two writers accompanying short stories about the lower class in America.

HarperCollins is proud to present its incredible range of best-loved, essential classics. Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes served to usefully intensify these conflicts. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America". Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear - a dialectic of "love and theft" - the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.