Empfehlungen basierend auf "Caliban and the Witch: Women, the Body and Primitive Accumulation (Penguin Modern Classics)"

Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women who challenge male dominance. And it's compatible with rewarding "the good ones," and singling out other women to serve as warnings to those who are out of order. It's also common for women to serve as scapegoats, be burned as witches, and treated as pariahs.Manne examines recent and current events such as the Isla Vista killings by Elliot Rodger, the case of the convicted serial rapist Daniel Holtzclaw, who preyed on African-American women as a police officer in Oklahoma City, Rush Limbaugh's diatribe against Sandra Fluke, and the "misogyny speech" of Julia Gillard, then Prime Minister of Australia, which went viral on YouTube. The book shows how these events, among others, set the stage for the 2016 US presidential election. Not only was the misogyny leveled against Hillary Clinton predictable in both quantity and quality, Manne argues it was predictable that many people would be prepared to forgive and forget regarding Donald Trump's history of sexual assault and harassment. For this, Manne argues, is misogyny's oft-overlooked and equally pernicious underbelly: exonerating or showing "himpathy" for the comparatively privileged men who dominate, threaten, and silence women.

The Feminine Mystique

‘Few could sustain the glance of his eye, at once fiery and penetrating’Savaged by critics for its supposed profanity and obscenity, and bought in large numbers by readers eager to see whether it lived up to its lurid reputation, The Monk became a succès de scandale when it was published in 1796 – not least because its author was a member of parliament and only twenty years old. It recounts the diabolical decline of Ambrosio, a Capuchin superior, who succumbs first to temptations offered by a young girl who has entered his monastery disguised as a boy, and continues his descent with increasingly depraved acts of sorcery, murder, incest and torture. Combining sensationalism with acute psychological insight, this masterpiece of Gothic fiction is a powerful exploration of how violent and erotic impulses can break through the barriers of social and moral restraint.This edition is based on the first edition of 1796, which appeared before Lewis’s revisions to avoid charges of blasphemy. In his introduction, Christopher MacLachlan discusses the novel’s place within the Gothic genre, and its themes of sexual desire and the abuse of power.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From the self-described 'black, lesbian, mother, warrior, poet', these soaring, urgent essays on the power of women, poetry and anger are filled with darkness and light.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

From Eliza Clark, the author of the brilliant novels Boy Parts and Penance and one of Granta’s Best Young British Novelists, comes a fierce, visionary and darkly comic story collection.A woman welcomes a parasite into her body.A teenager longs for perfect skin.A scientist tends to fragile alien flora.A young man takes the night into his own hands.Unsettling, revelatory, and laced with her signature dark humor, Eliza Clark’s debut short story collection plumbs the depths of that most basic human feeling: hunger.

It is easier to imagine the end of the world than the end of capitalism. After 1989, capitalism has successfully presented itself as the only realistic political-economic system - a situation that the bank crisis of 2008, far from ending, actually compounded. The book analyses the development and principal features of this capitalist realism as a lived ideological framework. Using examples from politics, film (Children Of Men, Jason Bourne, Supernanny), fiction (Le Guin and Kafka), work and education, it argues that capitalist realism colors all areas of contemporary experience, is anything but realistic and asks how capitalism and its inconsistencies can be challenged. It is a sharp analysis of the post-ideological malaise that suggests that the economics and politics of free market neo-liberalism are givens rather than constructions.New Edition includes: Forward by Zoe Fisher, Mark’s wife, talking about Mark as a person Introduction by Alex Niven, his friend and colleague, talking about the political significance of the book thirteen years after it was written Afterword by Tariq Goddard, the original editor and publisher, describing the writing and editing of the book, its original reception, and Mark’s own view of it"A quick and entertaining read." Socialist Standard"A provocative and necessary read...for anyone wanting to talk seriously about the politics of education today. " Times Higher Educational Supplement

Once described as the 'longest and most charming love-letter in literature', the Virginia Woolf's Orlando is edited by Brenda Lyons with an introduction and notes by Sandra M. Gilbert in Penguin Classics. Written for Virginia Woolf's intimate friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness. Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. This informal collective of artists and writers, which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. If you enjoyed Orlando, you might like Woolf's The Waves, also available in Penguin Modern Classics. 'I read this book and believed it was a hallucinogenic, interactive biography of my own life and future' Tilda Swinton

The New York Times BestsellerNational Book Critics Circle Award FinalistLambda Literary Award winnerFrom Roxane Gay, the New York Times bestselling author of Bad Feminist, a memoir in weight about eating healthier, finding a tolerable form of exercise, and exploring what it means to learn, in the middle of your life, how to take care of yourself and how to feed your hunger.New York Times bestselling author Roxane Gay has written with intimacy and sensitivity about food and bodies, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she casts an insightful and critical eye on her childhood, teens, and twenties—including the devastating act of violence that acted as a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.With the bracing candor, vulnerability, and authority that have made her one of the most admired voices of her generation, Roxane explores what it means to be overweight in a time when the bigger you are, the less you are seen. Hunger is a deeply personal memoir from one of our finest writers, and tells a story that hasn’t yet been told but needs to be.

The bestselling Turkish classic of love and longing in a changing world, available in English for the first time. 'It is, perhaps, easier to dismiss a man whose face gives no indication of an inner life. And what a pity that is: a dash of curiosity is all it takes to stumble upon treasures we never expected.' A shy young man leaves his home in rural Turkey to learn a trade in 1920s Berlin. The city's crowded streets, thriving arts scene, passionate politics and seedy cabarets provide the backdrop for a chance meeting with a woman, which will haunt him for the rest of his life. Emotionally powerful, intensely atmospheric and touchingly profound, Madonna in a Fur Coat is an unforgettable novel about new beginnings and the unfathomable nature of the human soul. 'Passionate but clear . . . Ali's success [is in ] his ability to describe the emergence of a feeling, seemingly straightforward from the outside but swinging back and forth between opposite extremes at its core, revealing the tensions that accompanies such rise and fall.' Atilla Özkirimli, writer and literary historian

First published in 1792, this book was written in a spirit of outrage and enthusiasm. In an age of ferment, following the American and French revolutions, Mary Wollstonecraft took prevailing egalitarian principles and dared to apply them to women. Her book is both a sustained argument for emancipation and an attack on a social and economic system. As Miriam Brody points out in her introduction, subsequent feminists tended to lose sight of her radical objectives. For Mary Wollstonecraft all aspects of women's existence were interrelated, and any effective reform depended on the redistribution of political and economic power.