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The creator of the internationally popular, multiple award-winning blog MsAfropolitan applies an Africa-centered feminist sensibility to issues of racism and sexism, challenging our illusions about oppression and liberation and daring women to embrace their power.Sensuous Knowledge is a collection of thought provoking essays that explore questions central to how we see ourselves, our history, and our world.What does it mean to be oppressed?What does it mean to be liberated?Why do women choose to follow authority even when they can be autonomous?What is the cost of compromising one’s true self?What narratives particularly subjugate women and people of African heritage?What kind of narrative can heal and empower?As she considers these questions, Salami offers fresh insights on key cultural issues that impact women’s lives, including power, beauty, and knowledge. She also examines larger subjects, such as Afrofuturism, radical Black feminism, and gender politics, all with a historical outlook that is also future oriented. Combining a storyteller’s narrative playfulness and a social critic’s intellectual rigor, Salami draws upon a range of traditions and ideologies, feminist theory, popular culture―including insights from Ms. Lauryn Hill, Beyoncé, Audre Lorde, Toni Morrison, and others―science, philosophy, African myths and origin stories, and her own bold personal narrative to establish a language for change and self-liberation.Sensuous Knowledge inspires reflection and challenge us to formulate or own views. Using ancestral knowledge to steer us toward freedom, Salami reveals the ways that women have protested over the years in large and small ways―models that inspire and empower us to define our own sense of womanhood today.In this riveting meditation, Salami ask women to break free of the prison made by ingrained male centric biases, and build a house themselves―a home that can nurture us all.

As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry's relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth--its abundance of sweet, juicy berries--to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, "Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency." As Elizabeth Gilbert writes, Robin Wall Kimmerer is "a great teacher, and her words are a hymn of love to the world." The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that "hoarding won't save us, all flourishing is mutual."

The international bestseller that changed how we talk about racism 'A critically acclaimed book that gave readers a starting point to demystify conversations about race' The Atlantic 'A classic' Jodi Picoult Walk into any racially mixed secondary school and you will see young people clustered in their own groups according to race. Is this self-segregation a problem to address or a coping strategy? Beverly Daniel Tatum, a renowned psychology Professor, guides us through how racial identity develops, from very young children all the way to adulthood, in black families, white families, and mixed race families, and helps us understand what we can do to break the silence, have better conversations with our children and with each other about race, and build a better world. A mainstay on the bookshelves of American readers since 1998, and substantially revised and updated in 2017, this evergreen bestseller is essential reading for anyone interested in understanding the dynamics of race

The long-awaited guide to life for a generation of black British women inspired to make lemonade out of lemons, and find success in every area of their lives.Observer’s 18 for 2018: the talent and trends tipped for the topElle’s 12 addictive books you have to read to get through in 2018Metro’s best new books you have to get through in 2018BBC’s hotly anticipated debut authors for 2018Black women in 2018 are well past making waves – we’re currently creating something of a tsunami. From authors to politicians, to entrepreneurs to artists, black women in the UK continue to thrive against all odds and well outside of the world’s expectations. Women who look like us, grew up in similar places to us, talk like us, are shaping almost every societal sector, from the bottom and, finally, from all the way up at the top.Black women today are facing uniquely challenging experiences in all aspects of their lives. Yet when best friends Yomi Adegoke and Elizabeth Uviebinené’s searched for a book that addressed these challenges they realised none existed. So Slay in Your Lane – the lovechild of exasperation and optimism – was born.From education, to work, to dating, to representation, money and health, this inspirational, honest and provocative Black Girl Bible explores the ways in which being black and female affects each of these areas – and offers advice and encouragement on how to navigate them.Illustrated with stories from Elizabeth and Yomi’s own lives, and from interviews with dozens of the most successful black women in Britain – including Amma Asante, Charlene White, Jamelia, Denise Lewis, Malorie Blackman and Dawn Butler MP – Slay in Your Lane recognizes and celebrates the strides black women have already made, whilst providing practical advice and inspiration for those who want to do the same and forge a better, visible future.

An eloquent document of the civil rights movement that remains a work of profound social relevance 50 years after it was first published. A revolutionary work since its publication, Black Power exposed the depths of systemic racism in this country and provided a radical political framework for reform: true and lasting social change would only be accomplished through unity among African-Americans and their independence from the preexisting order.

THE BOOK OF PRIDE captures the true story of the gay rights movement from the 1960s to the present, through richly detailed, stunning interviews with the leaders, activists, and ordinary people who witnessed the movement and made it happen. These individuals fought battles both personal and political, often without the support of family or friends, frequently under the threat of violence and persecution. By shining a light on these remarkable stories of bravery and determination, THE BOOK OF PRIDE not only honors an important chapter in American history, but also empowers young people today (both LGBTQ and straight) to discover their own courage in order to create positive change. Furthermore, it serves a critically important role in ensuring the history of the LGBTQ movement can never be erased, inspiring us to resist all forms of oppression with ferocity, community, and, most importantly, pride

A Powerful And Commanding Account Of The Life Of Trailblazing Political Activist Angela Davis Edited By Toni Morrison And First Published In 1974, An Autobiography Is A Classic Of The Black Liberation Era Which Resonates Just As Powerfully Today. Long Hard To Find, It Is Reissued Now With A New Introduction By Davis, For A New Audience Inspired And Galvanised By Her Ongoing Activism And Her Extraordinary Example. In The Book, She Describes Her Journey From A Childhood On Dynamite Hill In Birmingham, Alabama, To One Of The Most Significant Political Trials Of The Century: From Her Political Activity In A New York High School To Her Work With The U.s. Communist Party, The Black Panther Party, And The Soledad Brothers; And From The Faculty Of The Philosophy Department At Ucla To The Fbi's List Of The Ten Most Wanted Fugitives. Told With Warmth, Brilliance, Humour, And Conviction, It Is An Unforgettable Account Of A Life Committed To Radical Change.

A profound book of essays from a celebrated master of the form.“Darkness is not empty,” writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity—and witness the humanity of others—in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience—not just to take in but to think critically about what we sense and what we don’t.Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole’s writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: “Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning.”

In The Heart of a Woman Maya Angelou leaves California with her son, Guy, to go to New York. There she enters the society and world of black artists and writers. Not since her childhood has she lived in an almost black environment, and she is surprised at the obsession her new friends have with the white world around them. She stays for a while with John and Grace Killens and begins to read her writing at the Harlem Writers Guild. She continues to sing, most notably at the Apollo Theatre in Harlem, but more and more she begins to take part in the struggle of black Americans for their rightful place in the world. She helps organize a benefit cabaret for the Southern Christian Leadership Conference, and then is appointed Martin Luther Kings Northern Coordinator.Shortly after that, through her friend Abbey Lincoln, she takes one of the lead parts in Genet's The Blacks (it was a remarkable cast, including Godfrey Cambridge, Roscoe Lee Brown, James Earl Jones, Cicely Tyson, Raymond St. Jacques, and Lou Gossett), and even writes music for the production.In the meantime her personal life has taken a tempestuous turn. She has left the New York bail bondsman she was intending to marry and has fallen in love with a South African freedom fighter named Vusumzi Make, who sweeps her off her feet and eventually takes her to London and then to Cairo, where, as her marriage begins to break up, she becomes the first female editor of the English-language magazine.The Heart of a Woman is filled with unforgettable vignettes of famous people, from Billie Holiday to Malcolm X, but perhaps most important is the story of Maya Angelou's relationship with her son. Because this book chronicles, finally, the joys and the burdens of a black mother in America and how the son she had cherished so intensely and worked for so devotedly finally grows to be a man.

Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imaginationA Penguin ClassicFor months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the "Negro problem" and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves. The essays and articles collected in this volume, by Locke's Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a "being-in-the-world" that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them.