Empfehlungen basierend auf "Boy Swallows Universe: A Novel"

Enzo knows he is different from other dogs: a philosopher with a nearly human soul (and an obsession with opposable thumbs), he has educated himself by watching television extensively, and by listening very closely to the words of his master, Denny Swift, an up-and-coming race car driver. Through Denny, Enzo has gained tremendous insight into the human condition, and he sees that life, like racing, isn't simply about going fast. Using the techniques needed on the race track, one can successfully navigate all of life's ordeals. On the eve of his death, Enzo takes stock of his life, recalling all that he and his family have been through: the sacrifices Denny has made to succeed professionally; the unexpected loss of Eve, Denny's wife; the three-year battle over their daughter, Zoë, whose maternal grandparents pulled every string to gain custody. In the end, despite what he sees as his own limitations, Enzo comes through heroically to preserve the Swift family, holding in his heart the

Awarded the Newbery Honor When a novel like Huckleberry Finn, or The Yearling, comes along it defies customary adjectives because of the intensity of the respouse it evokes in the reader. Such a book, we submit, is Old Yeller; to read this eloquently simple story of a boy and his dog in the Texas hill country is an unforgettable and deeply moving experience.When his father sets out on a cattle drive for the summer, fourteen-year-old Travis is left to take care of his family and their farm, and he faces new, unanticipated and often perilous responsibilities in the wilderness of early fronteir Texas. But Travis is not alone. He finds help and comfort in the courage and unwavering love of the stray animal who comes to be his most loyal and very best friend: the big yellow dog Travis calls "Old Yeller."An enduring and award-winning American classic, Fred Gipson's Old Yeller stands as one of the most beloved novels ever produced in this country, and one that will live in the hearts and minds of readers for generations to come.

These prizewinning stories champion the everyday person who tries to do his or her best in demanding and even demeaning situations. The stories in A Common Person and Other Stories, R. M. Kinder’s third short-story collection and the winner of the Richard Sullivan Prize in Short Fiction, expose the disruption in our modern life and the ever-present threat of violence, and, most importantly, they capture the real heroism of everyday people. The characters in these stories, most set deep in the middle of America, seem to invite trouble through their concern for others: a neighbor’s mistreated dog, a boy standing up to a bully, a woman who faces cancer and the loss of love. Kinder’s characters struggle with conflicts common to us all—to treat humans and animals with compassion, to open minds and hearts to diversity, all while balancing the welfare of the individual and the larger community. The characters aren’t always loveable, but they have their moments of grace—they accept responsibility and take stands. These stories, by turns humorous, unsettling, and utterly believable, expose the dangers of ordinary life as their characters perform acts of defiance, determination, and connection. The memorable characters in A Common Person and Other Stories are, like us, doing the best they can, and that is often remarkable and admirable. Considered closely, Kinder shows us, no person is common.

“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation. ... An amazingly brave piece of work ... so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —STEPHEN KING, Washington PostI am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.A PBS Great American Read Top 100 Pick

In their comics debut, Theo Parish masterfully weaves an intimate and defiantly hopeful memoir about the journey one nonbinary person takes to find a home within themself. Combining traditional comics with organic journal-like interludes, Theo takes us through their experiences with the hundred arbitrary and unspoken gender binary rules of high school, from harrowing haircuts and finally the right haircut to the intersection of gender identity and sexuality—and through tiny everyday moments that all led up to Theo finding the term “nonbinary,” which finally struck a chord.“Have you ever had one of those moments when all of a sudden things become clear…like someone just turned on a light?”A whole spectrum of people will be drawn to Theo’s storytelling, from trans or questioning teens and adults, to folks who devoured Gender Queer by Maia Kobabe or The Fire Never Goes Out by ND Stevenson, to any person looking to dive a little deeper into the way gender can shape identity. Throughout the book, Theo’s crystal-clear voice reminds the reader that it’s okay not to know, it’s okay to change your mind, and it’s okay to take your time finding your way home.“We are all just trying to find a place to call our own. We are all deserving of comfort and safety, a place to call home.”

He said he would understand if it was too much for me, that I could leave him, that I was young, I should be living, I said to him, I am living. Johnny Grant faces stark life decisions. Seeking answers, he looks back to his relationship with Jerry Field. When they met, nearly thirty years ago, Johnny was 19, Jerry was 45. They fell in love and made a life on their own terms in Jerry's flat: 1, Nova Scotia House. Johnny is still there today - but Jerry is gone, and so is the world they knew. As Johnny's mind travels between then and now, he begins to remember stories of Jerry's youth: of experiments in living; of radical philosophies; of the many possibilities of love, sex and friendship before the AIDS crisis devastated the queer community. Slowly, he realizes what he must do next--and attempts to restore ways of being that could be lost forever. Nova Scotia House takes us to the heart of a relationship, a community and an era. It is both a love story and a lament; bearing witness to the enduring pain of the AIDS pandemic and honouring the joys and creativity of queer life. Intimate, visionary, and profoundly original, it marks the debut of a vibrant new voice in contemporary fiction, and a writer with a liberating new story to tell.

“A touching family portrait that also happens to be very, very funny. . . its appeal is timeless.” —Jonathan Yardley, Washington PostOne of the best-loved American memoirs of an oversized family and the parents who held them together - now a Disney+ movie starring Gabrielle Union and Zach Braff.What do you get when you put twelve lively kids together with a father—a famous efficiency expert—who believes families can run like factories, and a mother who is his partner in everything except discipline? You get a hilarious tale of growing up that has made generations of kids and adults alike laugh along with the Gilbreths in Cheaper by the Dozen.Translated into more than fifty-three languages and made into numerous films over the years — including a classic film starring Myrna Loy and a cult favorite with Steve Martin, Hilary Duff, and Alyson Stoner — this memoir is a delightfully enduring story of family life at the turn of the twentieth century.

“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation. ... An amazingly brave piece of work ... so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —STEPHEN KING, Washington PostI am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.A PBS Great American Read Top 100 Pick

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships.I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice. Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA.And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

An autobiographical story of childhood and family from the international sensation and bestseller, Karl Ove Knausgaard.Childhood is exhilarating and terrifying. For the young Karl Ove, new houses, classes and friends are met with manic excitement and creeping dread. Adults occupy godlike positions of power, benevolent in the case of his doting mother, tyrannical in the case of his cruel father.In the now infamously direct style of the My Struggle cycle, Knausgaard describes a time in which victories and defeats are felt keenly and every attempt at self-definition is frustrated. This is a book about family, memory and how we never become quite what we set out to be.