Empfehlungen basierend auf "Bloody Awful in Different Ways"

Winner of the Women’s Prize for Fiction“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library“Inventive, vivid, and propelled by a sense of wonder.” —TIME“If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud AtlasA boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth OzekiOne year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.

An intense collection of interconnected stories that portray life through the eyes of a young man in a small Iowa town, by the author of Already Dead: A California Gothic, Angels and Resuscitation of a Hanged Man.

The beloved author of Ms. Bixby’s Last Day and Posted returns with a humorous and heartwarming story of family, friendship, and miniature golf.For as long as he can remember, Malcolm has never felt like he was good enough. Not for his parents, who have always seemed at odds with each other, with Malcolm caught in between. And especially not for his dad, whose competitive drive and love for sports Malcolm has never shared.That is, until Malcolm discovers miniature golf, the one sport he actually enjoys. Maybe it’s the way in which every hole is a puzzle to be solved. Or the whimsy of the windmills and waterfalls that decorate the course. Or maybe it’s the slushies at the snack bar. But whatever the reason, something about mini golf just clicks for Malcolm. And best of all, it’s a sport his dad can’t possibly obsess over.Or so Malcolm thinks.Soon he is signed up for lessons and entered in tournaments. And yet, even as he becomes a better golfer and finds unexpected friends at the local course, be wonders if he might not always be a disappointment. But as the final match of the year draws closer, the tension between Malcolm’s parents reaches a breaking point, and it’s up to him to put the puzzle of his family back together again.

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships.I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice. Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA.And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

Tim Winton is Australia's most decorated and beloved novelist. Short-listed twice for the Booker Prize and the winner of a record four Miles Franklin Literary Awards for Best Australian Novel, he has a gift for language virtually unrivaled among writers in English. His work is both tough and tender, primordial and new - always revealing the raw, instinctual drives that lure us together and rend us apart.In The Shepherd's Hut, Winton crafts the story of Jaxie Clackton, a brutalized rural youth who flees from the scene of his father's violent death and strikes out for the vast wilds of Western Australia. All he carries with him is a rifle and a waterjug. All he wants is peace and freedom. But surviving in the harsh saltlands alone is a savage business. And once he discovers he's not alone out there, all Jaxie's plans go awry. He meets a fellow exile, the ruined priest Fintan MacGillis, a man he's never certain he can trust, but on whom his life will soon depend.The Shepherd's Hut is a thrilling tale of unlikely friendship and yearning, at once brutal and lyrical, from one of our finest storytellers.

"A funny, heartfelt story about found family and seeing the silver lining in life. Fans of A Man Called Ove and Remarkably Bright Creatures will especially enjoy this new novel."--Library Journal A zany case of mistaken identity allows a lonely old man one last chance to be part of a family. "Would you mind terribly, old boy, if I borrowed the rest of your life? I promise I'll take excellent care of it." Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he'd return it washed with a full tank of gas. The problem is, at age eighty-two, there's nobody left in Fred's life to borrow from, and he's broke and on the brink of eviction. But Fred's luck changes when he's mistaken for Bernard Greer, a missing resident at the local nursing home, and takes his place. Now Fred has warm meals in his belly and a roof over his head--as long as his look-alike Bernard never turns up. Denise Simms is stuck breathing the same disappointing air again and again. A middle-aged mom and caregiver at Bernard's facility, her crumbling marriage and daughter's health concerns are suffocating her joy for life. Wounded by her two-faced husband, she vows never to let a man deceive her again. As Fred walks in Bernard's shoes, he leaves a trail of kindness behind him, fueling Denise's suspicions about his true identity. When unexpected truths are revealed, Fred and Denise rediscover their sense of purpose and learn how to return a broken life to mint condition. Bittersweet and remarkably perceptive, The Borrowed Life of Frederick Fife is a hilarious, feel-good, clever novel about grief, forgiveness, redemption, and finding family.

PART 2 OF 3 Jackson is aggressive, confrontational and often volatile. His mother, Kayla, is crippled with grief after tragically losing her husband and eldest son. Struggling to cope, she puts Jackson into foster care. Cathy, his carer, encourages Jackson to talk about what has happened to his family, but he just won’t engage. His actions continue to test and worry everyone. Then, in a dramatic turn of events, the true reason for Jackson’s behaviour comes to light ...

NATIONAL BESTSELLER • With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a beloved bestseller, Rick Bragg continues his personal history of the Deep South. This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate brawler, who could sit for hours with a baby in the crook of his arm. In telling Charlie’s story, Bragg conjures up the backwoods hamlets of Georgia and Alabama in the years when the roads were still dirt and real men never cussed in front of ladies. A masterly family chronicle and a human portrait so vivid you can smell the cornbread and whiskey, Ava’s Man is unforgettable.

Born in a prison and removed from his drug-dependent mother, rejection is all that 7-year-old Alex knows.

From the endless battles of sibling rivalry to the endless worries about getting indifferent students into—and then graduated from—college, raising boys is the adventure of a lifetime for any mother. Prudence Mackintosh has not only survived the adventure but has also written about it with her signature wit and style. Her essays about life with sons Jack, Drew, and William have entertained the readers of Texas Monthly and other prominent magazines for nearly three decades, offering solace to similarly beleaguered parents and a knowing chuckle to everyone who enjoys watching the real-life sitcom of a fundamentally happy, intact family.Sneaking Out completes the story that Mackintosh began in her earlier books Thundering Sneakers and Retreads. In this collection of new and previously published essays, she recounts life with her adolescent sons as they race headlong to first jobs, first driver's licenses, first girlfriends, and first flights away from the family nest. She also follows them into the college years, when both parents and sons have to find a new balance in holding on and letting go. Along the way, she offers wise and witty reflections on being a woman at midlife, supporting her sons through the beginning of their adult lives and her parents through the end of theirs.