Empfehlungen basierend auf "Bibliostyle: How We Live at Home with Books"

The book first focuses on photographers' working practices. What made the photographer start taking pictures? How did he or she develop a signature style? What is the process involved in going from concept to shoot? How important is postproduction? Then the book turns to selection. How does a picture editor decide which photographer to commission for the next fashion spread? What kind of photograph is worthy of being hung in a gallery? What advice would an art book publisher give a budding photographer? Whether it is the question of what to look for in an image, views on cropping, or the pros and cons of color versus black and white, the shapers of taste give acute and useful accounts of their methods.This updated edition includes five new interviews: Pascal Dangin, who pioneered a revolutionary digital scanning technique; Fabrice Dall'Anese, a celebrated French portrait photographer for Vanity Fair, GQ, Elle, and others; Jörg Colberg, creator of the photography blog, Conscientious; Jehad Nga, a self-taught photographer whose focus has recently shifted from photojournalism to fine art photography; and Tim Barber, who launched tinyvices.com in 2005, an online gallery and image archive.

An expose on the fashion industry written by the Observer's 'Ethical Living' columnist, examining the inhumane and environmentally devastating story behind the clothes we so casually buy and wear. Coming at a time when the global financial crisis and contracting of consumer spending is ushering in a new epoch for the fashion industry, To Die For offers a very plausible vision of how green could really be the new black. Taking particular issue with our current mania for both big-name labels and cheap fashion, To Die For sets an agenda for the urgent changes that can and need to be made by both the industry and the consumer. Far from outlining a future of drab, ethical clothing, Lucy Siegle believes that it is indeed possible to be an 'ethical fashionista', simply by being aware of how and where (and by whom) clothing is manufactured. The global banking crisis has put the consumer at a when money is tight should we embrace cheap fast fashion to prop up an already engorged wardrobe, or should we reject this as the ultimate false economy and advocate a return to real fashion, bolstered by the principles of individualism and style pedigree? In this impassioned book, Siegle analyses the global epidemic of unsustainable fashion, taking stock of our economic health and moral accountabilities to expose the pitfalls of fast fashion. Refocusing the debate squarely back on the importance of basic consumer rights, Siegle reveals the truth behind cut price, bulk fashion and the importance of your purchasing decisions, advocating the case for a new sustainable design era where we are assured of value for ethically, morally and in real terms.

Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands.In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the Pattis Family Foundation Creative Arts Book Award at Interlochen The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. 

SUNDAY TIMES MUSIC BOOK OF THE YEARROUGH TRADE BOOK OF THE YEARMOJO BOOK OF THE YEARIn 1975, Viv Albertine was obsessed with music but it never occurred to her she could be in a band as she couldn't play an instrument and she'd never seen a girl play electric guitar.A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the male-dominated music scene and became part of a movement that changed music.A raw, thrilling story of life on the frontiers and a candid account of Viv's life post-punk - taking in a career in film, the pain of IVF, illness and divorce and the triumph of making music again - Clothes Music Boys is a remarkable memoir.

Lauren Redniss, acclaimed author of the brilliant biography-in-collage Radioactive, delivers a stunning visual journey through the life of the last Ziegfeld girl, Doris Eaton Travis. Now in paperback for the first time, Century Girl spans the brightest moments in early show business, the major historical landmarks of the 20th century, and the intimate milestones of one woman’s long life. Incorporating hundreds of archival photos and personal clippings with inventive line drawings and a compelling, hand-written narrative, Century Girl is a more than a biography, more than a graphic novel, and more than an art book—it is a singularly original and major work of art that Slate magazine calls “a visually dazzling mélange . . . unlike anything . . . ever seen before” (Best Books of 2006).

The perfect primer on acclaimed French artist Sophie Calle, this book reproduces images from her most important works.Sophie Calle is a French writer, photographer, installation artist, and conceptual artist. Her work is distinguished by its use of arbitrary sets of constraints, frequently depicts human vulnerability, and examines identity and intimacy. She is renowned for her detective-like ability to follow strangers and investigate their private lives, which she has deployed in her renowned works Suite Vénitienne, The Hotel, and Address Book. She has had major exhibitions all over the world, including at the Venice Biennale, the Whitechapel Gallery in London, and the Louisiana Museum of Modern Art in Denmark, and has also worked closely with the writer Paul Auster. The Guardian called her “the Marcel Duchamp of dirty laundry,” and she was among the names in Blake Gopnik’s “10 Most Important Artists of Today,” with Gopnik arguing, “It is the unartiness of Calle’s work―its refusal to fit any of the standard pigeonholes, or over anyone’s sofa―that makes it deserve space in museums.”A new entry in the acclaimed Photofile series, Sophie Calle contains over one hundred reproductions together with a critical introduction by Clément Chéroux and a full bibliography of the artist. 118 illustrations

A humorous look at shoes covers shoe myths, shopping, shoe accessories, etiquette, style, and the shoe psyche

Drake presents a sublime and dramatic narrative about the high-chic fashion wars of 1970s Paris where two titanic geniuses and rivals, Yves Saint Laurent and Karl Lagefeld, collided and sparked a tumultuous decade.

With opulent fashions the ultimate in style, women of the late Victorian era wore a great deal of silks and satins. Daring combinations of bright colors were in. So were large hats, profusely trimmed. But by the end of the nineteenth century, ladies' tastes in fashion were changing, along with female lifestyles. Larger numbers of women were not only working outside the home, they were also playing tennis and golf, and riding bicycles and horses. All these activities called for a definite change in female fashions. Women came to rely on tailored suits with full skirts and fitted jackets over simple blouses. Riding habits called for a long, draped skirt worn over a pair of trousers.With the dawn of the twentieth century, professional tailors turned to the comprehensive 1895 "Keystone" guide to create office outfits, riding pants, shirtwaists, and other garments. Filled with more than eighty patterns, the handy resource provided tailors with suggestions for fabric choices as well as instructions for the proper measurement, fitting, cutting, and sewing of such items as a bolero jacket, a shirtwaist with yoke, a single-breasted vest, and riding breeches.Supplemented with a selection of newly captioned illustrations from The Delineator magazine, this volume will be a valuable reference for costume designers and fashion historians, and a fascinating window on the past for nostalgia enthusiasts.