Empfehlungen basierend auf "A short History of Drunkenness"

Once more I am beyond the Valley of the Confused and treading lightly in the Universe of the Huge Red Bottom. What is the matter with me? I love the Sex God and he is my one and only, but try telling that to my lips. Georgia has finally put her red-bottomosity to rest and chosen Robbie the Sex God over Dave the Laugh. After all, with the Sex God she'll be a pop-star girlfriend and go on tour! Besides, Dave the Laugh is now dating her friend Ellen (although that didn't stop Georgia from snogging him at a party ... ). But when the Sex God is never around and Dave the Laugh breaks up with Ellen, Georgia doesn't know what to think! Is she doomed to be a pop-star widow, or will she take her own bottom firmly in hand and blow her cosmic horn? And will her cat, Angus (the size of a small Labrador, only mad), ever get over the shame of having his trouser snake addendums snipped? As always, in Georgia's life, nothing ever turns out as planned!

"Maupin's San Francisco saga careens beautifully on." —New York Times Book Review The fourth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga. When an ordinary househusband and his ambitious wife decide to start a family, they discover there’s more to making a baby than meets the eye. Help arrives in the form of a grieving gay neighbor, a visiting monarch, and the dashing young lieutenant who defects from her yacht. Bittersweet and profoundly affecting, Babycakes was the first piece of fiction to acknowledge the arrival of AIDS.

A new, affordable paperback edition of one O’Neill’s late masterpiecesEugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, asJim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.

The hilarious 1980s political satire by Jonathan Coe, published as a Penguin Essential for the first time.It is the 1980s and the Winshaw family are getting richer and crueller by the year:Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators.But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . .This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times'A riveting social satire on the chattering and all-powerful upper classes' Time Out'Big, hilarious, intricate, furious, moving' Guardian

“A child’s garden of vices, My Booky Wook is also a relentless ride with a comic mind clearly at the wheel.... The bloke can write. He rhapsodizes about heroin better than anyone since Jim Carroll. With the flick of his enviable pen, he can summarize childhood thus: ‘My very first utterance in life was not a single word, but a sentence. It was, ‘Don’t do that.’... Russell Brand has a compelling story." — New York Times Book Review The gleeful and candid New York Times bestselling autobiography of addiction, recovery, and rise to fame from Russell Brand, star of Forgetting Sarah Marshall and one of the biggest personalities in comedy today. Picking up where he left off in My Booky Wook, movie star and comedian Russell Brand details his rapid climb to fame and fortune in a shockingly candid, resolutely funny, and unbelievably electrifying tell-all: Booky Wook 2. Brand’s performances in Arthur, Get Him to the Greek, and Forgetting Sarah Marshall have earned him a place in fans’ hearts; now, with a drop of Chelsea Handler’s Chelsea Chelsea Bang Bang, a dash of Tommy Lee’s Dirt, and a spoonful of Nikki Sixx’s The Heroin Diaries, Brand goes all the way—exposing the mad genius behind the audacious comic we all know (or think we know) and love (or at least, lust).

A one-volume edition of the celebrated trio of novels about the Rabbitte family, from the Booker Prize-winning author of Paddy Clarke Ha Ha HaLook for Roddy Doyle’s new novel, Smile, coming in October of 2017The Barrytown Trilogy gathers Roddy’s Doyle’s first three novels into one volume: The Commitments, one of the funniest rock’n’roll novels ever written, about a group of aspiring musicians on a mission to bring soul to Dublin; The Snapper, about the progression of twenty-year-old Sharon Rabbitte’s pregnancy on her family; and The Van, a finalist for the Booker Prize, a tender and hilarious tale of male friendship, midlife crisis, and family life, set during the heady days of Ireland’s brief, euphoric triumphs in the 1990 World Cup.

After an unexpected and diabolical farewell breakfast conversation with his father, Spud Milton returns to boarding school for his 1993 Matric year, his last as a schoolboy. Armed with a prefects’ tie and a raging libido, Spud soon discovers that being a large(ish) fish in a small pond has its fair share of challenges. He finds himself embroiled in fighting for his own room, directing a house play where both lead actors refuse to learn their lines, and assisting in Vern Blackadder’s dramatic return from the dead with nothing more than a drip cord and a pair of oven gloves. Amidst mounting pressure in the classroom and on the cricket field, Spud prepares to face down the most feared and dreaded challenge of them all—finding a date for the Matric dance. In this hilarious final installment of the Spud series, John Van de Ruit brings to a close his savagely funny blow by blow account of the agonies of growing up. The embarrassments, thrills, defeats, and the sheer-absurdity of daily life are wittily recorded in Spud’s unique voice as he prepares to make his own exit, pursued by a bear.

ýWitty and effortlessly fluid. His books are laugh-out-loud funny.ýýArabella Weir Three sparkling volumes featuring that most effervescent of peers, Trederick, fifth Earl of Ickenham Perhaps it is due to the fact that his wife Jane keeps a watchful eye on him for much of the time, but when Lord Ickenham breaks free he becomes pure dynamite and bumps-a-daisy as billy-o. These three stories, ýUncle Fred in the Springtimeý, ýUncle Dynamiteý and ýCocktail Timeý, will vouch for that. Foiling a plot to relieve Lord Emsworth of his beloved prize pig, the Empress; arranging a little match-making for his love-lorn nephew Pongo Twistleton; knocking off Sir Raymond Bastableýs topper with a Brazil nut: there really are, as Uncle Fred himself admits, ýno limits, literally none, to what I can accomplish in the springtimeý.

A FAST-FOOD HELPING OF HUMOR! What is it that makes GARFIELD America's favorite feline? Maybe it's the way he flies through the fat lane without losing his cool or without missing a meal! You'll marvel as GARFIELD finds new ways to evade exercise and beat boredom. But it's nothing that a few airborne sardines can't cure, and feeding Odie a jar of sticky peanut butter is a sure way to a slobbering good time. So join GARFIELD and his friends before the food is gone and the fun slows down!

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene -- from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -- notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history -- half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.