Empfehlungen basierend auf "A Presumption of Death A New Lord Peter Wimsey/Harriet Vane Mystery"

When a stranger runs his car into a ditch in dense fog in South Wales and makes his way to an isolated house, he discovers a woman standing over the dead body of her wheelchair-bound husband, gun in her hand. She admits to murder, and the unexpected guest offers to help her concoct a cover story. But is it possible that Laura Warwick did not commit the murder after all? If so, who is she shielding? The victim's young half-brother or his dying matriarchal mother? Laura's lover? Perhaps the father of the little boy killed in an accident for which Warwick was responsible? The house seems full of possible suspects…THE UNEXPECTED GUEST is considered to be one of the finest of Christie's plays. Hailed as ‘another Mousetrap' when it opened on 12 August 1958 in the West End, it ran for 604 performances over the succeeding 18 months and has been staged many times around the world over the last 40 years.

When Daisy Wells and Hazel Wong set up their very own secret detective agency at Deepdean School for Girls, they struggle to find any truly exciting mysteries to investigate. (Unless you count the case of Lavinia's missing tie. Which they don't.) Then Hazel discovers the Science Mistress, Miss Bell, lying dead in the Gym. She assumes it was a terrible accident - but when she and Daisy return five minutes later, the body has disappeared. Now Hazel and Daisy not only have a murder to solve: they have to prove one happened in the first place. Determined to get to the bottom of the crime before the killer strikes again (and before the police can get there first, naturally), Hazel and Daisy must hunt for evidence, spy on their suspects and use all the cunning and intuition they can muster. But will they succeed? And can their friendship stand the test? 'Ripping good fun' The Times 'A skilful blend of golden era crime novel and boarding school romp . . . The novel works both as an affectionate satire and an effective murder mystery, and Stevens can go places Enid Blyton never dreamt of . . . Top class' Financial Times 'Plotting is what sets this book apart; this is about who was where at the time of the murder, and it's about finding the chink in the alibi' Telegraph

The villagers of Chipping Cleghorn are agog with curiosity when the Gazette advertises: 'A murder is announced and will take place on Friday October 29th, at Little Paddocks at 6:30 p.m.'A childish practical joke? Or a spiteful hoax? Unable to resist the mysterious invitation, the locals arrive at Little Paddocks at the appointed time when, without warning, the lights go out and a gun is fired. When they come back on, a gruesome scene is revealed.An impossible crime?Only Miss Marple can unravel it.'Establishes firmly her claim to the throne of detection. Th plot is an ingenious as ever...'A. A. Milne

Daisy Wells and Hazel Wong are taking a holiday on the world-famous Orient Express - and it's clear that each of their fellow first-class passengers has something to hide. Even more intriguing: there is rumour of a spy in their midst. Then, during dinner, there is a scream from inside one of the cabins. When the door is broken down, a passenger is found murdered, her stunning ruby necklace gone. But the killer has vanished - as if into thin air. Daisy and Hazel are faced with their first ever locked-room mystery - and with competition from several other sleuths, who are just as determined to crack the case. 'A delight . . . Hazel and Daisy are aboard the Orient Express: cue spies, priceless jewels, a murder and seriously upgraded bun breaks' The Bookseller 'Addictive . . . A rumbustious reworking of Agatha Christie's Orient Express caper' New Statesman

Forensic archaeologist Ruth Galloway changed her life--until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind.Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police's resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried--but only if Ruth will do the digging. Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths. Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?

In the late summer of 1472, medieval physician and apothecary Kathryn Swinbrooke is summoned to investigate yet another puzzling situation in Canterbury. She is appointed by the Archbishop as Advocatus Diaboli-the Devil's Advocate-to argue against the beatification of Roger Atworth, a friar in the Order of the Sack and the confessor of Dame Cecily of York, King Edward's mother. Atworth has died under mysterious circumstances, and there are rumors afloat of miraculous happenings surrounding his body. At the same time, an infestation of rats has begun to afflict Canterbury. Never in the history of the city has such an invasion occurred, and the topic is one everyone's lips.Meanwhile, when Kathryn begins asking questions at the friary about Atworth's death, she discovers that the logical explanation is murder, not a miracle. His involvement with Cecily may have brought about his demise, and Kathryn suspects a link between his death and that of an English spy outside the friary. With the murderer still on the loose, what began as a search for the town's ills becomes instead Kathryn's pursuit of a killer.

THE REMORSEFUL DAY'"Where does this leave us, sir?""Things are moving fast.""We're getting near the end, you mean?""We were always near the end."'The murder of Yvonne Harrison had left the Thames Valley CID baffled. A year after the dreadful crime they are still no nearer to making an arrest. But one man has yet to tackle the case - and it is just the sort of puzzle at which Chief Inspector Morse excels.So why is he adamant that he will not lead the re-investigation, despite the entreaties of Chief Superintendent Strange and dark hints of some new evidence? And why, if he refuses to take on the case officially, does he seem to be carrying out his own private enquiries?For Sergeant Lewis this is yet another example of the unsettling behaviour his chief has been displaying of late...THE WENCH IS DEAD'That night he dreamed in Technicolor. He saw the ochre-skinned, scantily clad siren in her black, arrowed stockings. And in Morse's muddled computer of a mind, that siren took the name of Joanna Franks...'The body of Joanna Franks was found at Duke's Cut on the Oxford Canal at about 5.30 a.m. on Wednesday, 22 June 1859.At around 10.15 a.m. on a Saturday morning in 1989 the body of Chief Inspector Morse - though very much alive - was removed to Oxford's John Radcliffe Hospital. Treatment for a perforated ulcer was later pronounced successful.As Morse begins his recovery he comes across an account of the investigation an trial the followed Joanna Franks death... and becomes convinced that the two men hanged for her murder were innocent...

The eighth outing for Rhona MacLeod, forensic scientistthink CSI Glasgow"""She began to scrape at the mortar. A few minutes later she was able to prise the edge of the brick loose. The resulting rush of foetid air made her gag, but she focussed her torch beam on the enlarged hole and peered inside. Her eyes widened in horror."When art student Jude Evans disappears on a photographic visit to a derelict Glasgow cinema, her friend Liam he enlists the help of his birth mother, forensic scientist Dr. Rhona MacLeod, in his search for Jude. Visiting other derelict cinemas on her list, they find clues to her disappearance and to the horrifying secret she may have discovered behind those walls. Throughout the investigation, Rhona must deal with the news that a face from her past is literally back from the deadbut for how long?"

Detective Constable Evan Evans and his new bride, Bronwen, are settling into married life in their little cottage above the village of Llanfair when they meet the daughter of one of the village's newest families, a sixteen-year-old Pakistani girl named Jamila. Bronwen and Jamila are becoming good friends when Jamila finds out from her parents that they have arranged a marriage for her back in Pakistan. Evans tries to convince her family not to enforce the custom, arguing that Jamila is a normal Welsh teenager, but just as the tensions increase, the girl suddenly vanishes. Bronwen is distraught, but there's no trace of her. At work, Evans is investigating the murder of a man shot to death through the open window of his home while eating breakfast. After the man's wife is jailed as a suspect, a second man is killed---and then a third---and Evans and his team are on the hunt for a serial killer. But they can't seem to find any connections between the three men.... In the surprising climax of Edgar Award finalist Rhys Bowen's tenth Constable Evans mystery, Evans risks everything to solve the murders and discover what happened to Jamila. All in all, the novel is a triumph for fans of Bowen's acclaimed Evans series, and a wonderful discovery for new readers.

At Balaclava Agricultural College, a kidnapping and pig-napping are followed by murder Newlyweds Peter and Helen Shandy are picking out flatware when a pair of gun-toting hooligans bursts into the silversmith's shop, emptying the safe and leaving with Helen as their hostage. Although the police recover Helen quickly, her professor husband is badly shaken by the ordeal. Early the next morning, the college's head of animal husbandry frantically reports another hostage situation in progress. Belinda, the school's beloved sow, has been kidnapped, and only Peter can bring home the bacon. There's a possible witness to the pig-napping in Miss Flackley, the farrier, but before she can point Peter toward the vanished porker, she's found dead in the barn's mash feeder. By the time Peter discovers the link between the two heists, pigs may really fly.