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The definitive biography of George VI, the hero of The King's Speech George VI reigned through taxing times. Acceding to the throne upon his brother's abdication, he was immediately confronted with the turmoil in European politics leading up to the Second World War, then the War itself, followed by a period of austerity, social transformation and loss of Empire. George was unprepared for kingship, suffering from a stammer which could make public occasions very painful for him. Moreover he had grown up in the shadow of his brother, a man who had been idolized as no royal prince has been, before or since. However, as Sarah Bradford shows in this sympathetic biography, although George was not born to be king, he died a great one. 'A triumph ... Sarah Bradford looks set to inherit Lady Longford's mantle as royal biographer supreme' Mail on Sunday 'Lucid, convincing and admirably fair ... George VI has been fortunate in his biographer' Philip Ziegler 'Vivid, thorough and enjoyable' Independent Sarah Bradford is a historian and biographer. Her books include Cesare Borgia (1976), Disraeli (1982), winner of the New York Times Book of the Year, Princess Grace (1984), Sacherevell Sitwell (1993), Elizabeth: A Biography of Her Majesty the Queen (1996), America's Queen: The Life of Jacqueline Kennedy Onassis (2000), Lucrezia Borgia (2005) and Diana (2007).She lives in London and is married to the 8th Viscount Bangor. She is currently working on a full scale biography of Queen Victoria.

With a preface written by the author especially for this edition, this is the complete collection of stories by Eudora Welty.Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).

Intimate photo essays of thirty-eight important writers, including Margaret Atwood, Gabriel García Márquez, Zadie Smith, and Colm Tóibín“We’ve all seen writers on the dust jackets of their books. These portraits, it seemed to me, generally failed to convey either character or personality. Writers deserve better. I wanted to make compelling pictures that would stick in the mind’s eye.”—Laura WilsonInspired by the classic photo essays that once appeared in Life magazine, renowned photographer Laura Wilson presents dynamic portraits of thirty-eight internationally acclaimed writers. Through her photos and accompanying texts, she gives us vivid, revealing glimpses into the everyday lives of such luminaries as Rachel Cusk, Edwidge Danticat, David McCullough, Haruki Murakami, and the late Carlos Fuentes and Seamus Heaney, among others. Margaret Atwood works in her garden. Tim O’Brien performs magic tricks for his family. And Louise Erdrich, who contributes an introduction, speaks with customers in her Minneapolis bookstore. At once inviting and poignant, the book reflects on writing and photography’s shared concerns with invention, transformation, memory, and preservation. With 220 duotone images, The Writers: Portraits will appeal to fans of literature and photography alike.Published in association with the Harry Ransom Center at The University of Texas at AustinExhibition Schedule:Harry Ransom Center at The University of Texas at AustinAugust 26, 2022–January 1, 2023

WINNER OF THE WOLFSON HISTORY PRIZE AND THE DUFF COOPER PRIZE FOR NON-FICTION 'Endlessly fascinating and enjoyable' Neil MacGregor 'A marvellous book' David Attenborough 'Full of delights' Tom Stoppard An extraordinary exploration of the medieval world - the most beguiling history book of the year This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature. The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

Lancaster and York. For much of the fifteenth century, these two families were locked in battle for control of the English throne. Kings were murdered and deposed. Armies marched on London. Old noble names were ruined while rising dynasties seized power and lands. The war between the royal houses of Lancaster and York, the most complex in English history, profoundly altered the course of the monarchy. Alison Weir, one of the foremost authorities on British history, brings brilliantly to life both the war itself and the larger-tha-life figures who fought it on the great stage of England. The Wars of the Roses is history at its very best—swift and compelling, rich in character, pageantry, and drama, and vivid in its re-creation of an astonishing period of history.

Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.

The correspondence of a Founding Father and his brilliant wifeThe Letters of John and Abigail Adams provides an insightful record of American life before, during, and after the Revolution; the letters also reveal the intellectually and emotionally fulfilling relationship between John and Abigail that lasted fifty-four years and withstood historical upheavals, long periods apart, and personal tragedies. Covering key moments in American history - the Continental Congress, the drafting of the Declaration of Independence, the Revolutionary War, and John Adams's diplomatic missions to Europe - the letters reveal the concerns of a couple living during a period of explosive change, from smallpox and British warships to raising children, paying taxes, the state of women, and the emerging concepts of American democracy.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introdutions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

'A kind of blissography, teeming with bon mots' Sunday Times A celebrated modern classic that has revolutionised our understanding of the Bloomsbury group and remains the definitive biography of the group's gloriously eccentric patron, Lady Ottoline Morrell. Met with widespread acclaim and translated into fifteen languages, this seminal book provoked a rethinking of the traditional Bloomsbury narrative and the rewriting of some major biographies. For decades, Ottoline Morrell was grossly misunderstood. The artists and writers who benefited from her generous patronage and friendship helped to create the false and vicious image of a nymphomanical aristocrat with cultural aspirations. This landmark literary biography presents Morrell in an entirely new light, rightly setting her centre-stage as the brilliant and courageous lynchpin of the Bloomsbury group. She counted T.S. Eliot, Aldous Huxley, D.H. Lawrence, Lytton Strachey, Siegfried Sassoon, Augustus John, Katherine Mansfield and W.B. Yeats among her closest friends and houseguests. A legendary and agonisingly protracted love-affair with Bertrand Russell never undermined this unlikely couple's deep and understanding friendship. Ottoline's loyalty to her own promiscuous husband survived public humiliation and private crises. Overhauling the long-held conventional view of Morrell as a victim, a creature of her class who was born to be exploited and derided by her wittier friends, Seymour repaints the world of the Bloomsberries and rescues the grand life of Ottoline Morrell from the depths of historical obscurity.

Edward II (1284 1327), King of England, Lord of Ireland, and Duke of Aquitaine, was the object of ignominy during his lifetime and calumny since it. Conventionally viewed as worthless, incapable of sustained policy, and significant only for his sporadic displays of ill-directed energy or a stubborn adherence to greedy and ambitious favorites, he has been presented as fit only to be deposed and replaced by someone more worthy of the throne. This definitive biography, the fruit of a lifetime s study, does not present Edward II as a heroic or successful king: his deposition after a turbulent reign of nearly twenty years is proof enough that it went terribly wrong. But Seymour Phillips scrutiny of the multitude of available sources shows that a richer picture emerges, in line with the complexity of events and of the man himself. If Edward II was not a successful king, he was not fundamentally different in many ways from most English monarchs. The biography strikes a deft balance, taking full account of the problems the king faced in England, Scotland, and Ireland and in his relations with France. It also tackles the contentious issue of whether Edward II did not die in 1327, murdered under barbaric circumstances, but lived on as a captive in England and then a wanderer on the Continent. Eight hundred years on, a king s life is properly examined."

Donald Keene employs his prodigious wealth of knowledge, critical insight, and narrative aplomb to guide readers through the first nine hundred years of Japanese literature--a period that not only defined the unique properties of Japanese prosody and prose but also produced some of its greatest works. Covering courtly fiction, Buddhist writings, war tales, diaries, poems, and more, Seeds in the Heart explores a vast and variegated treasury of writings. Detailed textual examinations of classic texts--from the Kojiki to The Tale of Genji, from The Pillow Book of Sei Shônagon to Zeami's Nô plays--allow students, lay readers, and scholars a new understanding and enjoyment of this great literature.