Empfehlungen basierend auf "A Girl Called Shameless"

This searing and intimate novel in verse follows a sixteen-year-old girl coping with sexual abuse as she grapples with how to reclaim her story, her anger, and her body in a world that seems determined to punish her for the sin of surviving."This is more than a story about sexual violence—this book is about race, sexuality, love, and how anger can be a catalyst for healing."—Gabrielle Union, bestselling author, actress, and producerSixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her throughout the hallways at school—whispers that splinter into a million different insults that really mean: a girl who has had sex. But what her classmates don't know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn't recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.Alicia was abandoned by her best friend, quit the track team, and now spends her days in detention feeling isolated and invisible. When mysterious letters left in her locker hint at another victim, Alicia struggles to keep up the walls she's built around her trauma. At the same time, her growing attraction to a new girl in school makes her question what those walls are really keeping out."[This] fierce and brightly burning feminist roar…paints a devastating and haunting portrait of a vulnerable young woman discovering the power of her voice, her courage, and her rage." —Samira Ahmed, New York Times bestselling author of Internment and Hollow Fires

Liv Strömquists nya seriealbum Kunskapens frukt handlar om det som brukar kallas för det kvinnliga könsorganet. Vad är det för något? Och varför har mänskligheten ett så extremt osoft, bordelineartat love-or-hate-relationship med just denna mänskliga kroppsdel?I en brokig mosaik bestående av gamla greker, stenålderskvinnor, Sigmund Freud, Magnus Uggla, prinsessan Törnrosa, hinduistiska gudinnor, Dogge Doggelito, biologiböcker och Stig Larsson försöker Liv Strömquist knåpa ihop en bild av det organ som Gustave Coubert kallade Världens ursprung.

Thirteen-year-old Byron needs to get away, and doesn't care how. Sick of being beaten up by lads for "talkin' like a poof" after school. Sick of dad - the weightlifting, womanising Gaz - and Mam, who pissed off to Turkey like Shirley Valentine. Sick of all the people in Hucknall who shuffle about like the living dead, going on about kitchens they're too skint to do up and marriages they're too scared to leave.It's a new millennium, Madonna's 'Music' is top of the charts and there's a whole world to explore - and Byron's happy to beg, steal and skank onto a rollercoaster ride of hedonism. Life explodes like a rush of ecstasy when Byron escapes into Nottingham's kinetic underworld and discovers the East Midlands' premier podium-dancer-cum-hellraiser, the mesmerising Lady Die. But when the comedown finally kicks in, Byron arrives at a shocking encounter that will change life forever.Bold, poignant and riotously funny, What It Feels Like For a Girl is the unique, hotly-anticipated and addictively-readable debut from one of Britain's most exciting young writers.

Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queeens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. Meet Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bump–and–grind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.) Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York. Meet Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status. Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them–despite today's resurgence of burlesque.

"Powerfully raw, deeply moving, and utterly authentic. Rachel Lloyd has turned a personal atrocity into triumph and is nothing less than a true hero.... Never again will you look at young girls on the street as one of 'those' women—you will only see little girls that are girls just like us." —Demi Moore, actress and activist  With the power and verity of First They Killed My Father and A Long Way Gone, Rachel Lloyd’s riveting survivor story is the true tale of her hard-won escape from the commercial sex industry and her bold founding of GEMS, New York City’s Girls Education and Mentoring Service, to help countless other young girls escape "the life." Lloyd’s unflinchingly honest memoir is a powerful and unforgettable story of inhuman abuse, enduring hope, and the promise of redemption.

In the three decades since New York City's Stonewall rebellion, gay literature has exploded as a distinctive form of cultural expression. In a variety of styles and genres, gay men have increasingly begun to articulate their sexual identities. At the same time, gay writers and scholars have begun in earnest the search for a literary history long denied by the refusal to recognize homosexual love as an integral part of Western literature. Yet to date, no single volume has brought together the full range of poetry, fiction, essays, and autobiography that portray love between men. From the Epic of Gilgamesh to the poems of Allen Ginsberg and gay literature of the 1980s and '90s, The Columbia Anthology of Gay Literature draws together hundreds of texts from Western literary history that describe experiences of love, friendship, intimacy, desire, and sex among men. While other anthologies have focused primarily on poetry, drama, or fiction, this volume is the first to include a full range of genres. Spanning more than two millennia, from ancient Mesopotamia to the late twentieth century, this anthology brings together the best-known texts of gay male writing such as the poetry of Martial and Walt Whitman, and excerpts from E. M. Forster's Maurice, as well as from lesser known works such as nineteenth-century English homoerotic poetry and selections from two early American novels of homosexual love--Joseph and His Friend and Imre. In The Columbia Anthology readers become acquainted with the early bonds of male companionship found in Homer's writings on Zeus and Ganymede, and with the homoerotic poetry of Catullus and Juvenal. From Shakespeare's Sonnets to the philosophy of de Sade, to the political writings of Edmund White, this masterful anthology traces a multifaceted tradition. Arranged chronologically, sections are supplemented by illuminating introductory essays; many individual pieces include background commentary on the writer and the work. As a landmark to the enduring spirit of gay writers, this collection is an essential addition to the library of anyone searching for the historical foundations of gay identities. With its excellent annotations and suggestions for further reading, The Columbia Anthology of Gay Literature will also serve as an invaluable resource to students and scholars in need of a guide to a massive body of literature that has long been hidden, ignored, or misrepresented.

Queerness is everywhere and it always has been. But queer stories, culture and communities have been often hidden . . . Shortlisted for the SLA Information Book Awards 2025 'This affirming whistlestop tour through queer history and culture features an A-Z of camp icons as well as protest timelines, changing terminology, iconic artists, music, film and more. Engaging, witty and thoughtful, it’s full of a supportive kindness that LGBTQ+ teens may find indispensable.’ – The Guardian Queerbook is an invitation to discover and celebrate queer joy, past and present. It’s a whistlestop tour of all the fun (and serious) queer stuff that the foghorn of straight culture drowns out, and that you deserve to know: heroes and histories, science and stories, art, spaces, music, film, TV, fashion – along with jargon-free breakdowns of terms from sexuality and gender identity, to code-switching, intersectionality, bi-erasure, straightwashing, and much, much more. You don’t need any specific interests to read Queerbook – all you need is curiosity and a desire to learn more about what it means to be LGBTQ+. So, say no to the Straightrix and enter the technicolour world over the rainbow ... Ready? Queer we go!

Caroline ?Tula? Cossey was born with male genitalia but went on to become a beautiful woman with a successful modelling career. My Story is Tula?s candid thought provoking, enlightening, humorous, heart wrenching and motivational account of her struggles: her troubled childhood being bullied and taunted in East Anglia, her dreams of becoming a woman, the operations that liberated her sexually, and the journey from showgirl to James Bond girl to top international model. At the height of her career, Tula had appeared in Vogue, Cosmopolitan and Harper's Bazaar and graced the covers of many top fashion and beauty magazines and top calendars around the world. She was also the first transgendered model to appear in Playboy magazine and was featured on the cover of multiple international editions. After she was twice exposed by the News of the World, Tula?s career plummeted and her marriage to multimillionaire Elias Fattal was annulled. In the spring of 1989, she was forced to make a unique appeal to the European Commission of Human Rights: she was fighting for the legal validation of her marriage as a female and the right to have her birth certificate amended after gender reassignment surgery. Her activism led to appearances on Donahue, Joan Rivers, Howard Stern, Geraldo, Montel Williams, Maury Povich, Arsenio Hall, Neal Boortz, David Frost, Gloria Hunniford, BBC?s Question Time, Jonathan Ross, and numerous other television and radio shows. She has also often been featured on Entertainment Tonight and had a day named after her in Atlanta, Georgia and was given the key to the city. My Story is not just the true account of Tula?s battle for the body she needed to survive and her struggle for the legal rights she deserved as a woman. It is above all an inspirational exemplification of the triumph of the human spirit over seemingly insurmountable adversity and suffering.

From a writer of astonishing versatility and erudition, the much-admired literary critic, novelist, short-story writer, and scholar (“Dazzling”—The Washington Post; “One of those rare writers who seems to be able to work on any register, any time, any atmosphere, and make it her own” —The Observer), a book that explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more. Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history. Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire. She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James. Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.” She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

"You have chlamydia."Three words no man wants to hear.I've always been liberal with my appreciation of the female form, a firm believer in the 'try before you buy' principle, but living life to the fullest obviously didn't end well for me considering the unexpected—and very unwelcome—consequence of my free and easy past.After living through the horrendous experience that was informing my recent sexual partners of my acquired 'condition,’ I made a vow to myself – and a bet with my best friend—that the next woman I sleep with will be the ‘one.’What I will learn is that even when something happens and the games come to an end, there's always the chance of something—or someone—crashing in and changing everything.So this is my story. It may start with a venereal disease, but I promise you, I’m determined to get my happy ending.**Formerly Game Ender**