Empfehlungen basierend auf "A Coffin for the Canary"

Steve Wheeler is enjoying retired life. He does the odd bit of investigation work, but he prefers his familiar habits and routines. His days of adventure are over: adrenaline is daughter-in-law Amy's business now. Then a dead body, a bag of money, and a killer with their sights on Amy have her sending an SOS to the only person she trusts.

The fantastic new mystery from the author of Murder Most Unladylike. Daisy Wells and Hazel Wong have returned to Deepdean for a new school term, but nothing is the same. There's a new Head Girl, Elizabeth Hurst, and a team of Prefects - and these bullying Big Girls are certainly not good eggs. Then, after the fireworks display on Bonfire Night, Elizabeth is found - murdered. Many girls at Deepdean had reason to hate Elizabeth, but who might have committed such foul play? Could the murder be linked to the secrets and scandals, scribbled on scraps of paper, that are suddenly appearing around the school? And with their own friendship falling to pieces, how will Daisy and Hazel solve this mystery? Praise for the Murder Most Unladylike series: 'Ripping good fun' The Times 'Thrilling' Guardian 'Top class' Financial Times 'A delight' Daily Mail

A gripping mini-mystery from the bestselling author of Murder Most Unladylike.'I, the Honourable Daisy Wells, have decided to give an account of another mystery the Detective Society has faced in recent weeks. It was very exciting, and very heroic, and I was very brilliant and brave...'A daring thief has been robbing London's most famous museums. . .When Daisy's birthday treasure hunt leads them into the path of the culprit, Daisy and Hazel realise where they'll strike next - the British Museum!With help from their friends (and rivals) the Junior Pinkertons, the girls must crack codes, unravel clues and race against time to solve the mystery.

When Alice Ascher is murdered in Andover, Hercule Poirot is already on to the clues. Alphabetically speaking, it's one down, twenty-five to go.There's a serial killer on the loose. His macabre calling card is to leave the ABC Railway guide beside each victim's body. But if A is for Alice Asher, bludgeoned to death in Andover; and B is for Betty Bernard, strangled with her belt on the beach at Bexhill; then who will Victim C be?

A New York Times Book Review Editor’s Choice • Rex Stout meets Agatha Christie with a fresh twist in the new Pentecost and Parker Mystery, a delightfully hardboiled high-wire act starring two daring women sleuths dead set on justice as they set out to solve a murder at a traveling circus“A delight.... It’s a pleasure to watch [Pentecost and Parker] sifting through red herrings and peeling secrets back like layers of an onion.” The New York Times Book ReviewSomeone’s put a blade in the back of the Amazing Tattooed Woman, and Willowjean “Will” Parker’s former knife-throwing mentor has been stitched up for the crime. To uncover the truth, Will and her boss, world-famous detective Lillian Pentecost, travel to the circus, where they find a snake pit of old grudges, small-town crime, and secrets worth killing for.Will called Hart & Halloway’s Traveling Circus and Sideshow home for five years, and Ruby Donner, the circus’s tattooed ingenue, was her friend. To make matters worse, the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go.To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren’t playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink.

Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor--until Nelson comes calling, investigating a decades-long string of murder-suicides that's looming ever closer, in USA Today Elly Griffiths' penultimate novel in the beloved series. Three years after her mother's death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage--before she lived there--with a peculiar inscription on the back. Ruth returns to the cottage to uncover its meaning as Norfolk's first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological discovery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth's isolated cottage--until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it's too late. PRAISE FOR ELLY GRIFFITHS AND THE RUTH GALLOWAY SERIES Winner of the Edgar Award for Best Novel Winner of the Mary Higgins Clark Award Winner of the CWA Dagger in the Library Award "Galloway is an everywoman, smart, successful and a little bit unsure of herself. Readers will look forward to learning more about her." --USA Today "Elly Griffiths draws us all the way back to prehistoric times . . . Highly atmospheric." --New York Times Book Review "Forensic archeologist and academic Ruth Galloway is a captivating amateur sleuth--an inspired creation. I identified with her insecurities and struggles, and cheered her on." --Louise Penny

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

'Animal lovers will delight' Ann Granger on The Cat and the Corpse in the Old Barn 'A real treat . . . I loved it. Cats, dogs, murder and a credible and relatable heroine' Barbara Nadel on The Cat and the Corpse in the Old Barn Driving home from a ceramics evening class, Clarice Beech reflects on the absence of one of her students, Colin Compton-Smythe. Later, Emily, Colin's daughter, telephones to say her father has died during routine surgery. Distraught, Emily opens up to Clarice about his wretched childhood and the day five-year-old Colin returned home to discover Avril, his mother, gone. Colin never believed she would have left without him and had been trying to find out more about Avril's disappearance all those years ago. Clarice readily agrees to accompany Emily to Colin's funeral. On arriving at the stunning Victorian Gothic manor house, with Bellatrix, the majestic stone Siamese cat reposing at its entrance, Clarice soon becomes drawn into the fractious world of the Compton-Smythe family: Colin's argumentative father Ralph and his equally combative partner Tessa, their daughter, Dawn, being stalked by an ex-lover and, most unsettling of all, Ernestine, Ralph's emotionally unpredictable sister. And then there's Johnson, Ralph's menacing manservant. Clarice discovers the nearer she gets to the truth, the greater she is in danger as somebody is intent that the mystery of the missing wife should never be resolved.

A brutal murder with a golf club and an ingenious plot bursting with snobbery, suspicion , adultery and secrets -- to say nothing of the dreadful crime of catricide...The lives of the inhabitants of Swevenings are disrupted only by a fierce competition to catch the Old Un, a monster trout known to dwell in a beautiful stream which winds past their homes. Then one of their small community is found brutally murdered; beside him is the freshly killed trout. Both died by violence -- but Chief Detective Inspector Roderick Alleyn's murder investigation seems to be much more interested in the fish...

THE REMORSEFUL DAY'"Where does this leave us, sir?""Things are moving fast.""We're getting near the end, you mean?""We were always near the end."'The murder of Yvonne Harrison had left the Thames Valley CID baffled. A year after the dreadful crime they are still no nearer to making an arrest. But one man has yet to tackle the case - and it is just the sort of puzzle at which Chief Inspector Morse excels.So why is he adamant that he will not lead the re-investigation, despite the entreaties of Chief Superintendent Strange and dark hints of some new evidence? And why, if he refuses to take on the case officially, does he seem to be carrying out his own private enquiries?For Sergeant Lewis this is yet another example of the unsettling behaviour his chief has been displaying of late...THE WENCH IS DEAD'That night he dreamed in Technicolor. He saw the ochre-skinned, scantily clad siren in her black, arrowed stockings. And in Morse's muddled computer of a mind, that siren took the name of Joanna Franks...'The body of Joanna Franks was found at Duke's Cut on the Oxford Canal at about 5.30 a.m. on Wednesday, 22 June 1859.At around 10.15 a.m. on a Saturday morning in 1989 the body of Chief Inspector Morse - though very much alive - was removed to Oxford's John Radcliffe Hospital. Treatment for a perforated ulcer was later pronounced successful.As Morse begins his recovery he comes across an account of the investigation an trial the followed Joanna Franks death... and becomes convinced that the two men hanged for her murder were innocent...